But when history reveals a shocking truth about the man himself, the entire family is forced to confront questions of honesty and allegiance they thought had been resolved. AFTER THE REVOLUTION is a bold and moving portrait of an American family, thrown into an intergenerational tailspin, forced to reconcile a thorny and delicate legacy.

    . .but he was also manipulative and controlling, especially to those he loved.  His death begins to unravel deep secrets and shocking desires among the people he cared about the most. . . His daughter, Kristine, feels that with her father’s death she is finally free.  His best friend and business partner, Lamar, feels that now can finally have what he has longed for all these years: Kristine.  His protégé, Cole, the boxing champion and rising star, married a woman Bishop never approved of and may have been right about.  Rayne, the blues singer and ex-junkie relied on Bishop to keep her clean and is now slipping down a dark path without him.  And Rhonda, Lamar’s wife, is determined to ignore what has been unfolding in front of her if it means that her predictable life will go unchanged.  And then a newcomer steps onto the scene and threatens to turn everything upside down. Five very different people whose lives are only connected by Bishop suddenly find themselves up close and personal as desires, dreams and passions collide.

    In her best-known work, The Morality of Mrs. Dulska, a tyrannical landlady harasses, exploits, and even prostitutes the eccentric cast of tenants who occupy her stone tenement building. The petty-bourgeois tragicomedy that ensues is regarded as a landmark of early modernist Polish drama. A cross between Bertolt Brecht’s Mother Courage and Patricia Routledge’s Hyacinth Bucket, Mrs. Dulska keeps her purse strings tightly drawn and shows no compassion towards the sad plights of her lodgers—until she is forced to come to terms with her own possessive love for her son.  Now available for the first time in an English-language edition that firmly situates the play in the context of its performance history, Zapolska’s incisive play is an uncompromising look at gender, class, and relationships in fin-de-siècle Poland. “In her introduction to Zapolska's seminal play, Murjas discusses the many intriguing challenges involved in its cultural transference, combining the perspective of translator with that of theatre practitioner. This book is a rare treat in a much neglected area of modern scholarship.”—Elwira Grossman, University of Glasgow

    It is an incisive examination of the problems of independence and freedom in post-colonial Africa states, where few believe they have a stake in the future. In the words of one of the characters: "It was better while we waited. Now we have nothing to look forward to. We have killed our past and are busy killing our future." Francis Imbuga is a playwright and actor. He is the recipient of the Kenya National Academy of Sciences Distinguished Professional Award in Play Writing.

    Unfortunately, her imaginary friend Mr. Marmalade doesn't have much time for her. Not to mention he beats up his personal assistant, has a cocaine addic-tion, and a penchant for pornography and very long dildos. Larry, her only real friend, is the youngest suicide attempt in the history of New Jersey. MR. MARMALADE is a savage black comedy about what it takes to grow up in these difficult times.

    "Dark, demented humor, as horrifying as it is hilarious."--Michael Kuchwara, Associated Press

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    It has been produced and taught all over the world. Its companion play, The Destiny of Me, is the stirring story of an AIDS activist forced to put his life in the hands of the very doctor he has been denouncing.

     Reba runs away from her shabby and desolate rural community for the lure of New York City. Her tall and awkward frame lands her work modeling, but she is not prepared for the glamorous, drug-fueled life of a celebrated mannequin. After a series of painful relationships, she sees hope and an exit toward stability and sanity in the man who saves her brother's life. This man is Rick, a successful SoHo general practitioner with a warm family and an idyllic life that has left him restless and hollow. He doesn't take Reba seriously until he finds himself so enmeshed in her beauty that he risks losing everything--his home, his children and his beloved wife. Now this master monologist and author of the acclaimed Mall returns with a sprawling novel of urban desperation and desire that brings to mind the winding narratives of Tom Wolfe salted with the dark urges of Philip Roth. The New York Times hailed Eric Bogosian's fiction as "caustic, fast-paced....Adapting himself to fiction with...the same garrulous intensity he brings to plays and monologues, Mr. Bogosian sets in motion a suburban nightmare." And Entertainment Weekly has lauded his "merciless satirical vision (that) takes you deep into the dark heart of the American dream." Wasted Beauty is Bogosian's enthralling journey through the high life of drugs and fashion celebrity, middle-class guilt and sexual obsession. Copyright © 2005 by Simon & Schuster

    Often referred to as a "comedy of manners", "The School for Scandal" is one Sheridan's most performed plays and a classic of English comedic drama.

    He is best known for his plays Volpone and The Alchemist and his lyric poems as well. A good friend of William Shakespeare.His works had influenced many poets and writers such Jacobean and Caroline.

    Mega’s tired of playing games and there’s a new chick in his life, but there’s something about Taysia that he just can’t seem to shake. Will they finally let go and throw in the towel? Or is their love for one another strong enough for a happily ever after?

    Strongly influenced by cabaret and female drag, this exquisite rejection of shame and stereotype will punch you in the gut, break your heart and then take you dancing.

    When it is announced that the Inspector General is coming to visit incognito, Anton, the chief of police, hastens to clean up the town before his arrival. Local officials scurry to hide evidence of bribe-taking and other misdeeds, setting the stage for the arrival from St. Petersburg of Ivan, a penurious gambler and rake who is promptly taken by the townspeople to be the dreaded Inspector General. Ivan, and his servant, Osip, soon take advantage of the situation with hilarious results. First performed in 1836, the play transcends regional and national boundaries to offer a biting, highly entertaining glimpse of universal human foibles and failings.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.