There's Todd, the handsome stay-at-home dad dubbed "The Prom King" by the moms at the playground, and his wife, Kathy, a documentary filmmaker envious of the connection Todd has forged with their toddler son. And there's Sarah, a lapsed feminist surprised to find she's become a typical wife in a traditional marriage, and her husband, Richard, who is becoming more and more involved with an internet fantasy life than with his own wife and child. And then there's Mary Ann, who has life all figured out, down to a scheduled roll in the hay with her husband every Tuesday at nine P.M.They all raise their kids in the kind of quiet suburb where nothing ever seems to happen - until one eventful summer, when a convicted child molester moves back to town, and two parents begin an affair that goes further than either of them could ever have imagined.

    That they eat, sleep, and work side by side in the gossip-ridden mill town of Shirley Falls—a location fans of Strout will recognize from her critically acclaimed novel, The Burgess Boys—only increases the tension. And just when it appears things can't get any worse, Amy's sexuality begins to unfold, causing a vast and icy rift between mother and daughter that will remain unbridgeable unless Isabelle examines her own secretive and shameful past.A Reader's Guide is included in the paperback edition of this powerful first novel by the author who brought Olive Kitteridge to millions of readers.

    David Henry is forced by a blizzard to deliver his own twins. His son, born first, is perfectly healthy. Yet when his daughter is born, he sees immediately that she has Down's Syndrome. Rationalizing it as a need to protect Norah, his wife, he makes a split-second decision that will alter all of their lives forever. He asks his nurse to take the baby away to an institution and never to reveal the secret. But Caroline, the nurse, cannot leave the infant. Instead, she disappears into another city to raise the child herself. So begins this story that unfolds over a quarter of a century - in which these two families, ignorant of each other, are yet bound by the fateful decision made that long-ago winter night. Norah Henry, who knows only that her daughter died at birth, remains inconsolable; her grief weighs heavily on their marriage. And Paul, their son, raises himself as best he can, in a house grown cold with mourning. Meanwhile, Phoebe, the lost daughter, grows from a sunny child to a vibrant young woman whose mother loves her as fiercely as if she were her own.

    The novel explores two historical strands, bringing together an abused housewife from the 1970s and a young girl from the early 1940s in a story of love, loss and unexpected consequences.The Letter follows the life of Tina in the 1970s who seeks respite from her abusive marriage by volunteering at a charity shop. One day, while sorting through the pockets of a second-hand suit, she comes across an old letter. It is still firmly sealed and un-franked. Unable to resist the pull of curiosity, Tina opens the letter. It was written on 4th September 1939. She is so moved by the contents and bemused as to why the letter was never delivered, she embarks on a quest to find out what became of the writer and his intended recipient.The mystery of how this love letter ended up in Tina’s hands is also uncovered through Billy’s story from the early 1940s. He writes a letter that will change his life forever, unaware that it will not be read for another 34 years, and then by a complete stranger.With a swift pace, memorable characters and a wonderful conceptual depth, Hughes’ novel is one that simply can’t be put down.

    Jackson, Vivvie’s husband, was shot and killed 30 years ago, and the ramifications have splintered the family into their own isolated remembrances and recriminations.This deeply personal, hauntingly melancholy look at the damages families inflict on each other – and the healing that only they can provide – is filled with flinty, flawed and complex people stumbling towards some kind of peace. Like Elizabeth Strout and Kazuo Isiguro, Deborah Reed understands a story and its inhabitants reveal themselves in the subtleties: the space between the thoughts, the sigh behind the smile, and the unreliable lies people tell themselves that ultimately reveal the deepest truths.

