And what the young gunslinger sees brings him the darkest of nightmares.

    

    SpaceshipPiper in the Woods

    For Ky, it's no contest: Even running the prestigious Vatta Transport Ltd. shipping concern can't hold a candle to shipping out as an officer aboard an interstellar cruiser. It's adventure, not commerce, that stirs her soul. And despite her family's misgivings, there can be no doubt that a Vatta in the service will prove a valuable asset. But with a single error in judgment, it all comes crumbling down. Expelled from the Academy in disgrace-and returning home to her humiliated family, a storm of high-profile media coverage, and the gaping void of her own future—Ky is ready to face the inevitable onslaught of anger, disappointment, even pity. But soon after opportunity's door slams shut, Ky finds herself with a ticket to ride—and a shot at redemption-as captain of a Vatta Transport ship. It's a simple assignment: escorting one of the Vatta fleet's oldest ships on its final voyage...to the scrapyard. But keeping it simple has never been Ky's style. And even though her father has provided a crew of seasoned veterans to baby-sit the fledgling captain on her maiden milk run, they can't stop Ky from turning the routine mission into a risky venture—in the name of turning a profit for Vatta Transport, of course. By snapping up a lucrative delivery contract defaulted on by a rival company, and using part of the proceeds to upgrade her condemned vehicle, Ky aims to prove she's got more going for her than just her family's famous name. But business will soon have to take a backseat to bravery, when Ky's change of plans sails her and the crew straight into the middle of a colonial war. For all her commercial savvy, it's her military training and born-soldier's instincts that Ky will need to call on in the face of deadly combat, dangerous mercenaries, and violent mutiny...

    Most people of the current generation lack a sense of the historical sweep of the intellectual side of the right-wing collectivist position. Jeffrey Tucker, in this collection written between 2015 and 2017, argues that this movement represents the revival of a tradition of interwar collectivist thought that might at first seem like a hybrid but was distinctly mainstream between the two world wars. It is anti-communist but not for the reasons that were conventional during the Cold War, that is, because communism opposed freedom in the liberal tradition.Right-collectivism also opposes traditional liberalism. It opposes free trade, freedom of association, free migration, and capitalism understood as a laissez-faire free market. It rallies around nation and state as the organizing principles of the social order—and trends in the direction of favoring one-man rule—but positions itself as opposed to leftism traditionally understood.We know about certain fascist leaders from the mid-20th century, but not the ideological orientation that led to them or the ideas they left on the table to be picked up generations later. For the most part, and until recently, it seemed to have dropped from history. Meanwhile, the prospects for social democratic ideology are fading, and something else is coming to fill that vacuum. What is it? Where does it come from? Where is it leading?This book seeks to fill the knowledge gap, to explain what this movement is about and why anyone who genuinely loves and longs for liberty classically understood needs to develop a nose and instinct for spotting the opposite when it comes in an unfamiliar form. We need to learn to recognize the language, the thinkers, the themes, the goals of a political ethos that is properly identified as fascist."Jeffrey Tucker in his brilliant book calls right-wing populism what it actually is, namely, fascism, or, in its German form national socialism, nazism. You need Tucker’s book. You need to worry. If you are a real liberal, you need to know where the new national socialism comes from, the better to call it out and shame it back into the shadows. Now."— Deirdre McCloskey

    Gerry Weiss & Helen S. Weiss; Tor Books, 2007.Set in Newford during 1967's Summer of Love, Beirut-born teen Dharma, runs away from his Muslim home and reinvents himself as a hippie poet-musician. Street-busking one day at an impromptu music jam, Dharma meets a lovely young hippie girl called Button. Love is in the air. Button and Dharma share a gorgeous, magical night at a huge music festival. But is this newfound love as perfect it seems?

    Morton's first two unforgettable novels in one volume: The House at Riverton plus The Forgotten Garden.

    Guided by the hand of fate, they become embroiled in a struggle for tribal dominance which soon escalates to a quest fueled by greed, revenge and desire.Meanwhile, in the lands of the Empire, the Romans continue their designing and incite the tribes to take up the sword against their fellow barbarians, drawing the Heruli into a conflict that could spell their demise.But for the tribes to prosper, Rome has to endure. Ragnar and his companions have to outwit and outfight the Heruli’s ancient enemies to keep the Empire from falling into the hands of the conniving Goths.Ragnar faces overwhelming odds, but the gods have ordained it long before. In the fires of destruction, a new power is being forged – one which is destined to conquer all.

