Serling was a serious admirer of horror, fantasy, and science fiction, and he scoured every magazine and collection available to find stories suitable for his series. This anthology showcases almost every original story that had been adapted into an episode. The result is a masterful collection of 30 classic tales by Richard Matheson (who also wrote the warmly nostalgic introduction), Charles Beaumont, Ray Bradbury, Damon Knight, Lewis Padgett, Jerome Bixby, and Manly Wade Wellman, among others. Fans of The Twilight Zone will enjoy revisiting their favorite episodes in literary form, but even if you've never seen the show, you'll enjoy this fine anthology. --Stanley WiaterCONTENTSPreface · Carol Serling · prIntroduction · Richard Matheson · inOne for the Angels · Anne Serling-Sutton·Perchance to Dream Charles BeaumontDisappearing Act · Richard Matheson Time Enough at Last · Lynn A. Venable · What You Need · Lewis Padgett · Third from the Sun · Richard Matheson · Elegy · Charles Beaumont · Brothers Beyond the Void · Paul W. Fairman · The Howling Man [as by C. B. Lovehill] · Charles Beaumont · It’s a Good Life · Jerome Bixby · The Valley Was Still · Manly Wade Wellman · The Jungle · Charles Beaumont ·To Serve Man · Damon Knight ·Little Girl Lost · Richard Matheson · Four O’Clock · Price Day · I Sing the Body Electric! [“The Beautiful One Is Here”] · Ray Bradbury · The Changing of the Guard · Anne Serling-Sutton · In His Image [“The Man Who Made Himself”] · Charles BeaumontMute · Richard Matheson ·Death Ship · Richard Matheson · The Devil, You Say? · Charles Beaumont ·Blind Alley · Malcolm Jameson · Song for a Lady · Charles Beaumont ·Steel · Richard Matheson · Nightmare at 20,000 Feet · Richard Matheson ·The Old Man · Henry Slesar · The Self-Improvement of Salvadore Ross · Henry Slesar · The Beautiful People · Charles Beaumont · Long Distance Call [“Sorry, Right Number”] · Richard Matheson · An Occurrence at Owl Creek Bridge · Ambrose Bierce

    Sebald completed this controversial book before his death in December 2001. On the Natural History of Destruction is his harrowing and precise investigation of one of the least examined silences of our time. In it, the novelist examines the devastation of German cities by Allied bombardment and the reasons for the astonishing absence of this unprecedented trauma from German history and culture. This historical void is in part a repression of things -- such as the death by fire of the city of Hamburg at the hands of the RAF -- too terrible to bear. But rather than record the crises about them, writers sought to retrospectively justify their actions under the Nazis. For Sebald, this is an example of deliberate cultural amnesia. His analysis of its effects in and outside Germany has already provoked angry painful debate. Sebald's novels are rooted in meticulous observation. His essays are novelistic. They include his childhood recollections of the war that spurred his horror at the collective amnesia around him. There are moments of black humor and, throughout, the sensitivity of his intelligence. This book is a study of suffering and forgetting, of the morality hidden in artistic decisions, and of both compromised and genuine heroics.

    His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck’s documentary “I Am Not Your Negro.” Edited by Nobel laureate Toni Morrison, the Library of America’s Collected Essays is the most comprehensive gathering of Baldwin’s nonfiction ever published.With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as “The Harlem Ghetto,” “Everybody’s Protest Novel,” “Many Thousands Gone,” and “Stranger in the Village.”Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political. “One writes,” he stated, “out of one thing only—one’s own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give.” With singular eloquence and unblinking sharpness of observation he lived up to his credo: “I want to be an honest man and a good writer.”The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America’s racial divide and an impassioned call to “end the racial nightmare…and change the history of the world.” The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays—nine of them previously uncollected—include some of Baldwin’s earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines.