    Is she an impostor in her own life? she asks herself. Is it indeed her own life? Or is it someone else’s?On the surface, Beck, as she is known to the Davitch clan, is outgoing, joyous, a natural celebrator. Giving parties is, after all, her vocation—something she slipped into even before finishing college, when Joe Davitch spotted her at an engagement party in his family’s crumbling nineteenth-century Baltimore row house, where giving parties was the family business. What caught his fancy was that she seemed to be having such a wonderful time. Soon this large-spirited older man, a divorcé with three little girls, swept her into his orbit, and before she knew it she was embracing his extended family plus a child of their own, and hosting endless parties in the ornate, high-ceilinged rooms of The Open Arms.Now, some thirty years later, after presiding over a disastrous family picnic, Rebecca is caught un-awares by the question of who she really is. How she answers it—how she tries to recover her girlhood self, that dignified grownup she had once been—is the story told in this beguiling, funny, and deeply moving novel.As always with Anne Tyler’s novels, once we enter her world it is hard to leave. But in Back When We Were Grownups she so sharpens our perceptions and awakens so many untapped feelings that we come away not only refreshed and delighted, but also infinitely wiser.

    Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten.Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four.The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time.Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.Source: john-irving.com

    It used to be a busy, crowded family home but now Edwina lives alone and it has grown too big for her. She has decided to sell it.The young estate agent who comes to value the house sees potential. Knock down a few walls, add a wet room. 'People like a project.' But as Edwina takes him from room to room, she is transported back to her old life as a young mother. Back to her first husband Ollie and their twins, James and Rowena. Back to lies and dark secrets and to a stepson whose name Edwina cannot even bear to speak aloud. As Edwina's story unravels she is revealed as a complex and intriguing person. Not just the 'frail old lady' trapped in her dated house, but a woman who has lived an extraordinary life, full of love and tragedy. Why is she now so alone? What happened to Edwina's family all those years ago?Moving - Jenny Eclair's fourth novel - reveals a writer at the height of her powers. Gripping, heart-breaking and laced with black humour, it is a novel of family secrets, shocking betrayals and most of all, of home.

    This vivid portrayal of the universal search for love brings with it a darker tale, heartbreaking in its poignancy.

    Though she's not due for another month, sudden labor pains force Tillie to reach out to her estranged father for help, a choice that means facing the painful memories she's been running from since she was a little girl. An extraordinary debut from a talented new voice, Up from the Blue untangles the year in Tillie's life that changed everything: 1975, the year her mother disappeared.

    A few hours later, Alice is lying in a coma after an accident that may or may not have been a suicide attempt. Alice's family gathers at her bedside and as they wait, argue, and remember, long-buried tensions emerge. The more they talk, the more they seem to conceal. Alice, meanwhile, slides between varying levels of consciousness, recalling her past and a love affair that recently ended. A riveting story that skips through time and interweaves multiple points of view, After You'd Gone is a novel of stunning psychological depth and marks the debut of a major literary talent.

    Bloom's astonishing and astute new work of interconnected stories illuminates the mysteries of passion, family, and friendship.Propelled by Bloom's dazzling prose, unmistakable voice, and generous wit, Where the God of Love Hangs Out takes us to the margins and the centers of real people's lives, exploring the changes that love and loss create. A young woman is haunted by her roommate's murder; a man and his daughter-in-law confess their sins in the unlikeliest of places. In one quartet of interlocking stories, two middle-aged friends, married to others, find themselves surprisingly drawn to each other, risking all while never underestimating the cost. In another linked set of stories, we follow mother and son for thirty years as their small and uncertain family becomes an irresistible tribe. Insightful, sensuous, and heartbreaking, these stories of passion and disappointment, life and death, capture deep human truths. As The New Yorker has said, "Amy Bloom gets more meaning into individual sentences than most authors manage in whole books."William and Clare. Your borders, your rivers, your tiny villages --I love to see you coming, I hate to see you go --The old impossible --Compassion and mercy --Between here and here --Permafrost --Lionel and Julia. Sleepwalking --Night vision --Light into dark --Fort Useless and Fort Ridiculous --By-and-by --Where the god of love hangs out

