How did they come to be the villains of the natural world? And why can the same plant be considered beautiful in some places but be deemed a menace in others?In Weeds, renowned nature writer Richard Mabey embarks on an engaging journey with the verve and historical breadth of Michael Pollan. Weaving together the insights of botanists, gardeners, artists, and writers with his own travels and lifelong fascination, Mabey shows how these "botanical thugs" can destroy ecosystems but also can restore war zones and derelict cities; he reveals how weeds have been portrayed, from the "thorns and thistles" of Genesis to Shakespeare, Walden, and Invasion of the Body Snatchers; and he explains how kudzu overtook the American South, how poppies sprang up in First World War battlefields, and how "American weed" replaced the forests of Vietnam ravaged by Agent Orange.Hailed as "a profound and sympathetic meditation on weeds in relation to human beings" (Sunday Times), Weeds shows how useful these unloved plants can be, from serving as the first crops and medicines, to bur-dock inspiring the invention of Velcro, to cow parsley becoming the latest fashionable wedding adornment. Mabey argues that we have caused plants to become weeds through our reckless treatment of the earth, and he delivers a provocative defense of the plants we love to hate.

    These periods of dislocation can be lonely and unexpected. For May, her husband fell ill, her son stopped attending school, and her own medical issues led her to leave a demanding job. Wintering explores how she not only endured this painful time, but embraced the singular opportunities it offered.A moving personal narrative shot through with lessons from literature, mythology, and the natural world, May’s story offers instruction on the transformative power of rest and retreat. Illumination emerges from many sources: solstice celebrations and dormice hibernation, C.S. Lewis and Sylvia Plath, swimming in icy waters and sailing arctic seas.Ultimately Wintering invites us to change how we relate to our own fallow times. May models an active acceptance of sadness and finds nourishment in deep retreat, joy in the hushed beauty of winter, and encouragement in understanding life as cyclical, not linear. A secular mystic, May forms a guiding philosophy for transforming the hardships that arise before the ushering in of a new season.

    The tales drawn together in this book, from a wide range of medieval sources, span the centuries from the dawn of Christianity to the age of the Plantagenets. The Norse gods which peopled the Anglo-Saxon past survive in Beowulf; Cuchulainn, Taliesin and the magician Merlin take shape from Celtic mythology; and saints include Helena who brought a piece of the True Cross to Britain, and Joseph of Arimathea whose staff grew into the Glastonbury thorn. Tales of the British Arthur are followed by legends of later heroes, including Harold, Hereward and Godiva. These figures and many others were part of a familiar national mythology on which Shakespeare drew for Lear, Macbeth and Hamlet, creating the famous versions that are known today. Here the original stories are presented. RICHARD BARBER's other books include The Holy Grail, King Arthur: Hero and Legend, Arthurian Legends: An Anthology and The Knight and Chivalry.

    The George McDonald Treasury includes The Princess and the Goblin, The Princess and Curdie, The Light Princess, Phantastes, The Giant's Heart, At the Back of the North Wind, The Golden Key, and Lilith. MacDonald's classic works have inspired deep admiration in such notables as J. R. R. Tolkien, C. S. Lewis, G. K. Chesterton, Elizabeth Yates, and Lewis Carroll. C. S. Lewis wrote, "I have never concealed the fact that I regarded him as my master; indeed I fancy I have never written a book in which I did not quote from him." One day while in a train station, he picked up a copy of Phantastes and began to read. "A few hours later," said Lewis, "I knew I had crossed a great frontier." G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence." Madeleine L'Engle wrote, "Surely George MacDonald is the grandfather of us all-all of us who struggle to come to terms with truth through imagination." If you loved J. R. R. Tolkien's Hobbit and Lord of the Rings, you will love the works of his hero and model - George McDonald.

