He was magnificent, and I will never forget that, in that moment, I first loved him. And I believe--had I known what the future held for us: all the trouble, torment, battle, and grief of our lives--I still believe that I would have yielded my heart into his keeping as I did then . . .In a sweeping epic of the imagination, Alice Borchardt enters the wondrous realm of Arthurian legend and makes it her own. The Dragon Queen is the first volume in a trilogy of novels that boldly re-imagines Camelot--and casts Guinevere as a shrewd, strong-willed, magical warrior queen.Born into a world of terrible strife, where war is constant and weapons are never far from the hands of men or women, Guinevere, daughter of a mighty pagan queen, is a threat to her people and a prize to the dreaded sorcerer Merlin. Sent into hiding, she grows up under the protection of a shapeshifting man-wolf and an ornery Druid. But even on the remote coast of Scotland, where dragons feed and watch over her, she is not safe from the all-seeing High Druid Merlin. He knows the young beauty's destiny, and he will stop at nothing to prevent what has been foretold. For if Guinevere becomes Queen and Arthur, King, they will bring a peace to the land that will leave the power-hungry Merlin a shriveled magician in a weary cloak.Yet Guinevere possesses power of her own--dazzling power to rival even that of Merlin. Summoned from her home by forces she cannot fathom, she travels from the Underworld to an Otherworld of the Past, at each step calling on ancient powers to aid her way. When young Guinevere proves her mettle to an embarrassed Merlin, even her faithful dragon protectors cannot prevent the evil that the sorcerer rains down. Seeking revenge, Merlin banishes Arthur to a world from which the only escape is death. Now Guinevere must face Merlin's wrath without him--and prove that she is worthy of being Arthur's Queen.From the glass-roofed Great Hall at Tintigal to the lush garden forts of Wales, Alice Borchardt details the travels of Guinevere in a rich fabric of prose. The Dragon Queen is a novel of great emotional depth, timeless romance, and soul-stirring adventure.

    To be Deryni in a land ruled by the all-powerful Church is to be branded an outcast. But now, young Prince Kelson is about to assume the throne after the mysterious death of his father. He must be told of his magical heritage. For his legacy is being challenged by a woman who does not hesitate to lay full claim to her Deryni powers. And to face her in magical combat, Kelson must learn a lifetime’s worth of magic in a few short days.If he loses, he dies as his father did. And if he wins, he is King—but all the world will know that he is also Deryni…

    Elizabeth Tudor has been on the throne for a year, the date for her coronation having been chosen by her astrologer, Dr John Dee, at just 32 already famous throughout Europe as a mathematician and expert in the hidden arts. But neither Elizabeth nor Dee feel entirely secure. Both have known imprisonment for political reasons. The Queen is unpopular with both Roman Catholics and the new breed of puritanical protestant. Dee is regarded with suspicion in an era where the dividing line between science and sorcery is, at best, indistinct. And the assignment he's been given by the Queen's chief minister, Sir William Cecil, will blur it further: ride to the ruins of Glastonbury Abbey, bring back King Arthur's bones. The mission takes the mild, bookish Dee to the tangled roots of English magic and the Arthurian legacy so important to the Tudors. Into unexpected violence, spiritual darkness, the breathless stirring of first love...and the cold heart of a complex plot against Elizabeth. With him is his friend and former student, Robert Dudley, a risk-taker, a wild card...and possibly the Queen's secret lover. Dee is Elizabethan England's forgotten hero. A man for whom this world - even the rapidly-expanding world of the Renaissance - was never enough.

    Instead, his younger half-brother, Lleu, is chosen to be prince of Britain. Lleu is fragile, often ill, unskilled in weaponry and statesmanship, and childishly afraid of the dark. Even Lleu's twin sister, Goewin, seems more suited to rule the kingdom.Medraut cannot bear to be commanded and contradicted by this weakling brother who he feels has usurped his birthright and his father's favor. Torn and bitter, haunted by jealousy, self-doubt, and thwarted ambition, he joins Morgause, the high king's treacherous sister, in a plot to force Artos to forfeit his power and kingdom in exchange for Lleu's life. But this plot soon proves to be much more - a battlefield on which Medraut is forced to decide, for good or evil, where his own allegiance truly lies...

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.

    In this highly successful attempt to render Malory into Modern English, Steinbeck recreated the rhythm and tone of the original Middle English.