    But unlike other upper-class Indians on a foreign holiday, the recently widowed Pival is not interested in sightseeing. She is traveling thousands of miles from Kolkota to New York on a cross-country journey to California, where she hopes to uncover the truth about her beloved son, Rahi. A year ago Rahi devastated his very traditional parents when he told them he was gay. Then Pival's husband, Ram, told her that their son had died suddenly - heartbreaking news she still refuses to accept. Now, with Ram gone, she is going to America to find Rahi, alive and whole or dead and gone, and come to terms with her own life.Arriving in New York, the tour proves to be more complicated than anticipated. Planned by the company's indefatigable owner, Ronnie Munshi - a hardworking immigrant and entrepreneur hungry for his own taste of the American dream - it is a work of haphazard improvisation. Pavil's guide is the company's new hire, the guileless and wonderfully resourceful Satya, who has been in America for one year - and has never actually left the five boroughs. For modesty's sake, Pival and Satya will be accompanied by Rebecca Elliot, an aspiring young actress. Eager for a paying gig she's along for the ride, because how hard can a two-week "working" vacation traveling across America be?Slowly making her way from coast to coast with her unlikely companions, Pival finds that her understanding of her son - and her hopes of a reunion with him - are challenged by her growing knowledge of his adoptive country. As the bonds between this odd trio deepens, Pival, Satya, and Rebecca learn to see America - and themselves - in different and profound new ways.A bittersweet and bighearted tale of forgiveness, hope, and acceptance, 'AMERICA FOR BEGINNERS' illuminates the unexpected enchantments life can hold and reminds us that our most precious connections aren't always the ones we seek.RUNNING TIME ➼ 10hrs. and 49mins.©2018 Leah Franqui (P)2018 HarperCollins Publishers

    Seen through the eyes of young Linda Fallon and the young man who loves her.Anita Shreve, the bestselling author of The Pilot's Wife, returns with a dazzling new novel about love, forgiveness, and paths not followed. Linda Fallon encounters her former lover, Thomas Janes, at a literary festival where both have been invited to give readings from their work. It has been years since their paths crossed, and in that time Thomas has become a kind of literary legend. His renown is enhanced by his elusiveness; for most of the past decade, he has remained in seclusion following a devastating loss. This is no chance meeting. Thomas learned that Linda was reading at the festival and chose this moment to reestablish contact with a woman he passionately pursued years earlier. Their affair was disastrous, and a turning point in both their lives. Neither the intensity of their relationship nor the damage it did has ever been far from his memory. From the moment they speak, The Last Time They Met unfolds the story of Linda and Thomas in an extraordinary way: it travels back into their past, bypassing layers of memory and interpretation to present their earlier encounters with unshakable immediacy. In Africa, when Linda and Thomas were twenty-seven, and in Massachusetts, when they were in high school, the novel re-creates love at its exhilarating pinnacle - the kind of intense connection that becomes the true north against which all relationships are measured. Moving backward through time, The Last Time They Met traces the extraordinary resonance a single choice, even a single word, can have over the course of a lifetime. At the same time, the novel creates an almost unbearable mystery, a mystery that can only be understood fully in the novel's final pages, in the eyes of young Linda Fallon and the young man who loves her. With a master's control of phrase, observation, emotion, and character, Anita Shreve has written a beautiful and unforgettable exploration of intimacy, loss, and lifelong desire.

    As formative events go, nothing else comes close. With these words Edgar Mint, half-Apache and mostly orphaned, makes his unshakable claim on our attention. In the course of Brady Udall’s high-spirited, inexhaustibly inventive novel, Edgar survives not just this bizarre accident, but a hellish boarding school for Native American orphans, a well-meaning but wildly dysfunctional Mormon foster-family, and the loss of most of the illusions that are supposed to make life bearable. What persists is Edgar’s innate goodness, his belief in the redeeming power of language, and his determination to find and forgive the man who almost killed him. The Miracle Life of Edgar Mint is a miracle of storytelling, bursting with heartache and hilarity and inhabited by characters as outsized as the landscape of the American West.