A 19th-century maritime classic brimming with courage, ingenuity, and daring.

    "It can't be that marriage is the only--the only irrevocable thing If you had a partner that you couldn't go on with, you could come to SOME agreement You could make a sacrifice, but somehow you could end the association Peter," she said, earnestly, "when I think of marketing again--six chops and soup-meat and butter and baking powder--I feel sick When I think of unpacking the things I've washed and dusted for five years--the glass berry bowl that somebody gave us, and the eleven silver tea-spoons--I can't bear it "

    W. De Long and his ship Jeannette, which had left San Francisco two years earlier to drift across the North Pole while trapped in ice. There had been no word from the Jeannette for months. The ship was never found, but John Muir's account of this expedition--which includes vivid descriptions of ice-choked seas, Arctic vegetation, awe-inspiring glaciers, and the native people--captures the magic and mystery of the farthest reaches of the American frontier. Founder of the Sierra Club and its president until his death, discoverer of Glacier Bay and father of the national park system, John Muir was a spirit so free that all he did to prepare for an expedition was to "throw some tea and bread into an old sack and jump over the back fence." In a world confronting the deterioration of the natural environment and an ever-quickening pace of life, the attraction of Muir's writings has never been greater.

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    It was the best-selling of Twain's works during his lifetime, as well as one of the best-selling travel books of all time.

    Paine wrote fiction, humor, verse and edited several magazines, but his outstanding work was a three-volume biography of Mark Twain, with whom he lived and traveled for four years. His travel books, all widely circulated, included The Car That Went Abroad; The Ship Dwellers; and this volume, The Tent Dwellers. In the Tent Dwellers, Paine describes the fishing/canoeing expedition on the waterways in southwest Nova Scotia, Canada, he made with his friend Eddie and their guides in 1908. See other titles by this author available from Kessinger Publishing. Due to the age and scarcity of the original we reproduced, some pages may be spotty, faded or difficult to read.

    Rider Haggard's 34th novel, "The Lady of Blossholme," is one of the author's more straightforward historical adventures. The story takes place in England during the reign of Henry VIII, in 1536.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

    This volume is produced from digital images created through the University of Michigan University Library's preservation reformatting program.

    This book has been restored and reprinted from the 1886 edition. It is a high quality reproduction that retains the typesetting and illustrations of the original, which adds to the charming antique feel of the book. The image on the paperback cover has been reproduced from the original gilt hardcover graphic. This volume also features a small blank plaque on the title page that would be perfect for the owner's name or a gift inscription.

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    Named after the Polynesian term for a rover, or someone who roams from island to island, Omoo chronicles the tumultuous events aboard a South Sea whaling vessel and is based on Melville’s personal experiences as a crew member on a ship sailing the Pacific. From recruiting among the natives for sailors to handling deserters and even mutiny, Melville gives a first-person account of life as a sailor during the nineteenth century filled with colorful characters and vivid descriptions of the far-flung locales of Polynesia.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    The joys and travails of building a home in Baja California.

    After graduating from Cambridge in 1903, he contributed humourous verse and whimsical essays to the British humour magazine Punch, joining the staff in 1906 and becoming an assistant editor. During this period he published 18 plays and 3 novels, including the murder mystery The Red House Mystery (1922). In 1924, he produced a collection of children[s poems When We Were Very Young. However he is most famous for his two Pooh books Winnie-the-Pooh (1926) and The House at Pooh Corner (1928), about a boy named Christopher Robin and various characters inspired by his son[s stuffed animals. Amongst his other works are Once a Week (1914), The Sunny Side (1921) and The Dover Road (1922).