From Fourteenth Street to the Bowery, Delmonico's to the underbelly of the city waterfront, Dos Passos chronicles the lives of characters struggling to become a part of modernity before they are destroyed by it.More than seventy-five years after its first publication, Manhattan Transfer still stands as "a novel of the very first importance" (Sinclair Lewis). It is a masterpiece of modern fiction and a lasting tribute to the dual-edged nature of the American dream.

    Through the eyes of the young Earl Przepasniak ("a name unwieldy as a tumour"), it narrates the outrageous and tender story of Mavis, poet and mother, and Robert, the American dad. Earl's life revolves around the deeply wounding split of his parents and his attempts, through a less-than-idyllic childhood and the inexorable onslaught of manhood, to overcome the irresistible force of his father. But it is only when his parents meet their respective fates that Earl can feel not only loyal and guilty, but also free...

    Chase owes his current social cachet to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, she in Earth's stratosphere, he in a vague routine punctuated by Upper East Side dinner parties. Into Chase's cloistered city enters Perkus Tooth, a wall-eyed free-range pop critic whose soaring conspiratorial riffs are fueled by high-grade marijuana, mammoth cheeseburgers, and a desperate ache for meaning. Perkus's countercultural savvy and voracious paranoia draw Chase into another Manhattan, where questions of what is real, what is fake, and who is complicit take on a life-shattering urgency. Along with Oona Laszlo, a self-loathing ghostwriter, and Richard Abneg, a hero of the Tompkins Square Park riot now working as a fixer for the billionaire mayor, Chase and Perkus attempt to unearth the answers to several mysteries that seem to offer that rarest of artifacts on an island where everything can be bought: Truth. Like Manhattan itself, Jonathan Lethem's masterpiece is beautiful and tawdry, tragic and forgiving, devastating and antic, a stand-in for the whole world and a place utterly unique.