But sometimes, there are reasons for a fury like Tommy's. Tommy's relationship with Donna, the daughter of a man he hates almost as much as his own father, has led to more outbursts than anything else in Tommy's firecracker existence. With her unearthly beauty and a passion that rivals Tommy's own, he couldn't help but fall for her. But as everybody knows, the stories of star-crossed lovers never have happy endings -- especially not with explosive parties like these. Cropper's Cabin is Jim Thompson's hair-raising thriller of what no writer has known better before or since -- the hardscrabble existence of small-town American lives set to blow.

    Includes a special fifty-page appendix of essays on female noir pioneers.Awards include:Daniel Woodrell’s “Uncle”—Nominated for the Edgar and Anthony awardsCornelia Read’s “Hungry Enough”—Winner of the Shamus AwardContents:It's too late, baby by Annette MyersHigh yellow by Libby Fischer HellmannThe kiss of death by Rebecca PawelBlue vandas by Lynne BarrettServed cold by Zoë SharpThe chirashi covenant by Naomi HiraharaThe token booth clerk by Sara GranThe big O by Vicki HendricksSchool girl by Lisa Respers FranceNora B. by Ken BruenBumping uglies by Donna MooreCall me, I'm dying by Allan GuthrieEverybody loves somebody by Sandra ScoppettoneHungry enough by Cornelia ReadSunny Second Street by Charlotte CarterInterrogation B by Charlie HustonThe end of Indian summer by Stona FitchBlooming by Sarah WeinmanRound heels by Vin PackerCherish by Alison GaylinCutman by Christa FaustThe grand inquisitor by Eddie MullerUncle by Daniel WoodrellUndocumented by SJ RozanAppendix : women in the dark

    After strangling his blackmailing mistress on the day of his wedding, Prescott Marshall goes on the run with his new wifebut are the police on his trail?

    But when the city’s Mafia elite spring the notorious gun-for-hire, Roy once again finds himself thrown headfirst into a life of bloodshed and bullets as he sprints a breathless race to save the girl he left behind.

    When her younger sister is found at the center of a brutal murder investigation, tough-as-nails Sheriff Normandy Gold is forced to dive headfirst into the seedy world of 1970s prostitution and soon discovers a twisted conspiracy leading right to the White House.

    Here is a city of scheming Malibu actresses, ruthless gang members, virulent inequality, and washed-out police. Acclaimed and award-winning novelist Joe Ide imagines a Marlowe very much of our time: he’s a quiet, lonely, and remarkably capable and confident private detective, though he lives beneath the shadow of his father, a once-decorated LAPD homicide detective, famous throughout the city, who’s given in to drink after the death of Marlowe’s mother. Marlowe, against his better judgement, accepts two missing person cases, the first a daughter of a faded, tyrannical Hollywood starlet, and the second, a British child stolen from his mother by his father. At the center of COAST is Marlowe’s troubled and confounding relationship with his father, a son who despises yet respects his dad, and a dad who’s unable to hide his bitter disappointment with his grown boy. Together, they will realize that one of their clients may be responsible for murder of her own husband, a washed-up director in debt to Albanian and Russian gangsters, and that the client’s trouble-making daughter may not be what she seems. Steeped in the richly detailed ethnic neighborhoods of modern LA, Ide’s COAST is a bold recreation that is viciously funny, ingeniously plotted, and surprisingly tender.

    They were close friends of Prospero "Whip" Stark, a one-time major league phenom pitcher now living with a colorful group of outcasts in his remote, desert trailer park... and honing his detective skills reading classic crime novels. Hell-bent on justice, Whip's search for the killers leads him to the Champagne Cowboys, a gang of thieves covering their tracks with corpses.

    A Firebird transports a crew of glitter kids away from the city. Forget the trunk full of cash and illegal firearms. Forget the disco heist and sea of felonies left in their wake. They are five friends happily rolling down thunder road with no horizon in sight. They are YOUNG AMERICANS.

    In 'Spiderweb', Eddie Haines is collecting secrets from his wealthy clients in order to blackmail them.

    Until the day a shadowy rival known only as The Trader has her abducted and scarred for life as a warning to stay out of his way.Now Cay’s on her way to Mazatlan, where one of The Trader’s men has been spotted. There’s a big deal going down – but she’s not there to make a score. Just to settle one.

