As he becomes more and more involved with the lives and troubles of the common people in his district, he finds himself sucked deeper and deeper into the dark heart of the desert. And there, with the help of the mysterious musician, the Sarangiya, he has an encounter with beauty in its purest, most absolute form. An encounter that precipitates a dangerous descent. The pages from the journal he keeps are combined with the narratives of those around him—a Tehsildar, a Circuit House guard, a camel-herder, a pair of tribal girls, a Medical Officer, a Police Superintendent and the Collector's orderly—to create a compelling account of his slide away from reality. Half-real and half-fable, and redolent with the songs and myths of Rajasthan, Anukrti Upadhyay's Daura announces the arrival of a powerful new literary talent.

    Told in four volumes over seven years, with emails, g-chats, and an ‘interview’ with Lydia Davis (and a nod to Ms. Davis’s The End of the Story), the style of Person/a is often experimental, pushing the boundaries between fiction and nonfiction, obsession and mental instability, female independence and a loyalty to current and former lovers, but with the ultimate loyalty being to oneself or one's writing, and is there a difference? and should we be ashamed?

    Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.

    It's the early '70s and no one discusses or even suspects domestic abuse. But after Maureen suffers another brutal beating, she flees with her infant daughter to a coastal town in Maine. The weeks pass slowly, and just as Maureen begins to settle into her new life and new identity, Harrold reappears, bringing the story to a violent, unforgettable climax.

    what?--assistant?--Ellie Levine was taking a halfhearted stab at it, commuting to Manhattan by day, trying desperately to keep secret her outerborough accent, hair... daughter! Until the day fate landed her back in her Richmond Hill neighborhood, the very place she'd sworn to escape. Only now she had a business to run there-not the business she had in mind, perhaps, designing wedding dresses for Fran Drescher wanna-bees, but a business nonetheless. And the boy next door, who for years had been the married-man-next-door, was suddenly available. And interested? So maybe there really was no place like home. So maybe the life she wanted and the life she had were starting to merge. And if she wasn't a success by anyone else's definition? Maybe it was time to throw away the dictionary...

    Working his way along a cross-country railroad line, he encounters lost souls, clever opportunists, and those who believe they’ll be delivered from hardship if they can find their way to the evangelical preacher Jonathan Blue, who is broadcasting on all the airwaves countrywide. Meanwhile, on the other side of the country, Beatrix and her neighbors turn to one another for food, water, and solace, and begin to construct the kind of cooperative community that suggests the end could, in fact, be a promising beginning. But between Beatrix and Carson lie 3,000 miles. With no internet or phone or postal service, can they find their way back to each other, and what will be left of their world when they do? The answers may lie with fifteen-year-old Rosie Santos, who travels reluctantly with her grandmother to Jonathan Blue, finding her voice and making choices that could ultimately decide the fate of the cross-country lovers. The Lightest Object in the Universe is a story about reliance and adaptation, a testament to the power of community and a chronicle of moving on after catastrophic loss, illustrating that even in the worst of times, our best traits, borne of necessity, can begin to emerge.

    Her daughter is grown and Marla has spent the past two decades focused on his friends, his interests, and his home. Feeling lost, she throws herself into fixing up the one-hundred and fifty-year-old family manor on the lake. She soon discovers an old journal in a secret drawer and is instantly intrigued. The handwritten book tells the tale of another Mrs. Madison from over a century ago, the first woman to live in the lake manor. As Marla reads the journal, she discovers that her life parallels that of the woman who wrote those words decades ago and Marla finds inspiration from her strength.1875 - Alaina Carlton was content to become a spinster until her beloved father introduces her to Nathaniel Madison, one of the most prosperous men in St. Paul, Minnesota. Even though she values her independence, Alaina is intrigued by this man who pursues her. When they marry, she believes she’s found a man who will treat her as an equal, but soon realizes that isn’t entirely true. From their mansion on the illustrious Summit Avenue to their manor at Great Heron Lake, where the rich and powerful play, her life is no longer her own. But fifteen years and two children later when Nathaniel grows ill, she takes her rightful place where women weren’t allowed in order to secure her children’s inheritance and her future.An inspiring family saga of two determined woman who found meaning in their lives by following their passions and not allowing society, or propriety, to hold them back.

