From convict, bushranger and accused pirate, Cat transforms herself into an entrepreneur and pillar of colonial Tasmanian society. But how is she connected to a missing ship? And could she be involved in the disappearance of a priceless treasure that, one hundred and three years after her death, will be claimed not only by a foreign government but by unscrupulous men determined to use it for their own ends?Joanne, dean of history at the university and Cat’s descendant, is assigned the task of locating the missing artefact. Joanne believes the key may lie in a coded notebook she has inherited along with Cat’s other mysteries. But will she be able to decipher the message and put a century-old secret to rest? And will she survive to join her true love in the Governor’s House – a house that has come to mean as much to her as it did to her long-dead ancestor?

    Gripping, a standalone romantic thriller from an author at the top of her game.A tragic accident, a terrible crime, an unknown threat ...Scarred by a recent tragedy on Federation Peak, Tess Atherton is reluctant to guide a group of young hikers in the wild Tasmanian winter, but it seems safer than remaining amid the violence that threatens them in Hobart. Little does she know that she has brought the danger with her ...Detective Senior Sergeant Jared Denham is closing in on a serial killer, but someone doesn't want him getting to the truth and the case is becoming personal. He already owes Tess his life, and wants to return the favour - but when it comes to enemies, Jared may be looking in the wrong direction.Time is running out, and death is stalking them both ...Deadman's Track is a dark, compelling thriller, filled with vivid imagery and heart-stopping suspense. Sarah Barrie has made me desperate to visit Tasmania and simultaneously terrified of ever stepping foot there. I loved every moment. -Nicola Moriarty, author of The Ex

    Melissa’s phone call takes Tanner away from drug dealers and crooked property developers into the highest end of corporate corruption – mining companies trying to cover up environmental disasters and families at the top of the rich list who think they’re above the law.As he pursues those who had Cheung incarcerated, Tanner unearths cover-up after cover-up, putting his life and those of others in danger as he tries to bring the perpetrators to justice.A tough, gritty legal thriller from the bestselling author of Hell Has Harbour Views

    Someone comes into your orbit and swivels you on your axis, like the wind working on a rooftop weather vane. And when they leave, as the wind always does, you are different; you have a new direction. And it’s not always north.Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: Insidiously. Irreparably. Like a puzzle, he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again. So Taylor consulted The Art of War and made a plan. Then she took the next step – one that would change her life forever. Then things get really out of control – and The Sunday Girl becomes impossible to put down.

    Only Pen knows the reason why.College life had seemed like a wonderland of sex, drugs and maybe even love. The perfect place to run away from your past and reinvent yourself. But Pen never can run far enough and when friendships are betrayed, her secrets are revealed. The consequences are deadly.‘This is about three deaths. Actually more, if you go back far enough. I say deaths, but perhaps all of them were murders. It’s a grey area. Murder, like beauty, is in the eye of the beholder. So let’s just call them deaths and say I was involved. This story could be told a hundred different ways.’‘This is a novel of disquieting intimacy and controlled suspense, Aoife Clifford deftly tightening the screws until we share the narrator’s sense of emotional and physical confinement and the unremitting grip of the past.’ - Garry Disher, author of Bitter Wash Road

    Two vicious murderers, fleeing Alice Springs, hide on a battered truck carrying mail, food and supplies on its fortnightly journey to remote cattle stations.

    The police have no leads. The people of Quala are divided by dread and distrust. But the sugar crush is underway and the cane must be burned.Meanwhile, children dream of a malevolent presence, a schoolteacher yearns to escape, and history keeps returning to remind Quala that the past is always present.As the smoke rises and tensions come to a head, the dark heart of Quala will be revealed, affecting the lives of all those who dwell beyond the cane.The Cane is an evocative and atmospheric thriller, and announces an exciting new voice in Australian crime writing.'A fine, brave, perceptive writer.' - Mark Dapin, journalist and author of Public Enemies'A stunning piece of Australian rural noir.' - Mark Brandi, bestselling author of Wimmera and The Rip

    His frantic mother receives a disturbing ransom call. It's only hours before the deadline, and the police have no leads.Enter Timothy Blake, codename Hangman. Blake is a genius, known for solving impossible cases. He's also a sociopath - the FBI's last resort.But this time Blake might have met his match. The kidnapper is more cunning and ruthless than anyone he's faced before. And Blake has been assigned a new partner, a woman linked to the past he's so desperate to forget.Timothy Blake has a secret, one so dark he will do anything to keep it hidden.And he also has a price. Every time he saves a life, he takes one…Already sold into five territories, Hangman is a mesmerising dissection of the criminal mind and a bulletproof thriller. ‘Jack Heath’s Hangman is a perverse, twisted take on a crime novel—and I loved every page of it. What a rarity to find a thriller as dark as a Palahniuk and as compulsively readable as a Patterson. Two well-chewed thumbs up for Hangman.’ —Gregg Hurwitz, NYT-Bestselling author of Hellbent‘Jack Heath’s writing grabs you by the throat, gnaws on your bones, and washes it all down with a hefty dose of funny. Sick, twisted, violent, and oh so good. In Timothy Blake, Heath has created a one-of-a-kind character. I hope.’ —Emma Viskic, internationally bestselling author of And Fire Came Down‘Wild and original, HANGMAN stamps a high and bloodied mark on this dark genre. Hannibal Lecter will be adding Jack Heath to his reading list.’ —Ben Sanders, internationally bestselling author of American Blood

    And so she begins to unravel all that has been tying her up, picking through that day, piece by piece, from beginning to end. Over and over again. But sometimes what you uncover is not what you were searching for, and Elise finds herself face to face with a truth she had not expected.

