. . with a ring! But she's going to learn that marriage isn't all candlelight, roses, and kisses. There's also cooking, ironing, cleaning, and budgeting— and will she be able to find time to forge a writing career?

    Her father grew up during the Depression, believed he'd be the next Frank Sinatra, and ended up working in the mills. His daughter, Lori Jakiela, spent her suburban Pittsburgh childhood watching Marlo Thomas in That Girl and dreaming of New York City.Instead, she got bad talent shows, a Junior Miss contest, and college in Erie, PA, where the big attraction was chicken wings. But years later, her Big Apple dreams were still going strong. With her twenties becoming a distant memory, Jakiela answered an airline ad promising a NYC home base, high-flying glamour, and three-day layovers in Paris. The reality was a roach-filled apartment in Queens, a polyester uniform cut like a sack, and a life that wasn't quite what she imagined.

    No Jobs. No friends. Just buckets of our own ignorance. Follow along in horror and hilarity as the family acclimates to the new small town way of life and the author bounces from jobs working in a school cafeteria to selling women’s clothing in a call center to opening a barbecue restaurant. Written in a smart, self-deprecating, salty style, Small Town Ho is all at once poignant and laugh-out-loud funny, full of the struggle of an ordinary family consisting of three boys, one big black lab, one assassin of a cat, and two very tired parents.

    Missions are pillaged, native peasants are abused, and innocent men and women are persecuted by the corrupt governor and his army.But a champion of freedom rides the highways. His identity hidden behind a mask, the laughing outlaw Zorro defies the tyrant's might. A deadly marksman and a demon swordsman, his flashing blade leaves behind . . .First published in 1919, The Mark of Zorro has inspired countless films and television adventures. Now read how the legend began.

    Strange people from nearby and halfway around the world arrive at her home with their stories and struggles, not to mention their baggage, psychological and otherwise.In explaining why she opened a B&B, she says, "I was far too old for prostitution, the only other job I could think of which might net enough to pay the mortgage." ˃˃˃ HUMOR, A LITTLE TRAGEDY AND MANY LIFE LESSONS. (But mostly humor.) What does a hostess do when a dog rips the bathroom apart? Or gerbils reproduce in the attic?Make wonderful breakfasts and keep on keeping on. ˃˃˃ SURE FIRE BREAKFAST RECIPES Lots of other recipes as well, guaranteed to turn out. And some advice that may or may not work, but what can you lose by trying? Scroll up and grab a copy of HOW NOT TO RUN A B&B!

    An O. Henry Prize winner,  a two-time recipient of PEN Fiction Awards, and a 2006 National Endowment for the Arts Literary Fellow, Rose has written “a surprisingly fun, and moving, book with resonance” (Chicago Tribune).

    But what of the unseen Alan? For the first time, this famously private man welcomes us into his home and audibly deshrouds himself for a fascinating series of podcasts. Over the course of 18 generously durated episodes, Partridge grants us full and unfettered access to his off-screen life (within reason). In exchange for a series of payments from Audible, he promises an access-all-areas pass to the nooks and crannies of his hinterland, to reveal a wiser, cleverer, more reflective Alan than many of his more vaunted peers have given him credit for. He then sends the resultant podcasts to Audible ensuring they meet the technical specifications laid down in the contract.

    Cole Moreton tells the story of the Blaskets through the eyes of the Kearney family, who lived there for generations until 1947 when they paid a terrible price for their isolation-a young man's life. Moreton discovers a few survivors still alive within sight of the Great Blasket, but most had left Ireland for America, settling in Massachusetts. Hungry for Home is a beautifully written and gripping account of a quest for a vanished people, and the Kearneys' incredible journey into the twentieth century is "a moving, atmospheric testament to the mythic lure of home". Entertainment Weekly.

    In the 1960s, Kesey led a group of psychedelic sympathizers around the country in a painted bus, presiding over LSD-induced "acid tests" all along the way. Long considered one of the greatest books about the history of the hippies, Wolfe's ability to research like a reporter and simultaneously evoke the hallucinogenic indulgence of the era ensures that this book, written in 1967, will live long in the counter-culture canon of American literature.

    With no running water, no electricity, a house in need of constant repair, and days that ran from four in the morning to nine at night, the MacDonalds had barely a moment to put their feet up and relax. And then came the children. Yet through every trial and pitfall—through chaos and catastrophe—this indomitable family somehow, mercifully, never lost its sense of humor.An immortal, hilarious and heartwarming classic about working a chicken farm in the Northwest, a part of which first appeared in a condensed serialization in the Atlantic monthly.

