This gripping study scrupulously reconstructs the Japanese attack, from its conception (less than a year before the actual raid) to its lightning execution; & it reveals the true reason for the American debacle: the insurmountable disbelief in the Japanese threat that kept America from heeding advance warnings & caused leaders to ignore evidence submitted by our own intelligence sources. Based on 37 years of intense research & countless interviews, & incorporating previously untranslated documents, At Dawn We Slept is history with the dramatic sweep of a martial epic.

    More than 150 years later, that number has barely budged. The Color of Money pursues the persistence of this racial wealth gap by focusing on the generators of wealth in the black community: black banks. Studying these institutions over time, Mehrsa Baradaran challenges the myth that black communities could ever accumulate wealth in a segregated economy. Instead, housing segregation, racism, and Jim Crow credit policies created an inescapable, but hard to detect, economic trap for black communities and their banks.The catch-22 of black banking is that the very institutions needed to help communities escape the deep poverty caused by discrimination and segregation inevitably became victims of that same poverty. Not only could black banks not "control the black dollar" due to the dynamics of bank depositing and lending but they drained black capital into white banks, leaving the black economy with the scraps.Baradaran challenges the long-standing notion that black banking and community self-help is the solution to the racial wealth gap. These initiatives have functioned as a potent political decoy to avoid more fundamental reforms and racial redress. Examining the fruits of past policies and the operation of banking in a segregated economy, she makes clear that only bolder, more realistic views of banking's relation to black communities will end the cycle of poverty and promote black wealth.

    Signed flat (without inscription) by author; Stated First Edition and first printing. See scans and description. New York: Truman Talley Books (St. Martin 's Press), 2003. 'Boots On The Ground: A Month With The 82nd Airborne In The Battle For Iraq', by Karl Zinsmeister. Octavo, illustrated jacket, black boards with copper spine imprinting, buff endpapers, author-signed on first free endpaper ('flat' signed, i.e. without inscription - see scan), 255 pp. ( x + 213 + 32 pp. color photographic section). New, and immaculate, cover to cover, including jacket. An example for the collector. A first-hand account of the title experience, by the editor-in-chief of American Enterprise magazine, who was, in 2003, a frontline reporter embedded with the 82nd Airborne. Ships in a new, sturdy, protective box, of course - not a bag. L202

    And Persico also provides a definitive answer to the perennial question Did FDR know in advance about the attack on Pearl Harbor?By temperament and character, no American president was better suited for secret warfare than FDR. He manipulated, compartmentalized, dissembled, and misled, demonstrating a spymaster's talent for intrigue. He once remarked, "I never let my right hand know what my left hand does." Not only did Roosevelt create America's first central intelligence agency, the OSS, under "Wild Bill" Donovan, but he ran spy rings directly from the Oval Office, enlisting well-placed socialite friends. FDR was also spied against. Roosevelt's Secret War presents evidence that the Soviet Union had a source inside the Roosevelt White House; that British agents fed FDR total fabrications to draw the United States into war; and that Roosevelt, by yielding to Churchill's demand that British scientists be allowed to work on the Manhattan Project, enabled the secrets of the bomb to be stolen. And these are only a few of the scores of revelations in this constantly surprising story of Roosevelt's hidden role in World War II.From the Hardcover edition.

    John Edmund Delezen felt a kinship with the people he was instructed to kill in Vietnam; they were all at the mercy of the land. His memoir begins when he enlisted in the Marine Corps and was sent to Vietnam in March of 1967. He volunteered for the Third Force Recon Company, whose job it was to locate and infiltrate enemy lines undetected and map their locations and learn details of their status. The duty was often painful both physically and mentally. He was stricken with malaria in November of 1967, wounded by a grenade in February of 1968 and hit by a bullet later that summer. He remained in Vietnam until December, 1968. Delezen writes of Vietnam as a man humbled by a mysterious country and horrified by acts of brutality. The land was his enemy as much as the Vietnamese soldiers. He vividly describes the three-canopy jungle with birds and monkeys overhead that could be heard but not seen, venomous snakes hiding in trees and relentless bugs that fed on men. He recalls stumbling onto a pit of rotting Vietnamese bodies left behind by American forces, and days when fierce hunger made a bag of plasma seem like an enticing meal. He writes of his fallen comrades and the images of war that still pervade his dreams. This book contains many photographs of American Marines and Vietnam as well as three maps.

    Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans--all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States' "exceptional" history and destiny.Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation--attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II.As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century's decades of devastating conflict.