Presented in a small gift book format, this series offers books that intend to take the reader back in time and show them what it was really like to be a Victorian Lady, what sights and smells would be around them, and what day-to-day life would involve in terms of food, clothing, living quarters, kitchens, and more.

    The Birth-mark traces the collusive relationships among tradition, the constitution of critical editions, literary history and criticism, the institutionalized roles of poetry and prose, and the status of gender. Through an examination of the texts and editorial histories of Thomas Shepard's conversion narratives, the captivity narrative of Mary Rowlandson, and the poetry of Emily Dickinson, Howe reads our intellectual inheritance as a series of civil wars, where each text is a wilderness in which a strange and lawless author confronts interpreters and editors eager for settlement. In a concluding interview, Howe comments on her approach and recounts some the crucial biographical events that sparked her interest in early American literature.

    But when Anselmo dies suddenly on the treacherous waters of the Amazon, a pregnant Katharine must decide whether or not to continue her husband’s dream, alone.Meanwhile her sister Mabel is struggling to support their family back in London. Navigating new worlds in the upper class, she discovers that life as a housemaid has its own dangers, and Mabel soon learns that the whims of men can prove deadly…Mabel and Katharine must both fight for their futures if they are ever to be reunited. Can they find love and happiness along the way?A stunning saga of love, betrayal, secrets and family for fans of Dinah Jefferies, Erica Brown and Renita D'Silva.

    Sansom and The Name of the Rose, three Sunday Times bestselling historical thrillers featuring Giordano Bruno, heretic, philosopher and spy.HERESY: Oxford, 1583. A place of learning, and of murderous schemes. The Queen’s spymaster, Sir Francis Walsingham, recruits Giordano Bruno, a radical thinker fleeing the Inquisition, to expose a Catholic conspiracy at Oxford University. When a series of brutal murders ruptures close-knit college life, Bruno realizes that the Tudor throne itself is at stake…PROPHECY: London, 1583. As Mary Stuart’s supporters scheme to usurp the rightful monarch, a young maid of honour is murdered in Queen Elizabeth’s court, occult symbols carved into her flesh. When maverick agent Giordano Bruno is instructed to infiltrate the plotters, he must use all his cunning to secure evidence against them before his true identity is exposed…SACRILEGE: Canterbury, 1584. Heretic-turned-spy Giordano Bruno travels to Canterbury to clear the name of the woman he once loved. But when a series of mysterious crimes strike the city, a far bigger puzzle emerges. Bruno’s investigation leads him deep into the shadows of the Cathedral, and to the heart of a sinister and powerful conspiracy…

    Taking the reader through the New York that inspired, and was in turn inspired by, the formidable Mrs Parker, this guide uses rarely seen archival photographs from her life to illustrate Dorothy Parker's development as a writer, a formidable wit, and a public persona.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    But it was all worth it to protect her son’s heritage. Now though, she finds herself in need of a husband, but who would be brave enough to get close to the Thorn of Blackwell…?Joshua Beechworth is finally home and, as the Earl of Norfolk, he is expected to do business with the Blackwell estate. He finds that he is not at all worried about the Duchess’ formidable presence, on the contrary, he always liked a challenge…A simple business arrangement will end up entailing more than either of them expected…Clinging to the memory of her late husband, Selina hides behind the wall of thorns she has built around her heart, but Joshua may well be the only person capable of breaching her defenses.Although his heart may get stung in the process…

    But now, she must die… Her mother's passing affected Lady Alice Softcreek in more ways than one. After witnessing her father wither in grief, she's vowed never to fall in love and suffer a similar fate.Rumor has it that William Millington, the Marquess of Eearhum, is a heartbreaker unlike any other. He is also very much against taking responsibility for any of the broken hearts he's left in his wake. Until the day he meets a lady who seems completely unaffected by his charms.Magnetic and irresistible, the attraction between them pulls them closer to each other. And to their own damnation. A note promising another stolen moment with William lures Alice outside at night. Only, the face she sees starring back is that of a nightmare.

    Norrie Epstein - whose The Friendly Shakespeare was called "spirited, informative and provocative" by The New York Times - strips away the polite veneer of Victorian society to reveal Dickens's life and times in all their squalor and glory, from his childhood days toiling in a blacking factory while his father languished in debtor's prison, to his first visit to the United States, where he was hailed as the greatest living writer. The Friendly Dickens includes an illuminating guide to all of Dickens's works and lively appreciations of characters both major and minor, interviews with aficionados from Patrick Stewart to biographer Phyllis Rose, eye-catching illustrations, copious quotations, a highly opinionated filmography and informative sidebars on almost every page.

    

    High-spirited Lydia expects a very dull visit, but her sojourn to the village of Diddlington is not as idyllic as she anticipates . . .A charred and bludgeoned corpse is found in the woods, and suspicion falls on Lydia’s aunt’s suitor, an intriguing Frenchman. Convinced of his innocence, Lydia enlists the help of her new friend, John Savidge, to catch the real killer. But before their dangerous adventure ends there will be more than one unexpected discovery.

    But when her parents discover there's yet another baby on the way, they have to tighten the belt even further. Pearl's mother decides to send her and her younger sister Eliza to the workhouse, where they are forced into a new life of hardship and struggle.Pearl's hopes are raised when the workhouse offers the sisters a new life in Canada and they board an orphan ship transporting unwanted children across the seas. Pearl hopes their luck has finally changed when she and Eliza are hired by the kindly Mrs Forbes to work in her grand house together. But when Pearl meets their mistress's bullying son Monty he reveals he will stop at nothing to make her life a misery.Will Pearl ever find the home she so craves?

    A leading spokesman for the English Aesthetic movement, Wilde promoted "art for art’s sake" against critics who argued that art must serve a moral purpose. On every page of this collection the gifted literary stylist admirably demonstrates not only that the characteristics of art are "distinction, charm, beauty, and imaginative power," but also that criticism itself can be raised to an art form possessing these very qualities.In the opening essay, Wilde laments the "decay of Lying as an art, a science, and a social pleasure." He takes to task modern literary realists like Henry James and Emile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful, he says, is that it is "absolutely indifferent to fact, [art] invents, imagines, dreams, and keeps between herself and reality the impenetrable barrier of beautiful style, of decorative or ideal treatment."The next essay, "Pen, Pencil, and Poison," is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright, a talented painter, art critic, antiquarian, friend of Charles Lamb, and — murderer.The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another, Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself, in some cases more so. A good critic is like a virtuoso interpreter: "When Rubinstein plays … he gives us not merely Beethoven, but also himself, and so gives us Beethoven absolutely…made vivid and wonderful to us by a new and intense personality. When a great actor plays Shakespeare we have the same experience."Finally, in "The Truth of Masks," Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks, disguises, and costume in Shakespeare.For newcomers to Wilde and those who already know his famous plays and fiction, this superb collection of his criticism offers many delights.The introduction is by Percival Pollard New York, July, 1905.

    

    His publisher turned it down, so Dickens used what little money he had to put out A Christmas Carol himself. He worried it might be the end of his career as a novelist.The book immediately caused a sensation. And it breathed new life into a holiday that had fallen into disfavor, undermined by lingering Puritanism and the cold modernity of the Industrial Revolution. It was a harsh and dreary age, in desperate need of spiritual renewal, ready to embrace a book that ended with blessings for one and all.With warmth, wit, and an infusion of Christmas cheer, Les Standiford whisks us back to Victorian England, its most beloved storyteller, and the birth of the Christmas we know best. The Man Who Invented Christmas is a rich and satisfying read for Scrooges and sentimentalists alike.