    More please.' - Michael Robotham'My friend Bryan Brown, quite apart from his other manifold talents, turns out to be an excellent writer. An authentic voice; highly imaginative yet completely believable, with a flair for fully realised characters and a gripping narrative … a great story teller. This is utterly baffling. I'm furious.' - Sam NeillIt was a gentle knock. Agnes had been waiting for it. Hoping he would be on time. Such a lovely fella, she thought...'Come on through. Got a surprise for you,' she said.He had one for her too.Phil and Sweet Jimmy are cousins. Phil grows orchids . . . spider orchids . . . learnt about them in the nick. Jimmy likes orchids, too, but there are other things he likes even more . . .Trish Bennett didn't like her life. Hadn't liked it for a long time. Been on the streets. Bit of this for a bit of that. The 'that' wasn't always nice. Then Ahmed found her.Sam is a tea-leaf, a thief. Likes nickin. . . anything . . . always has . . . until the day he knocked off more than the Volvo.Fell for the sexy and beautiful Sue May from Hong Kong, Frank Testy did. Silly old prick. What price for ego? A huge bloody price it turns out.Taut and crackling with character, these gritty, raw and sometimes very funny stories from Australian great Bryan Brown are Aussie Noir at its best. Crime doesn't discriminate . . . it can happen to anyone . . . it could happen to you . . . in any ordinary suburb . . . at any time.

    She's rarely left its comforting embrace. She knows everyone in it; in fact, she's related to most of them. All she wants is to keep her family safe and the town running exactly the way it always has. Her way. But when an exotic French artist comes to town, her hold begins to weaken...Lucienne Chevalier, once the toast of Europe, has come to Nyringa after a tragic loss to hang up her sequins and create a place for her circus family to rest between tours. With her is Simon, her grandson, recovering from an injury so damaging he can no longer perform. Lucienne fears he'll never embrace a new future. That is, until she notices the chemistry between him and the new schoolteacher... All they need is a push.Both grande dames think they know what's best, but with equal amounts of stubbornness on both sides, peace looks unlikely. Then a relationship between Alice's rebellious great-niece and a teenage acrobat sets the two communities on a collision course. But when the bakery starts making patisseries over lamingtons, the battle lines are truly drawn...A story of community and family. Of the love that brings them together ... and the fears that would tear them apart.

    Our fears pick us.Tash Carmody has been traumatised since childhood, when she witnessed her gruesome imaginary friend Sparrow lure young Mallory Fisher away from a carnival. At the time nobody believed Tash, and she has since come to accept that Sparrow wasn’t real. Now fifteen and mute, Mallory’s never spoken about the week she went missing. As disturbing memories resurface, Tash starts to see Sparrow again. And she realises Mallory is the key to unlocking the truth about a dark secret connecting them. Does Sparrow exist after all? Or is Tash more dangerous to others than she thinks?

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...

    Her distinguished career ended under a cloud over a decade earlier, following an unspecified scandal involving a much younger male teacher. After losing her savings in the financial crash, she is forced to sell the dream house she had built for her old age and live on in her dilapidated cottage opposite. Initially extremely resentful and hostile towards Frank and Evelyn, the young couple who buy the new house, she develops a flirtatious friendship with Frank, and then a grudging affinity for his 12-year-old niece, Kim, who lives with them. Thea has never liked children, but she discovers an unexpected bond with  the solitary, half-Vietnamese Kim, an awkward, bookish child from a very deprived background. As Thea and Kim become close, Thea begins to find  Frank's behavior increasingly irresponsible, and to harbor worries that all is not well in the house. Her growing suspicions, which may or may not be irrational, start to dominate her life, and build to a catastrophic climax.

    A painting that shatters a woman’s peace. And a decades-old mystery demanding to be solved. Australia, 1906 : Orphan Jane Piper is nine years old when philanthropist siblings Michael and Elizabeth Quinn take her into their home to further her schooling. The Quinns are no strangers to hardship. Having arrived in Australia as penniless immigrants, they now care for others as lost as they once were.Despite Jane’s mysterious past, her remarkable aptitude for mathematics takes her far over the next seven years, and her relationship with Elizabeth and Michael flourishes as she plays an increasingly prominent part in their business.But when Elizabeth reacts in terror to an exhibition at the local gallery, Jane realizes no one knows Elizabeth after all—not even Elizabeth herself. As the past and present converge and Elizabeth’s grasp on reality loosens, Jane sets out to unravel her story before it’s too late.From the gritty reality of the Australian goldfields to the grand institutions of Sydney, this compelling novel presents a mystery that spans continents and decades as both women finally discover a place to call home.Praise for The Girl in the Painting:“Combining characters that are wonderfully complex with a story spanning decades of their lives, The Girl in the Painting is a triumph of family, faith, and long-awaited forgiveness. I was swept away!” —Kristy Cambron, bestselling author of The Paris DressmakerStand-alone novel with rich historical detailsBook length: 102,000 wordsIncludes discussion questions for book clubs and historical note from the authorAlso by Tea Cooper: The Cartographer’s Secret and The Woman in the Green Dress