    The mist rose towards the sky to form a billowing cloud. From within the largest stone a ball of blue light steadily made its way towards her.Late one evening, a car accident leaves Tory - a daughter of a prominent history professor - stranded near a ring of stones in the English countryside. She resolves to spend the night at the sacred site; a black belt in Tae-kwon-do, Tory holds little fear for her safety...But across the vortex of time and space, she is being watched. The Merlin knows of the legend Tory is to become, and through the wisdom of the Old Ones, teleports her back to the Dark Age.Prince Maelgwyn of Gwynedd and his band of knights stumble across this mysterious woman dressed in jeans and a leather jacket. Believing she is the witch of the stones, they threaten to kill her. Rising to her own defence, Tory challenges the Prince's champion to unarmed combat. With her superior fighting skill she easily overwhelms the warrior, winning the admiration of the Prince, and changing the course of British history forever.

    She’s diligent in her chores and has agreed to marry a man of their choosing. But a visit to Slava, the local tradesman, threatens to upend her entire life.Entering his empty house, Matrona discovers a strange collection of painted nesting dolls—one for every villager. Fascinated, she can’t resist the urge to open the doll with her father’s face. But when her father begins acting strangely, she realizes Slava’s dolls are much more than they seem.When he learns what she’s done, Slava seizes the opportunity to give Matrona stewardship over the dolls—whether she wants it or not. Forced to open one of her own dolls every three days, she falls deeper into the grim power of Slava’s creations. But nothing can prepare her for the profound secret hiding inside the fifth doll.

    The 'Yankee' vows brashly to "boss the whole country inside of three weeks" and embarks on an ambitious plan to modernize Camelot with 19th c. industrial inventions like electricity and gunfire. It isn't long before all hell breaks loose!Written in 1889, Mark 'A Connecticut Yankee in King Arthur's Court' is one of literature's first genre mash-ups and one of the first works to feature time travel. It is one of the best known Twain stories, and also one of his most unique. Twain uses the work to launch a social commentary on contemporary society, a thinly veiled critique of the contemporary times despite the Old World setting.While the dark pessimism that would fully blossom in Twain's later works can be discerned in 'A Connecticut Yankee in King Arthur's Court, ' the novel will nevertheless be remembered primarily for its wild leaps of imagination, brilliant wit, and entertaining storytelling.

    Alone at the edge of the world, hope is all they have left.Desperate to save them, Omat journeys across the icy wastes, fighting for survival with every step. When she meets a Viking warrior and his strange new gods, they set in motion a conflict that could shatter her world...or save it.

    Rain must hold fast to her inner warrior, but she is startled and mystified by the first stirrings of mercy towards the enemy.

    Sir Gawain is a romance, a fairy-tale for adults, full of life and colour; but it is also much more than this, being at the same time a powerful moral tale which examines religious and social values.Pearl is apparently an elegy on the death of a child, a poem pervaded with a sense of great personal loss: but, like Gawain it is also a sophisticated and moving debate on much less tangible matters.Sir Orfeo is a slighter romance, belonging to an earlier and different tradition. It was a special favourite of Tolkien's. The three translations represent the complete rhyme and alliterative schemes of the originals.

    Constructed with exquisite skill, it sings at the tread of each human foot. No assassin can cross it unheard.The youth Takeo has been brought up in a remote mountain village among the Hidden, a reclusive and spiritual people who have taught him only the ways of peace. But unbeknownst to him, his father was a celebrated assassin and a member of the Tribe, an ancient network of families with extraordinary, preternatural skills. When Takeo's village is pillaged, he is rescued and adopted by the mysterious Lord Otori Shigeru. Under the tutelage of Shigeru, he learns that he too possesses the skills of the Tribe. And, with this knowledge, he embarks on a journey that will lead him across the famed nightingale floor—and to his own unimaginable destiny...

    Lavinia herself never speaks a word. Now, Ursula K. Le Guin gives Lavinia a voice in a novel that takes us to the half-wild world of ancient Italy, when Rome was a muddy village near seven hills. Lavinia grows up knowing nothing but peace and freedom, until suitors come. Her mother wants her to marry handsome, ambitious Turnus. But omens and prophecies spoken by the sacred springs say she must marry a foreigner--that she will be the cause of a bitter war--and that her husband will not live long. When a fleet of Trojan ships sails up the Tiber, Lavinia decides to take her destiny into her own hands. And so she tells us what Virgil did not: the story of her life, and of the love of her life. Lavinia is a book of passion and war, generous and austerely beautiful, from a writer working at the height of her powers.

    It follows Parzival from his boyhood and career as a knight in the court of King Arthur to his ultimate achievement as King of the Temple of the Grail, which Wolfram describes as a life-giving Stone. As a knight serving the German nobility in the imperial Hohenstauffen period, the author was uniquely placed to describe the zest and colour of his hero's world, with dazzling depictions of courtly luxury, jousting and adventure. Yet this is not simply a tale of chivalry, but an epic quest for spiritual education, as Parzival must conquer his ignorance and pride and learn humility before he can finally win the Holy Grail.