    This is the remarkable true story of a man who lived alone in the woods of Maine for 27 years, making this dream a reality--not out of anger at the world, but simply because he preferred to live on his own.In 1986, a shy and intelligent twenty-year-old named Christopher Knight left his home in Massachusetts, drove to Maine, and disappeared into the forest. He would not have a conversation with another human being until nearly three decades later, when he was arrested for stealing food. Living in a tent even through brutal winters, he had survived by his wits and courage, developing ingenious ways to store edibles and water, and to avoid freezing to death. He broke into nearby cottages for food, clothing, reading material, and other provisions, taking only what he needed but terrifying a community never able to solve the mysterious burglaries. Based on extensive interviews with Knight himself, this is a vividly detailed account of his secluded life--why did he leave? what did he learn?--as well as the challenges he has faced since returning to the world. It is a gripping story of survival that asks fundamental questions about solitude, community, and what makes a good life, and a deeply moving portrait of a man who was determined to live his own way, and succeeded.

    Within a week, she has moved into the magnetic architect’s echoing loft in East London. But nothing could have prepared Lily for what she finds there. The distinct presence of another woman lingers in the loft, one who seems to have disappeared in a hurry, leaving behind a single party dress, a puzzling mark on the wall, and the suffocating scent of jasmine. Lily’s unsettling curiosity soon turns to obsession as the spirit of this mysterious woman increasingly haunts her. With a nod to Daphne du Maurier’s classic novel Rebecca, My Lover’s Lover is a sexy, modern gothic tale that will keep readers hooked until the very end.

    As a culture we have become less interested in the exploration of the glorious mind, and more interested in creating and mastering technologies that will yield material well-being. But while cultural pessimism is always fashionable, there is still much to give us hope. In The Givenness of Things, the incomparable Marilynne Robinson delivers an impassioned critique of our contemporary society while arguing that reverence must be given to who we are and what we are: creatures of singular interest and value, despite our errors and depredations.Robinson has plumbed the depths of the human spirit in her novels, including the National Book Critics Circle Award-winning Lila and the Pulitzer Prize-winning Gilead, and in her new essay collection she trains her incisive mind on our modern predicament and the mysteries of faith. These seventeen essays examine the ideas that have inspired and provoked one of our finest writers throughout her life. Whether she is investigating how the work of the great thinkers of the past, Calvin, Locke, Bonhoeffer--and Shakespeare--can infuse our lives, or calling attention to the rise of the self-declared elite in American religious and political life, Robinson's peerless prose and boundless humanity are on display. Exquisite and bold, The Givenness of Things is a necessary call for us to find wisdom and guidance in our cultural heritage, and to offer grace to one another.Humanism --Reformation --Grace --Servanthood --Givenness --Awakening --Decline --Fear --Proofs --Memory --Value --Metaphysics --Theology --Experience --Adam --Limitation --Realism

    Because of this, historian Ronald Hutton shows, succeeding British generations have been free to reimagine, reinterpret, and reinvent the Druids. Hutton’s captivating book is the first to encompass two thousand years of Druid history and to explore the evolution of English, Scottish, and Welsh attitudes toward the forever ambiguous figures of the ancient Celtic world.Druids have been remembered at different times as patriots, scientists, philosophers, or priests; sometimes portrayed as corrupt, bloodthirsty, or ignorant, they were also seen as fomenters of rebellion. Hutton charts how the Druids have been written in and out of history, archaeology, and the public consciousness for some 500 years, with particular focus on the romantic period, when Druids completely dominated notions of British prehistory. Sparkling with legends and images, filled with new perspectives on ancient and modern times, this book is a fascinating cultural study of Druids as catalysts in British history.

    Like Kazuo Ishiguro's The Remains of the Day, So Many Ways to Begin is rich in the intimate details that shape a life, the subtle strain that defines human relationships, and the personal history that forms identity. David Carter, the novel's protagonist, takes a keen interest in history as a boy. Encouraged by his doting Aunt Julia, he begins collecting the things that tell his story: a birth certificate, school report cards, annotated cinema and train tickets. After finishing school, he finds the perfect job for his lifetime obsession as curator at a local history museum. His professional and romantic lives take shape as his beloved aunt and mentor's unravel. Lost in a fog of senility, Julia lets slip a secret about David's family. Over the course of the next decades, as David and his wife Eleanor live out their lives - struggling through early marriage, professional disappointments, the birth of their daughter, Eleanor's depression, and an affair that ends badly, David attempts to physically piece together his past, finding meaning and connection where he least expects it.

