The Embedding opens in a research institute where Chris Sole is teaching a strange form of language whose grammar can be self-embedded by computers to create an artificially complex means of communication that opens up the vast potential of the human mind.

    Editor John W. Campbell, Jr., discovered and promoted great new writers such as A.E. van Vogt, whose novel Slan was one of the works of the era.Slan is the story of Jommy Cross, the orphan mutant outcast from a future society prejudiced against mutants, or slans. Throughout the forties and into the fifties, Slan was considered the single most important SF novel, the one great book that everyone had to read. Today it remains a monument to pulp SF adventure, filled with constant action and a cornucopia of ideas.This edition has a new introduction by Kevin J. Anderson.

    The society is an anarchy, with disputes mediated through the Machiavellian Committee for the Revolution. Mars, Venus and the Moon support flourishing colonies of various political stripes. On the fringes of the solar system, in the Gas Planets, a strange, new, violent kind of human has evolved. In this unstable system the anarchist Paula Mendoza, an agent of the Committee, works to make peace, and ultimately protect her people, in a catastrophic clash of worlds that destroys the order she knows.

    Nor should this be thought surprising, for he was hailed as the greatest actor in the United States and his wife, Miranda, as the most popular actress. On top of this, Comus (Communications U.S., which of course actually ran the nation) gave him a free hand in his work.But then suddenly life showed itself to be anything but a happy-ending play for Howard: Miranda was faithless to him. In a state of shock, Howard let himself slip to depths of personal dereliction. There seemed every indication this would be his last role, except...Comus was having its difficulties, too--in particular, rebellion in California against its authority. Not only were there outbreaks of violence, but it was not possible to locate the mainsprings of the revolt. In a last-resort move to regain control of affairs, Comus called upon Howard and his still great acting ability. How could an actor in a play learn what Comus, with its vast resources, could not otherwise learn about the forces behind the rebellion?

    A constant stream of new technology spawns crime before it hits the streets; the human mind and the external landscape have fused to the point where any encounter with "reality" is incidental.

    Helen Failia is nearing middle age but has lost none of her fighting spirit. The founder of Earth’s first fully functioning colony on Venus, she will do anything to ensure that the home she’s built and nurtured not only survives, but thrives. Despite her constant work, funding for the colony is running out, and she’s dreading telling the ten thousand colonists they must move to Earth, a world some of them have never even seen. When one of her probes returns with the unprecedented proof of an ancient alien artifact on the surface of Venus she cannot believe her luck. This is the first evidence that humanity is not alone, and the discovery will surely secure the research colony’s future.As Helen and her team investigate the strange new find, they learn that humanity is not the only species with its eye on the planet. A dying race of spacefaring aliens needs a new home, and Venus is perfect for the people and their massive, living cities. But these newcomers consider the human presence on Venus a very small problem, one that can be swept aside if it dares get in the way.

    Now, in this new novel, Willis explores the timeless themes of emotion and technology, reality and illusion, and the bittersweet place where they intersect to make art. It's the Hollywood of the future, where movie-making has been computerized and live-action films are a thing of the past. It's a Hollywood which Humphrey Bogart and Marilyn Monroe are starring together in a remake of "A Star is Born, " and if you don't like the ending, you can change it with the stroke of a key. A Hollywood of warmbodies and sim-sex, of drugs and special effects, where anything is possible. Except what Alis wants to do, which is dance in the movies. Tom offers to make her dream her reality. He'll digitize her face onto any actress's she lies--Ann Miller, Ruby Keeler, even Ginger Rogers.. What Tom doesn't understand is that Alis doesn't want to look like she's dancing. She wants the real thing. And as Tom finds himself seduced by Alis' impossible dream, he begins to learn that even in a world of technological miracles, there are still some things that just can't be faked."A tour de force...Connie Willis deploys the apparatus of science fiction to illuminate character and relationships, and her writing is fresh, subtle, and deeply moving."-- "The New York Times Book Review"

    Disch's visionary portrait of the underbelly of 21st-century New York City. The residents of the public housing project at 334 East 11th Street live in a world of rationed babies and sanctioned drug addiction. Real food is displayed in museums and hospital attendants moonlight as body-snatchers.Nimbly hopscotching backward and forward in time, Disch charts the shifting relationships between this world's inheritors: an aging matriarch who falls in love with her young social worker; a widow seeking comfort from the spirit of her dead husband; a privileged preteen choreographing the perfectly gratuitous murder. Poisonously funny, piercingly authentic, 334 is a masterpiece of social realism disguised as science fiction.