    Nothing more has been heard of him. Gerry Kells, the antihero of his shocking, brutal novel, is equally mysterious. A loner with a reputation but without a visible past, Kells simply appears, arranges the lives of the Los Angeles underworld, and then is heard no more.Only the strong prosper in the world of the depression. Seemingly amoral, Kells does prosper. He strikes to survive, kills without conscience, with­out time for conscience. But he never becomes a mere killing machine. His integrity, his humanity, abides in a code demanding that he pay for all services: those rendered for him, those rendered against him.Fast paced and very readable, the novel limns a true character who should take his place in our national literature, if only for his representation of the individual will to survive in one of the toughest times in American life.

    Three little children, found abandoned in different parts of the country. Three wonderfully sweet and startlingly gifted children who won the hearts of the grown-ups who adopted them.But now all three children were gone. Had they run away or been stolen? Their foster parents had to find them to find out. And on a rescue search that led them across America and into a world-within-a-world ruled by a psychically terrifying envoy of evil, little did they realize that the young ones they loved so briefly were now the unwitting possessors of a deadly power to harm.

    When two young girls disappear with a trunk-load of pot, unaware that their payload has been packed with an extra five kilos of cocaine, a lovable loser persuades a sociopathic killer to pursue them across Northern California in a violent, twisted goose-chase that ends in a horrific place none of them could have forseen.

    They were never seen again. The father of one of the boys has hired New York private eye Joe Dunne to find the men responsible and kill them.

    Recently, Kessinger Publishing's rare reprints has re-issued the book. The protagonist, Roger Stetworth, unwillingly joins a slave ship called the -Golden Hind- captained by Luke Chilton. (When Chilton demanded that Roger -sign aboard- he refused and was clubbed on the head and thrown overboard.) He is rescued by the -Hurst Castle- and doctored by a painfully stereotyped Irishman. The -Hurst Castle- is abandoned but does not founder in a gale and the crew, unable to get to him, are forced to leave Stetworth marooned aboard. The ship drifts into the center of the Sargasso Sea where Stetworth finds himself in a ships' graveyard in which survivors of previous shipwrecks still inhabit the forgotten ships. Stetworth must rely on his own ingenuity to get free from the choking sargasso weeds........ Thomas Allibone Janvier (July 16, 1849 - June 18, 1913) was an American story-writer and historian, born in Philadelphia of Provencal descent. Early life and marriage: Janvier received a public school education, then worked in Philadelphia for newspapers from 1870-81. In 1878 he married Catherine Ann Drinker (May 1, 1841- July 19, 1922), an artist who was the first woman teacher at the Pennsylvania Academy of the Fine Arts and first teacher to Cecilia Beaux. Later in life, she accompanied her husband on his travels while writing books and translating books from the Provencale language. Many of Janvier's published works would be dedicated -To C. A. J.- New York: Janvier went to New York in 1881. From 1884-94, he lived in the Washington Square district of New York. A few years after arriving, he published the Ivory Black Stories, tales of artist life, which were reprinted in book form in 1885 as Color Studies. In them he pictured the life and color of what was then considered the Latin quarter of the city, with the old-fashioned French restaurants, the artist colony to the north, and the studios in Tenth Street where Abbey, Millet, F. Hopkinson Smith, Laffan and others made the Tile Club famous. He published many stories and articles in Harper's Magazine.[2] Travels and death: Janvier spent several years in Colorado, New Mexico and Mexico, thereby gaining inspiration and material for much of his literary work. His travels in Mexico produced the Aztec Treasure House and his stories of Old New Spain. He and his wife also lived for three years in Avignon, Provence, France, where they became friends with Mistral and Felix Gras. Catherine A. Janvier's translations of the latter's work introduced him to English-speaking readers.His books from this period include An Embassy to Provence, Christmas Kalends of Provence and The South of France. He was made an honorary member of the Felibrige society in France, and of the Fol Lore Society of London, where he and his wife lived from 1897 to 1900, and the Century Club in New York. Janvier died in New York on June 18, 1913. He is interred in Moorestown, New Jersey. Literary family: Janvier's sister, Margaret Thomson Janvier (1844-1913), was born in New Orleans. Under the pen name Margaret Vandergrift she wrote many juveniles, among which are: The Absent-Minded Fairy, and Other Verses (1884); The Dead Doll, and Other Verses (1900); Under the Dog-Star (1900); and Umbrellas to Mend (1905). Janvier's niece, Emma P. Spicer, going by the stage name of Emma Janvier, was a well-known comedian on Broadway and elsewhere from the turn of the century until her death in the early 1920s. Janvier was also related to Philadelphia businessman and poet Francis De Haes Janvier.