    She is fiercely intelligent, well respected, and deeply immersed in the nuances of her particular field of law. Often the outcome of a case seems simple from the outside, the course of action to ensure a child's welfare obvious. But the law requires more rigor than mere pragmatism, and Fiona is an expert in considering the sensitivities of culture and religion when handing down her verdicts. But Fiona's professional success belies domestic strife. Her husband, Jack, asks her to consider an open marriage and, after an argument, moves out of their house. His departure leaves her adrift, wondering whether it was not love she had lost so much as a modern form of respectability; whether it was not contempt and ostracism she really fears. She decides to throw herself into her work, especially a complex case involving a seventeen-year-old boy whose parents will not permit a lifesaving blood transfusion because it conflicts with their beliefs as Jehovah's Witnesses. But Jack doesn't leave her thoughts, and the pressure to resolve the case - as well as her crumbling marriage - tests Fiona in ways that will keep readers thoroughly enthralled until the last stunning page.

    Granted unmatched access by Ammon Bundy to the armed occupation of the Malheur National Wildlife Refuge, Pogue met ranchers ready to die fighting the federal government.He witnessed the fallout of communities riven by politics and the danger (and allure) of unyielding belief. The occupation ended in the shooting death of one rancher, the imprisonment of dozens more, and a firestorm over the role of government that engulfed national headlines. In a raw and restless narrative that roams the same wild terrain as his literary forebears Edward Abbey and Hunter S. Thompson, Pogue examines the underpinnings of this rural resistance and struggles to reconcile his sympathies with his reservations, tracing a cultural fault line that spans the nation.

    In death she becomes a greater icon than in life, and the Norfolk village where she lived is soon a place of pilgrimage. Six years later her husband Harry, a schoolteacher, is still haunted by her suicide and faithful to her memory. Until he meets Helen and they fall in love. Harry and Helen’s relationship initiates a return to the scene of Alison’s death where they meet ninety-eight year old Ern Higham, and a tale is revealed that has been generations in the making. As Harry pieces together a tragic history and finally confronts his own pain, he discovers that to truly move forward, first he must understand the past ... ‘A moving read, threaded through with mystery and excitement.’ – Good Housekeeping Magazine ‘A thriller full of twists and turns that keeps the reader guessing. Every word is magical, almost luminous.’ – Daily Mail ‘A classic tale of longing.’ – Time Out ‘There are many elements to savour in this novel: the intertwining of past and present; the struggle to write and the responsibility of writing about others’ lives. Best of all, Lofthouse has a fine eye for the bleak Norfolk landscape and how it both reflects and affects characters’ moods.’ – Tracy Chevalier author of Girl with a Pearl Earring ‘Captures the spacey feel of Norfolk well – an engaging read, intriguingly structured, tough in some of its insights, and sexy too.’ – Lindsay Clarke, author of The Chymical Wedding, winner of the Whitbread Prize for Fiction ‘Those who feel the reading public’s love of the 19th century Gothic mystery may be abating will be given pause by this latest entry in the field of pastiche. This is a considerable piece, full of subtle characterization and a well-chosen raft of literary underpinnings.’ – Publishing News ‘The intertwining of the two main stories is very skilfully done, as is the delicacy and understanding she brings to the key themes – suicide, creativity, love and especially paternal love. Very moving.’ – Henry Sutton, novelist and co-director MA Creative Writing, UEA

    Other tellings can be found under "all editions," each credited to its respective storyteller.

    An examination of the nature of power that offers creative alternatives for positive change in our personal lives, our communities, and our world.

    But alas sir, I would be lying…’London, 1756: In Newgate prison, Tully Truegood awaits trial. Her fate hanging in the balance, she tells her life-story. It’s a tale that takes her from skivvy in the back streets of London, to conjuror’s assistant, to celebrated courtesan at her stepmother’s Fairy House, the notorious house of ill-repute where decadent excess is a must…Tully was once the talk of the town. Now, with the best seats at Newgate already sold in anticipation of her execution, her only chance of survival is to get her story to the one person who can help her avoid the gallows.She is Tully Truegood.Orphan, whore, magician’s apprentice.Murderer?