    The Sound of Gravity is a harrowing, dramatic and powerful tale of love, loss and redemption as that haunting split-second memory changes the course of a lifetime. Trapped high on a stormbound mountain face in the icy depths of winter, the stricken young man is forced to fight for his life. Half a lifetime later, haunted by grief and guilt, Patrick is freed from his self-imposed vigil when at last the mountain releases his heart-rending secret.

    Who! This Mad Libs is 48 pages with 21 original stories.

    Discover over three dozen fabulous articles, grouped by element. Organize your life with a convenient calendar section—shaded for easy "flip to" reference—featuring world festivals, holidays, and 2015 sabbats. You'll also find the Moon's sign and phase, plus each day's color and incense to help you maximize the power of your magical work. Published annually for over 20 years

    Because after you have read this book, you, Good Sir, will know how to be a pro athlete. And pro athletes don't need books. Or strong family bonds. Or any of that stupid crap. Not when they have ready access to millions of dollars and scores of smoking hot chicks with questionable judgment. This book will be all you require to cast aside your boring life as some jackass who cruises around bookstores hoping to score grad-school trim. With Men with Balls, you will learn how to: Showboat using classical pantomime techniques Figure out whether or not a stripper actually fancies you Emotionally cope from the emotional fallout of rookie year hazing games Find out which free locker room amphetamines will give you a shot of energy, and which will cause you to run down terrified schoolchildren with your Escalade (NOTE: Some do both) Avoid media scrutiny by directing beat writers and columnists to the nearest hot buffet So grab your balls, bookboy. You're about to become a home-run hitting, steroid-injecting, angry-orgy-having Turbostud. They're gonna need a whole ocean just to wash your jock.

    This volume encapsulates the finest work from Seeing Things (1991) with its lines of loss and revelation; The Spirit Level (1996) where we experience "the poem as ploughshare that turns time / Up and over."; the landmark translation of Beowulf (1999); Electric Light (2001), a book of origins and oracles; and his final collections, District and Circle (2006) and Human Chain (2010), which limn the interconnectedness of being, our lifelines to our inherited past.

    In the pages of pulp magazines that were still flourishing in the 1950s—Argosy, Dime Western Magazine, Zane Grey’s Western, and others—he perfected his trademark style, a blend of wiry tautness, sharp characterizations, and jolts of unexpected humor. Now, writer and film critic Terrence Rafferty has gathered the best of Leonard’s Westerns in a single volume, four classic novels and eight outstanding short stories, including the tales that inspired such powerful films as Hombre, Valdez Is Coming, and 3:10 to Yuma.In Last Stand at Saber River (1959), Leonard spins a tight narrative in which a homecoming Confederate veteran must fight to regain the ranch that has been stolen from him. Set, like most of Leonard’s Westerns, against a stark Arizona landscape, the novel is a masterpiece of unbroken tension, as the hero confronts a violent new war for all he holds dear.Chosen as one of the twenty-five greatest Western novels by the Western Writers of America, and the basis for a classic film starring Paul Newman, Hombre (1961) is a stagecoach drama whose hero, a man raised by Apaches, is treated with contempt by the white settlers who will ultimately depend on him for their survival.Valdez Is Coming (1970), Leonard’s favorite among his Westerns, pits Mexican American town constable Bob Valdez against the entrenched power of frontier oligarch Frank Tanner. When Valdez is maneuvered by Tanner into shooting an innocent man, he launches a one-man war for justice for the man’s widow that culminates with a surprising twist.With Forty Lashes Less One (1972) Leonard explores the comic tone that would mark his later books. Set within the harsh confines of Yuma Territorial Prison, the novel recounts the unlikely friendship of two prisoners—one part Apache, the other African American—planning a near-impossible escape.Like the novels, the eight stories included here, are tough, suspenseful, convincing, and beautifully spare in style. They range from Leonard’s first published pulp story, “Trail of the Apache” (1951), to one of his last, the fascinating character study “The Tonto Woman” (1982). Among the others are the twice-filmed “Three-Ten to Yuma” (1953) and “The Captives” (1955), the novella that inspired the acclaimed film The Tall T.