    Kornbluth The Fall of Frenchy Steiner/ Hilary BaileyThrough road no whither/ Greg Bear Weihnachtsabend/ Keith Roberts Thor meets Captain America/ David BrinMoon of ice/ Brad Linaweaver Reichs-peace/ Shelia Finch Never meet again/ Algis BudrysDo ye hear the children weeping?/ Howard GoldsmithEnemy transmissions/ Tom Shippey Valhalla/ Gregory Benford

    Appearing in print for the first time, "Amnesty" is a story of a woman named Noah who works to negotiate the tense and co-dependent relationship between humans and a species of invaders. Also new to this collection is "The Book of Martha" which asks: What would you do if God granted you the ability—and responsibility—to save humanity from itself?Like all of Octavia Butler’s best writing, these works of the imagination are parables of the contemporary world. She proves constant in her vigil, an unblinking pessimist hoping to be proven wrong, and one of contemporary literature’s strongest voices.

    Various sections of the three volumes describe the arrest, interrogation, conviction, transportation, and imprisonment of the Gulag's victims by Soviet authorities over four decades. The work mingles historical exposition and Solzhenitsyn's own autobiographical accounts with the voluminous personal testimony of other inmates that he collected and committed to memory during his imprisonment.Upon publication of the first volume of The Gulag Archipelago, Solzhenitsyn was immediately attacked in the Soviet press. Despite the intense interest in his fate that was shown in the West, he was arrested and charged with treason on February 12, 1974, and was exiled from the Soviet Union the following day.

    Ellis, and Tony Horwitz comes a lively, thought-provoking intellectual history of the golden age of American utopianism—and the bold, revolutionary, and eccentric visions for the future put forward by five of history’s most influential utopian movements.In the wake of the Enlightenment and the onset of industrialism, a generation of dreamers took it upon themselves to confront the messiness and injustice of a rapidly changing world. To our eyes, the utopian communities that took root in America in the nineteenth century may seem ambitious to the point of delusion, but they attracted members willing to dedicate their lives to creating a new social order and to asking the bold question What should the future look like?In Paradise Now, Chris Jennings tells the story of five interrelated utopian movements, revealing their relevance both to their time and to our own. Here is Mother Ann Lee, the prophet of the Shakers, who grew up in newly industrialized Manchester, England—and would come to build a quiet but fierce religious tradition on the opposite side of the Atlantic. Even as the society she founded spread across the United States, the Welsh industrialist Robert Owen came to the Indiana frontier to build an egalitarian, rationalist utopia he called the New Moral World. A decade later, followers of the French visionary Charles Fourier blanketed America with colonies devoted to inaugurating a new millennium of pleasure and fraternity. Meanwhile, the French radical Étienne Cabet sailed to Texas with hopes of establishing a communist paradise dedicated to ideals that would be echoed in the next century. And in New York’s Oneida Community, a brilliant Vermonter named John Humphrey Noyes set about creating a new society in which the human spirit could finally be perfected in the image of God.Over time, these movements fell apart, and the national mood that had inspired them was drowned out by the dream of westward expansion and the waking nightmare of the Civil War. Their most galvanizing ideas, however, lived on, and their audacity has influenced countless political movements since. Their stories remain an inspiration for everyone who seeks to build a better world, for all who ask, What should the future look like?

    But Warday destroyed much of civilization.Whitley Strieber and James Kunetka, old friends and writers, take a dangerous odyssey across the former United States, sometimes hopeful that a new, peaceful world can be built over the old, sometimes despairing over the immense losses and embittered people they meet.In an eerie blend of fact and imagination, Strieber (author of "The Wolfen" and "The Hunger") and Kunetka (author of "City of Fire: Los Alamos and The Atomic Age", "1943-1945" and "Oppenheimer: The Years of Risk") cut through the doublespeak of military bureaucracy and the rhetoric of the 1980's peace movement to portray America after Warday.

    It is divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11; the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches included here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, "black matter(s)," and human rights. She looks at enduring matters of culture: the role of the artist in society, the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself. And here too is piercing commentary on her own work (including The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise) and that of others, among them, painter and collagist Romare Bearden, author Toni Cade Bambara, and theater director Peter Sellars. In all, The Source of Self-Regard is a luminous and essential addition to Toni Morrison's oeuvre.