    He was older, married, more “establishment,” a celebrated foreign correspondent and editor. She, who entered Harvard at age sixteen, was a brilliant wild child of the sixties. She lived life in the present tense, where every affair was an adventure. Then Darling fell in love and everything changed.This is a story of the many lessons love can teach us, of a marriage turned upside down and inside out, and all the tenderness, thrills, comfort, and yes, even disappointment, that comes with the territory. Lynn Darling thought she knew the narrative of her own life, until it really began with her “one true north,” and now, ten years after his death, her story is still unfolding.From the Hardcover edition.

    Clarence Day's reminiscences of growing up in a turn-of-the-century New York household which keeps wriggling out from under the thumb of a blustering Wall Street paterfamilias are classics of American humor, lively and nostalgic sketches that still manage to evoke the enduring comedy of family life. Father's explosive encounters with horse and cook, servants and shopkeepers, wife and children—to say nothing of his vigorous pursuit of ice!—retain their hilarious appeal in no small part because the younger Day never seems put out by the older man's actions, never describes him with less than affectionate amusement. As a result, Life with Father remains as a contemporary critic described it: "A delightful book alive with energy and collisions and the running water of happiness."A bestseller when it was first published in 1935, Life with Father was the inspiration for one of the longest-running hits in Broadway history and was later adapted successfully for both film and television.Clarence Day was born in 1874. After graduation from Yale, he followed his father to Wall Street, but his business career was cut short by illness. Turning to writing and drawing, he became an early contributor to The New Yorker and authored several books, the most famous of which was Life with Father. Day died in December 1935, just a few months after Life with Father was published. Life with Mother appeared posthumously."A delightful book alive with energy and collisions and the running water of happiness."—The New Republic"One of the most chuckling books of our time."—The Atlantic"The only reason for reading Life with Father is the fun of it."—New York Times"Such a rich and rounded character as Father has not appeared in literature for many a year. A novelist would be ranked as a genius for inventing him; Clarence Day didn't need to."Books"It won't be so much fun reading Life with Father unless you have someone at hand to whom you can read snatches whenever enjoyment becomes too great to be self-contained any longer."—Boston Transcript

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    One fateful afternoon in March 1996, however, having grown weary of his hopelessly elitist lifestyle, he decided to buy a half-price ticket and check out Andrew Lloyd Webber's record-breaking juggernaut. No, he did not expect the musical to be any good, but surely there were limits to how bad it could be. Here, Queenan was tragically mistaken. Cats, what Grease would look like if all the cast members were dressed up like KISS, was infinitely more idiotic than he had ever imagined. Yet now the Rubicon had been crossed. Queenan had involuntarily launched himself on a harrowing personal oddyssey: an 18-month descent into the abyss of American popular culture. At first, Queenan found things to be every bit as atrocious as he expected. John Tesh defiling the temple of Carnegie Hall reminded him of Adolf Hitler goose-stepping in the shadow of the Eiffel Tower. The Celestine Prophecy and The Horse Whisperer proved to be prodigiously cretinous. And the sight of senior citizens forking over their hard-earned nickels and dimes to watch Joe Pesci in Gone Fishin' so moved Queenan that he began standing outside the theater issuing refunds to exiting patrons. But then something strange happened. Queenan started enjoying Barry Manilow concerts. He went to see Julie Andrews and Liza Minnelli and Raquel Welch in Victor/Victoria. He said nice things about Larry King and Charles Grodin in his weekly TV Guide column. He spent hours planted in front of the television, transfixed by special, two-hour episodes of Walker: Texas Ranger. He actually ordered the dreaded zuppa toscana at the Olive Garden. Most frightening of all, he shook hands with Geraldo Rivera. How Queenan finally escaped from the cultural Hot Zone and returned to civilization is an epic tale as heart-warming, awe-inspiring, and life-affirming as Robinson Crusoe, The Adventures of Marco Polo, Gulliver's Travels, and Swiss Family Robinson. Well, almost.

    First published serially in the feminist journal The Forerunner in 1910, The Crux tells the story of a group of New England women who move west to start a boardinghouse for men in Colorado. The innocent central character, Vivian Lane, falls in love with Morton Elder, who has both gonorrhea and syphilis. The concern of the novel is not so much that Vivian will catch syphilis, but that, if she were to marry and have children with Morton, she would harm the "national stock." The novel was written, in Gilman’s words, as a "story . . . for young women to read . . . in order that they may protect themselves and their children to come." What was to be protected was the civic imperative to produce "pureblooded" citizens for a utopian ideal.Dana Seitler’s introduction provides historical context, revealing The Crux as an allegory for social and political anxieties—including the rampant insecurities over contagion and disease—in the United States at the beginning of the twentieth century. Seitler highlights the importance of The Crux to understandings of Gilman’s body of work specifically and early feminism more generally. She shows how the novel complicates critical history by illustrating the biological argument undergirding Gilman’s feminism. Indeed, The Crux demonstrates how popular conceptions of eugenic science were attractive to feminist authors and intellectuals because they suggested that ideologies of national progress and U.S. expansionism depended as much on women and motherhood as on masculine contest.