    As a freak winter storm bears down on an exclusive, affluent suburb in Connecticut, cars skid out of control, men and women swap partners, and their children experiment with sex, drugs, and even suicide. Here two families, the Hoods and the Williamses, come face-to-face with the seething emotions behind the well-clipped lawns of their lives - in a novel widely hailed as a funny, acerbic, and moving hymn to a dazed and confused era of American life.

    The pages of this book contain stories of every bachelor who fell in love, did stupid things and discussed India's foreign policy at the neighbourhood tea stall.'Bakar Puran' is the past, present and the future of those bachelors which will always be the same. The language and style has the realism of a bachelor pad. Here, there is no garb of elitism in expression. Whatever it is, it just is.

    Jejuri is a site of pilgramage in author Arun Kolatkar's native state of Maharashtra, and Jejuri the poem is the record of a visit to the town -- a place that is as crassly commercial as it is holy, as modern and ruinous as it is ancient and enduring. Evoking the town's crowded streets, many shrines, and mythic history of sages and gods, Kolatkar's poem offers a rich description of India while at the same time performing a complex act of devotion. For the essence of the poem is a spiritual quest, the effort to find the divine trace in a degenerate world. Spare, comic, sorrowful, singing, Jejuri is the work of a writer with a unique and visionary voice.

    He is a software engineer at a reputable company and has a girlfriend whom he loves a lot.Yet, there is something missing in his life. He is not even close to being happy.Only after losing his girlfriend, he realizes what the reason for his unhappiness is.He realizes that he is caught up in the wrong career.With time running out, he knows that he must switch to a new career — one that makes him happy.But, is 24 too late to do that? Is he making a mistake?Find out as Keith follows his heart in pursuit of an impossible-looking dream.

    In the town live three generations of two families, one Hindu and the other Muslim, whose lives will be changed forever by the coming violence. At risk are Dada, the ageing grandfather who lovingly tends and talks to the plants on his estate; his strong-willed grandchildren, Abu and Fareeda; the newly married Devaki, who cannot fathom the forces that are turning her husband and her father into fanatics; Mariam, of the gifted hands, who kneads and pounds the fatigued muscles of tourists into submission; and Garuda, the high-school teacher who, in his own desperate way, is trying to impart the truth about the country’s history to a classroom of uninterested students. Quietly but surely, the spectre of religious intolerance is beginning to haunt the community in the guise of the Self-Respect Forum whose mission is to divide the town and destroy the delicate balance of respect and cooperation that has existed for hundreds of years. Told with brilliance, restraint and extraordinary power, Annie Zaidi’s book is destined to become a classic.

    Fourteen-year-old May Duhane, arriving with her father and sister for the summer, feels isolated and resentful.Leonie Beam, staying in the neighbouring house with her husband's family, shares May's isolation for she is unhappy in her marriage. She confides in Elizabeth Newton, an aging widow who keeps the beach's secrets.Meanwhile, May has discovered the diary of a dead girl, her own age. To unravel its story, she must immerse herself in the past. As she does so, she begins to feel she is destined to follow in the dead girl's footsteps.

    The stories are satires on Indian political and social climate of 1960s and 70s.

    Moira, eleven years older, spends the evenings at her sister's bedside, telling the story of her own life--her secrets, her shameful actions, and her link to the accident that has brought Amy to this bed. In her second novel, Susan Fletcher probes the troubled bond between two sisters: how their lives are undone by the tumultuous forces of envy and loneliness and, in the end, how love emerges as the greatest force of all.