She likes drugs and cigarettes, and when she learns that she's something of an anthropological curiosity herself--a "woman writer of color" treasured in her university for the flourish of rarefied diversity she brings--she pokes fun at American academic culture and its fixation on identity.When she is unexpectedly nominated for "the most important literary award in Europe," Mona sees a chance to escape her spiral of sunlit substance abuse and erotic distractions, and so she trades the temptations of California for small, gray village in Sweden close to the Artic. Now she's stuck in the company of all her jetlagged--and mostly male--competitors, arriving from Japan, France, Armenia, Iran, Colombia. Isolated as they are, the writers do what writers do: exchange compliments, nurse envy and private resentments, stab rivals in the back, and hop in bed together--and all the while, Mona keeps stumbling across the mysterious traces of a violence she cannot explain.As her adventures in Scandinavia unfold, Mona finds that she has not so much escaped her demons as locked herself up with them in the middle of nowhere. In Mona, Pola Oloixarac paints a hypnotic, scabrous and finally jaw-dropping portrait of a woman facing a hipster elite in which she both does and does not belong. A survivor of both patronization and bizarre sexual encounters, Mona is a new kind of feminist. But her past won't stay past, and strange forces are working to deliver her to the test of a lifetime.

    In vignette-like chapters and with a narrative style imbued with the fantastic, Guinart meets with numerous adventures and peculiar characters who offer him a composite, if surrealistic, view of an impoverished, war-ravaged society and shape his perception of his place in the world.As in Rodoreda's Death in Spring, nature and death play an fundamental role in a narrative that often takes on a phantasmagoric quality and seems to be a meditation on the consequences of moral degradation and the inescapable presence of evil.Mercè Rodoreda (1908–1983) is widely regarded as the most important Catalan writer of the twentieth century. Exiled in France and Switzerland following the Spanish Civil War, Rodoreda began writing the novels and short stories—Twenty-Two Short Stories, The Time of the Doves, Camellia Street, Garden by the Sea—that would eventually make her internationally famous.