New surroundings and new ideas, a new beginning. Fresh air."These are the opening lines of the journal kept by the narrator of Daniel Kehlmann's spellbinding new novel: the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany—a house that thwarts the expectations of his recollection and seems to defy the very laws of physics. The narrator is eager to finish a screenplay, entitled Marriage, for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him—and in himself.

    Her future looked set, until one night when she's saved from probable danger by a mysterious stranger. Cole has moved around a lot during his life, never finding a true home, until he buys an old house, and fate steps in to change his future. A light romance with a paranormal twist.

    They hide in back yards, car lots, shopping malls. They devour neighbors, dogs and police officers. And they are here to stay. The real question is, what are you going to do about it? How will you survive?How will the world change when the dead begin to rise? Stoker-award-winning author Christopher Golden has assembled an original anthology of never-before-published zombie stories from an eclectic array of today's hottest writers. Inside there are stories about military might in the wake of an outbreak, survival in a wasted wasteland, the ardor of falling in love with a zombie, and a family outing at the circus. Here is a collection of new views on death and resurrection.With stories from Joe Hill, John Connolly, Max Brooks, Kelley Armstrong, Tad Williams, David Wellington, David Liss, Aimee Bender, Jonathan Maberry, and many others, this is a wildly diverse and entertaining collection... the last word on The New Dead.

    Life is far from over for your favorite zombie teens: In How's Life, Purpose Statement, Doll Parts, and My Dead Heart the undead intrigue is at a heart racing high and Dan Waters' writing is at its finest.

    With her specialist's knowledge and demure disposition, Hannah is requested to aid the investigation. Except Hannah discovers her role is to apologise in the wake of the rude and disgraced man tasked with finding the murderer. The obnoxious Viscount Wycliff thinks to employ Hannah purely as a front to satisfy Whitehall, but she'll have none of that. The two must work together to find the murderer before the season is ruined. But the viscount is about to meet his greatest challenge, and it's not a member of the ton with a hankering for brains.

    Red as Blood and White as Bone by Theodora Goss is a dark fantasy about a kitchen girl obsessed with fairy tales, who upon discovering a ragged woman outside the castle during a storm, takes her in--certain she’s a princess in disguise.

    Conversion is instant. Headshots just make them angry. And they’re getting smarter. Ken Strickland has made it through the first moments. But his family is still out there. Can he survive? Can he find them? Or will he become one more of the creatures that now rule our world?

    In the years after, their father, John, taught them about the paranormal evil that lives in the dark corners and on the back roads of America...and he taught them how to kill it. Sam and Dean have hit New York City to check out a local rocker's haunted house. But before they can figure out why a lovesick banshee in an '80s heavy-metal T-shirt is wailing in the bedroom, a far more macabre crime catches their attention. Not far from the house, two university students were beaten to death by a strange assailant. A murder that's bizarre even by New York City standards, it's the latest in a line of killings that the brothers soon suspect are based on the creepy stories of legendary writer Edgar Allan Poe. Their investigation leads them to the center of one of Poe's horror classics, face-to-face with their most terrifying foe yet. And if Sam and Dean don't rewrite the ending of this chilling tale, a grisly serial killer will end their lives forevermore.

    from An Apple for the CreatureClora, a girl of particularly gruesome talents, must choose to defy her teacher and the woman who raised her—or else risk losing her soul.

    His childhood is his darkest secret, but after a near fatal accident along a deserted road, the darkness he was sure he’d escaped rears its ugly head… and smiles.But this time, he isn’t the only one who sees the soulless eyes of his past. This time, his six-year-old daughter Charlie leans into his ear and whispers: Daddy, I saw it too.And then she begins to change.Faced with reliving the nightmares of his childhood, Jack watches his daughter spiral into the shadows that had nearly consumed him twenty years before. But Charlie isn’t the only one who’s changing. Jack never outran the darkness. It’s been with him all along. And it’s hungrier than ever. A new breed of dark fiction: the subtlety of Seed will haunt you, and the end will wickedly satisfy.

    The planet is still under violent siege by ferocious animals. Humans are their desperate prey. Except some humans are evolving, mutating into a savage species that could save civilization-or end it.

    There are no regular people anymore."Ten years ago when the world ended she ran for her life.Five weeks ago the world she'd hidden from came knocking on the door of her secluded cabin.Ten days ago she found salvation hiding amongst the dead.Yesterday she went back for the living.Today she wonders if she will live to see tomorrow.What do you do when the world you were born to is gone?Where do you hide when even your own body isn't safe?Emma ran when her daddy told her to. She hid like he said she should. He was the first person she turned her back on. The first one she let die.Ten years has gone by and she still lives by the simple rules he taught her when she was nine years old."Don't help anyone. Don't go where other people are unless you have to. Trust no one. Always pull the trigger."Until one night she hears the worst sound in the world, a knock. A simple, timid knock, on the door to her cabin.Only the voice of the brave little girl, ready to die for her brother, persuades Emma to open the door.As her fingers turn the lock, she has a terrible feeling she will regret her decision.But even as regret fills her world, so do love and companionship. Things she never imagined she would ever have again.Everything comes at a cost; you decide what you'll pay.

    The cult became a worldwide phenomenon in 1975 when there was a massacre including the death of its infamous leader, Sister Katherine. Kyle's brief is to explore the paranormal myths surrounding an organization that became a testament to paranoia, murderous rage, and occult rituals. The shoot's locations take him to the cult's first temple in London, an abandoned farm in France, and a derelict copper mine in the Arizonan desert where The Temple of the Last Days met its bloody end. But when he interviews those involved in the case, those who haven't broken silence in decades, a series of uncanny events plague the shoots. Troubling out-of-body experiences, nocturnal visitations, the sudden demise of their interviewees and the discovery of ghastly artifacts in their room make Kyle question what exactly it is the cult managed to awaken – and what is its interest in him?

    else.But magical lands have little need for used-up miracle children.Nancy tumbled once, but now she’s back. The things she’s experienced... they change a person. The children under Miss West’s care understand all too well. And each of them is seeking a way back to their own fantasy world.But Nancy’s arrival marks a change at the Home. There’s a darkness just around each corner, and when tragedy strikes, it’s up to Nancy and her new-found schoolmates to get to the heart of the matter.No matter the cost.

    The prisoner demands that Malcolm perform a gory, bewildering task for him. As the clock ticks toward Dusha's release, Malcolm must attempt to find out whether he's assisting a murderer or an innocent. The End of the Sentence combines Kalapuya, Welsh, Scottish and Norse mythology, with a dark imagined history of the hidden corners of the American West.Maria Dahvana Headley and Kat Howard have forged a fairytale of ghosts and guilt, literary horror blended with the visuals of Jean Cocteau, failed executions, shapeshifting goblins, and magical blacksmithery. In Chuchonnyhoof, they've created a new kind of Beast, longing, centuries later, for Beauty.