But it is tending her beautiful garden with her handsome young gardener, Rex Kenwright, that ultimately saves Helen from grief. No stranger to bereavement himself, Rex finds comfort in Helen's company but it is seventeen-year-old Chloe who steals his heart.It is the swinging sixties, however, and Chloe has dreams of her own. When she announces that she is pregnant and moving in with her boyfriend, Adam Livingstone, she has no idea of the effect this will have on those she loves. Nor does she anticipate the rocky road to happiness that lies ahead...

    Moving on from a first love is never easy though and it's further complicated by the fact that Timmy's mother is the headmistress at Evie's school and can't hear a bad word said against him.Luckily, Evie has two sisters and a close circle of friends to help her through the tough times and as the war brings British RAF officers and American GIs to the once quiet and calm village - as well as evacuees, Land Girls and wounded servicemen - life is going to be anything but dull.

    In North Wales, Hester Coburn, a farm labourer's wife, gives birth to Nell, whilst in Norwich, in an exclusive nursing home, Anna is born to rich and pampered Constance Radwell. And in London, Elizabeth, Duchess of York, has her first child, Princess Elizabeth Alexandra Mary.The future looks straightforward for all three girls, yet before Nell is eight, she and Hester are forced to leave home, finding work with a travelling fair. Anna's happy security is threatened by her father's infidelities and her mother's jealousy, and the Princess's life is irrevocably altered by her uncle's abdication.Set in the hills of Wales and the rolling Norfolk countryside, the story follows Nell and Anna through their wartime adolescence into young womanhood as they struggle to overcome their problems, whilst watching 'their' Princess move towards her great destiny. Only when they finally meet do the two girls understand that each of them is 'someone special'.

    Or so she thinks. An unimaginable betrayal by those she loves causes her to flee her home and family one snowy night. Crushed and heartbroken, Ruby vows that despite the odds stacked against her she will not only survive, but one day will show the ones she left behind that she’s succeeded in making something of herself. Brave words, but the reality is far from easy. Dangers Ruby could never have foreseen and more tragedy threaten her new life, and love always seems just out of reach. Can a happy ending ever be hers?

    Only she was too shy to make her feelings known.When Matthew joins the army Jenny is also determined to do her bit for the war effort and becomes a nurse. Her newfound skills give her fresh confidence. However, when they meet again will he be the same man she once loved?(note: previously published as For All the Bright Promise)

    The day came when she was so hungry, so tired and worried, that she was reduced to going to Akersfield market and asking Dick Fletcher for help - Dick who had loved her years ago, who was now running his own successful market garden - and who was engaged to someone else. It was Dick who took her back home to her village in the dales, gave her a job, helped her to gain her self-respect again. But the time came when she knew she must stand on her own - make a life for herself and her daughters without him, and use all her courage and determination to become successful. It was to take many years, and all the tragedy of the 1914 war before Eleanor was able to repay Dick Fletcher for the great debt she owed him.

    A motley crew of friends has replaced the family she’s not spoken to in years. That is until the evening Kate’s sister Sarah walks back into her life. Sarah has a favour to ask: she needs Kate to return home to Dorset for one month to look after her daughter, Lizzie. Reluctantly Kate agrees, even though it means facing the troubled past she hoped she’d escaped. Kate is confronted once again by the prejudice and scrutiny of the townsfolk, including the new village vicar. As the war continues, Kate must fight her own battles and find not only the courage to forge a future but perhaps, at long last, love.'Milly Adams' readers will find the story and its rich cast of characters very appealing.'Lizzie Lane

    Harper. By the age of 18 she has become a talented cook, but when she falls in love with a Latimer, all their lives change with frightening swiftness.

    Her life seems perfect, until her father suddenly announces bankruptcy. To save Isabella from destitution he sends her to stay with family she has never met, far away on a violet farm deep in Devon.Isabella is horrified to find her uncle expects her to work for her keep, packing up the flowers and selling them in the nearby market. However she soon discovers that life on a violet farm may not be so bad, especially when she meets handsome local farmer Felix Furneaux… Perfect for fans of Dilly Court and Katie Flynn.

    

    A house full of stuff left behind by a dead woman, abandoned at the last . . .When trauma cleaner Essie Pound makes a gruesome discovery in the derelict Edinburgh boarding house she is sent to clean, it brings her into contact with a young policewoman, Emily Noble, who has her own reasons to solve the case.As the two women embark on a journey into the heart of a forgotten family, the investigation prompts fragmented memories of their own traumatic histories – something Emily has spent a lifetime attempting to bury, and Essie a lifetime trying to lay bare.Emily Noble’s Disgrace is the third novel from Mary Paulson-Ellis, the bestselling author of The Other Mrs Walker, a Waterstones Scottish Book of the Year.

    But as more children are born, Joe's wife Tess sinks deeper into the obsession that will be her undoing. When Tess screams her belief that the area is cursed, few people heed her ravings. She is ignored, even as the Myrtle Street tragedies become more frequent and begin to feature in local gossip. It is left to Megan, the third Duffy child - the one who felt she was unworthy and unloved because she had been born a girl - to end the curse. When she becomes embroiled in a web of deceit, Megan needs all her strength, talents, and wit in order to survive. But it is her capacity to give love that ensures her family's stability, the future of the Althorpe cotton mills, and the safekeeping of the Hall i' the Vale.

    And it is all Irene can do to keep the family together. Billy's addiction soon leads him into trouble. Despite having been brought up by her father to fear and distrust the police, Irene finds herself forced to collaborate with them to save her father from ruin. But Billy's errant ways finally catch up with him and he is imprisoned in Newgate jail. With her mother away from home, a desperate Irene has little choice but to seek help from Inspector Edward Kent - her sworn enemy. For only she can clear her father's name and unite the family once more ...

    Widowed Sid Rawlins, the rag-and-bone man, says she can come and live with him and he will give her child a name in return for her running his home and looking after his children. Despite the gossip a desperate Brenda has little choice but to accept. Life isn't easy for Brenda and little Ruby but they try make the best of things. Until Brenda falls in love with Sid's eldest son, Danny, and their affair causes trouble within the family. And when Sid dies and leaves the business to his cousin, Charlie, life becomes even harder for Brenda as she faces the threat of losing everything she holds dear...

    I'd have to lose my life before I'd lose you.'This is the vow Silas made to Cathleen on the day he asks her to marry him. Throughout their childhood their love has grown stronger and now, in 1900, they start to plan a life together. But a jealous woman is determined to ruin their happiness and uses Silas's father - a good and honest man - to do so, forcing him to make an impossible sacrifice. As a dutiful son, Silas has no choice but to obey his father, and Cathleen must pay the bitter price. Separated, each is swept along to a place where there is no love or peace and no way back . . .