    These fantastic stories have travelled across cultural borders, and been passed down from generation to generation, ever-changing, renewed with each re-telling. Few forms of literature have greater power to enchant us and rekindle our imagination than a fairy tale. But what is a fairy tale? Where do they come from and what do they mean? What do they try and communicate to us about morality, sexuality, and society? The range of fairy tales stretches across great distances and time; their history is entangled with folklore and myth, and their inspiration draws on ideas about nature and the supernatural, imagination and fantasy, psychoanalysis, and feminism. Marina Warner has loved fairy tales over her long writing career, and she explores here a multitude of tales through the ages, their different manifestations on the page, the stage, and the screen. From the phenomenal rise of Victorian and Edwardian literature to contemporary children's stories, Warner unfolds a glittering array of examples, from classics such as Red Riding Hood, Cinderella, and The Sleeping Beauty, the Grimm Brothers' Hansel and Gretel, and Hans Andersen's The Little Mermaid, to modern-day realizations including Walt Disney's Snow White and gothic interpretations such as Pan's Labyrinth. In ten succinct chapters, Marina Warner digs into a rich collection of fairy tales in their brilliant and fantastical variations, in order to define a genre and evaluate a literary form that keeps shifting through time and history. She makes a persuasive case for fairy tale as a crucial repository of human understanding and culture.

    For centuries, authors have used the veil of fiction to cast a critical eye toward the larger society around them: think of Émile Zola, Victor Hugo, Issac Asimov, Margaret Atwood, Aldous Huxley, J.R.R. Tolkien, H.G. Wells, and even Mary Shelley. Now, for the first time, in an unprecedented new release from AK Press, some of the biggest names in contemporary fiction discuss this relationship with a specific focus on anarchist politics.Sci-fi powerhouses Ursula K. LeGuin, Alan Moore, Michael Moorcock, and Lewis Shiner join activist authors Derrick Jensen, Starhawk, Cristy C. Road, and a variety of other up-and-coming young writers in a series of interviews that explore fiction’s deeply political roots. Ranging in scope from serious political discussions to hilarious personal anecdotes, the interviews collected here paint an intimate portrait of the author as a political agent.Compiled and annotated by SteamPunk Magazine founder Margaret Killjoy, and with an introduction by Kim Stanley Robinson, Mythmakers and Lawbreakers is an engaging and highly readable book—a must-read for any serious fan of sci-fi or political fiction, and a useful tool for both new and seasoned authors interested in developing their own political utopias.

    Expedition leader John Hunt's account of the first ascent of Mount Everest's summit in 1953 by Sir Edmund Hillary and Sherpa Tenzing Norgay.

    Hello there."She felt the light on her eyelids, and knew that if she opened her eyes they would sting, and she would have to shade them with her palm and let the light bleed through a crack."Feel like talking?" A man's soft voice.And then her mind cleared enough to wonder: who was this man at her bedside?She tried to sigh, but no breath came. Her eyes flew open in alarm.In the future, love is complicated. Technology moves ever forward. To be disconnected from the maze of social networking is to be an outcast.Even death doesn't have to be the end. An impossible love story is about to unfold between a hit-and-run victim and her killer.

    Nature was the fountainhead of his inspiration and his refuge from what he considered the follies of society. Heedless of his friends’ advice to live in a more orthodox manner, he determinedly pursued his own inner bent, which was that of a poet-philosopher, in prose and verse. Carl Bode brings together the best of Thoreau’s works in The Portable Thoreau, a comprehensive collection of the writings of a unique and profoundly influential American thinker.

    Now he offers a framework for envisioning the twenty-first century--an age in which the marriage of human sensitivity and artificial intelligence fundamentally alters and improves the way we live. Kurzweil's prophetic blueprint for the future takes us through the advances that inexorably result in computers exceeding the memory capacity and computational ability of the human brain by the year 2020 (with human-level capabilities not far behind); in relationships with automated personalities who will be our teachers, companions, and lovers; and in information fed straight into our brains along direct neural pathways. Optimistic and challenging, thought-provoking and engaging, The Age of Spiritual Machines is the ultimate guide on our road into the next century.