    His mother was born on Venus and his father on Earth, and Don himself was born on a spaceship in trajectory between planets. And he fights for the rights of this curious citizenship in very curious ways. Heinlein reveals in a dashing fast-moving style what can happen when politics - on an interplanetary scale - disregard the liberty of the individual. In the end, only the remarkable scientist-dragons of a rebellious Mars can resolve the conflict within a man who cannot live without the society that he knows is killing him.

    Its first colonists were castaways from a crash landing, clinging to survival through the institution of strict socio-political controls. Over the generations life grew somewhat easier, but the code of honor remained. Misdeeds, and errors, were paid for with blood.At one time all miscreants were executed. Now, a social death is imposed. Every Oreseian city has a colony of "ghosts": ostracized citizens who must survive, somehow, without help from the living.But galactic civilization is spreading - and Orestes is in its path. The old ways are under scrutiny. And though the Oresteian aristocracy will fight for the status quo, they have not reckoned on the power of a thousands ghosts...

    LeGuin's The Dispossessed, Arslan is a book that others are now measured against. "It's about fathers and sons, about power, about a genuinely ruthless (but not unfeeling) mind in pursuit of a practical solution to the world's problems." So M. J. Engh describes Arslan. This is a novel of power and depth that is unforgettable.

    The ensuing climate cataclysm will soon render the earth inhospitable for humanity, as the last such meteorite did for the dinosaurs. This looming threat calls for a radically accelerated effort to colonize space, and requires a much larger share of humanity to take part in the process.Elma York’s experience as a WASP pilot and mathematician earns her a place in the International Aerospace Coalition’s attempts to put man on the moon, as a calculator. But with so many skilled and experienced women pilots and scientists involved with the program, it doesn’t take long before Elma begins to wonder why they can’t go into space, too.Elma’s drive to become the first Lady Astronaut is so strong that even the most dearly held conventions of society may not stand a chance against her.

    From here the story spans centuries of ignorance, violence, and barbarism, viewing through a sharp, satirical eye the relentless progression of a human race damned by its inherent humanness to recelebrate its grand foibles and repeat its grievous mistakes.

    Murdoc Jern, gem trader, finds that possession of the stone has led him to the center of a web of intrigue and murder.With his companion Eet, an inscrutable feline mutant with phenomenal ESP powers, he is hunted through space, coming finally to a long forgotten planet inhabited by apelike "sniffers." There, facing the predatory sniffers, the antagonistic Patrol and the laser-guns of the Thieves' Guild, Murdoc must seek the source of the Zero Stone and bargain for his right to pursue his destiny as a free man.

    In this unforgettably poignant novel, Lee has created a classic tale--a beautiful, tragic, erotic, and ultimately triumphant love story of the future.For sixteen-year-old Jane, life is a mystery she despairs of ever mastering. She and her friends are the idle, pampered children of the privileged class, living in luxury on an Earth remade by natural disaster. Until Jane's life is changed forever by a chance encounter with a robot minstrel with auburn hair and silver skin, whose songs ignite in her a desperate and inexplicable passion.Jane is certain that Silver is more than just a machine built to please. And she will give up everything to prove it. So she escapes into the city's violent, decaying slums to embrace a love bordering on madness. Or is it something more? Has Jane glimpsed in Silver something no one else has dared to see--not even the robot or his creators? A love so perfect it must be destroyed, for no human could ever compete?