Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    She quickly becomes obsessed with their dissolute director, but when the celebrated O'Hara arrives to take the lead, a different drama unfolds. He and Stella are bound in a past neither dares interpret.

    The Sultan of Monte Cristo is the first(in a series of) sequels to the Count of Monte Cristo.

    Ripley: "Her best novel" (The New Yorker). Set in Tunisia in the mid-1960s, this is the story of Howard Ingham, an American writer who has gone abroad to gather material for a movie too sordid to be set in America. Ingham is cool toward the girlfriend he left behind in New York-but his feelings start to change when she doesn't answer his increasingly aggravated letters, and the filmmaker who hired Ingham fails to show in Tunisia. Amid the tea shops and alleys of the souk, the sun-blasted architecture, and the beaches and hotels frequented by international tourists, Ingham tries to pass the time by working on a writing project. But a series of peculiar events-a hushed-up murder, a vanished corpse, secret broadcasts to the Soviet Union-will pull him in, and may finally put his increasingly fragile sense of morality to the test.

    In Basil's secret and unconsummated marriage to the linen-draper's sexually precocious daughter, and the shocking betrayal, insanity, and death that follow, Wilkie Collins reveals the bustling, commercial London of the 19th century wreaking its vengeance on a still powerful aristocratic world.

    The hunt is on for...ATLANTISMarine archaeologist Jack Howard has stumbled upon the keys to an ancient puzzle. With a crack team of scientific experts and ex–Special Forces commandos, he is heading for what he believes could be the greatest archaeological find of all time——the site of fabled Atlantis——while a ruthless adversary watches his every move and prepares to strike.But neither of them could have imagined what awaits them in the murky depths. Not only a shocking truth about a lost world, but an explosive secret that could have devastating consequences today. Jack is determined to stop the legacy of Atlantis from falling into the wrong hands, whatever the cost. But first he must do battle to prevent a global catastrophe.

    The find will change her life, sending her on an adventure of soldiers and rebels, wizards and warriors, and beasts both noble and monstrous. Each step will bring her closer to the truth of her potential, of the war, and of the fate of her world.

    This time, it leads to a medieval manuscript and murder. Was it an ordinary theft gone wrong or something more? The Carabinieri in Rome would like to know.Michael Romano is an American priest working in the Vatican's Secret Archives with a penchant for stepping over the line. Church Inquisitors have noticed -- and they aren’t happy. Nevertheless, Romano is also the Church’s senior paleographer, an expert in ancient manuscripts, and his expertise is needed to examine a ninth-century codex known as a Psalter.Father Romano’s examination leads him into the past as he uncovers an historical narrative of medieval forgeries, Saracen invasions and a legendary fight for the richest kingdom on earth. Yet he has unwittingly become a target for those who will stop at nothing to possess the secret of the Psalter.*Untraditional Christianity Warning

    The "Story of the Young Man with the Cream Tarts," "Story of the Physician and the Saratoga Trunk," and "The Adventure of the Hansom Cab" chronicle the exploits of Prince Florizel of Bohemia and Colonel Geraldine through some of 19th-century London's most dangerous haunts.

    She particularly enjoys studying the fossils and formations in the magnificent cave near her father's house. The cave seems plenty safe--until the day a mysterious intruder steals the rope she uses to climb out.Rafe Kincaid is a man used to being in control--of himself, his brothers, and his family's ranch. The last thing he expects is to find a woman trapped in the cavern on his land--or to be forced to kiss her!Rafe is more intrigued by Julia than any woman he's ever known. But when their developing relationship threatens a reconciliation with his brothers, will Rafe have to choose between his family and this new love that could heal his troubled heart and secure his happiness?

    But in the dead of night Sir Neville is murdered. Who did it? As suspicion falls on each of the house guests in turn, Knox finds himself faced with deception and betrayal on all sides, and only the enigmatic Angela Marchmont seems to offer a solution to the mystery. This 1920s whodunit will delight all fans of traditional country house murder stories.

    Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    

    Her doting parents want her to make a good match with a worthy gentleman and live a respectable life. She is beautiful and intelligent and she comes with a hefty dowry. There is no reason that she shouldn’t be able to find an eligible man and settle down.Tessa herself is the reason. The men who are attempting to court her are, in her opinion, boring and conceited. Not only that, Tessa craves excitement and adventure, of which there is little in her social circles. By chance, she comes across an advertisement for a bride brokerage company seeking eligible women of good breeding to go west and find husbands.One man on the list catches her eye and she begins corresponding with him, eventually agreeing to go to Montana to meet him. She can’t resist the possibility of finding someone different and even if she doesn’t, the adventure itself would be worth her time. Tessa makes a successful escape and sets out to make a new life in Montana.Dean Samuels is a Montana rancher who is in over his head. His ranch is struggling and his two children are unruly and in need of a caretaker. It’s clear to his younger brother, Marcus, that he needs help. He tells Dean about a mail order bride service and convinces him that he should utilize it to find a wife.After his wife, Sarah, had passed away, Dean never intended to marry again. His ranch and his children became his life. However, it becomes apparent that Sadie, his daughter, and his son, Jack, need stability and love. The demands of raising his children and keeping his head above water financially have taken a toll and Dean grudgingly gives in to Marcus’ idea.Sarah had been the love of his life and Dean doesn’t intend to let any other woman into his heart. He’s locked those kinds of emotions deep inside, not wanting to take the chance of getting hurt like that again. Because Dean has trouble expressing his feelings in writing, his younger brother Marcus agrees to help write the letters to Tessa. Dean is happy to leave that part up to him.When Dean and Tessa meet, sparks fly between the two strong willed people. Tessa is disappointed that Dean isn’t the romantic, sophisticated man she was lead to believe he was in the letters she received. Dean is aggravated that she isn’t a meek woman who is easily managed. Never mind the fact that she has no idea of how to take care of children and keep a home.Dean and Tessa struggle to find common ground and make their marriage work. Will they each take the risk and open their hearts to one another? Can their marriage survive and will they find love and contentment in each other? Their future happiness hangs in the balance under the Montana skies.

    Will the privileged Boston feminist Olive Chancellor succeed in turning her beloved ward into a celebrated activist and lifetime companion? Or will Basil Ransom, a conservative southern lawyer, steal Verena’s heart and remove her from the limelight? “The Bostonians has a vigor and blithe wit found nowhere else in James,” writes A. S. Byatt in her Introduction. “It is about idealism in a democracy that is still recovering from a civil war bitterly fought for social ideals . . . [written] with a ferocious, precise, detailed—and wildly comic—realism.”