Gordon Comstock has declared war on the money god; and Gordon is losing the war. Nearly 30 and "rather moth-eaten already," a poet whose one small book of verse has fallen "flatter than any pancake," Gordon has given up a "good" job and gone to work in a bookshop at half his former salary. Always broke, but too proud to accept charity, he rarely sees his few friends and cannot get the virginal Rosemary to bed because (or so he believes), "If you have no money ... women won't love you." On the windowsill of Gordon's shabby rooming-house room is a sickly but unkillable aspidistra--a plant he abhors as the banner of the sort of "mingy, lower-middle-class decency" he is fleeing in his downward flight.In Keep the Aspidistra Flying, George Orwell has created a darkly compassionate satire to which anyone who has ever been oppressed by the lack of brass, or by the need to make it, will all too easily relate. He etches the ugly insanity of what Gordon calls "the money-world" in unflinching detail, but the satire has a second edge, too, and Gordon himself is scarcely heroic. In the course of his misadventures, we become grindingly aware that his radical solution to the problem of the money-world is no solution at all--that in his desperate reaction against a monstrous system, he has become something of a monster himself. Orwell keeps both of his edges sharp to the very end--a "happy" ending that poses tough questions about just how happy it really is. That the book itself is not sour, but constantly fresh and frequently funny, is the result of Orwell's steady, unsentimental attention to the telling detail; his dry, quiet humor; his fascination with both the follies and the excellences of his characters; and his courageous refusal to embrace the comforts of any easy answer.

    It is the story of the young Hollywood mogul Monroe Stahr, a character inspired by the life of boy-genius Irving Thalberg, and is an exposé of the studio system in its heyday.

    The stranger, Brat Farrar, has been carefully coached on Patrick's mannerism's, appearance, and every significant detail of Patrick's early life, up to his thirteenth year when he disappeared and was thought to have drowned himself. It seems as if Brat is going to pull off this most incredible deception until old secrets emerge that jeopardize the imposter's plan and his life.

    They own vast lands and profitable businesses, they employ their neighbors, and they influence the government. A prolific and eccentric group, they include several millionaires, a mass murderer, a spiritual seeker who climbs into the mountains looking for God, a wealthy noctambulist who dies of a chicken scratch.Bellefleur traces the lives of several generations of this unusual family. At its center is Gideon Bellefleur and his imperious, somewhat psychic, very beautiful wife, Leah, their three children (one with frightening psychic abilities), and the servants and relatives, living and dead, who inhabit the mansion and its environs. Their story offers a profound look at the world's changeableness, time and eternity, space and soul, pride and physicality versus love. Bellefleur is an allegory of caritas versus cupiditas, love and selflessness versus pride and selfishness. It is a novel of change, baffling complexity, mystery.Written with a voluptuousness and startling immediacy that transcends Joyce Carol Oates's early works, Bellefleur is widely regarded as a masterwork—a feat of literary genius.

    He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster." Thus begins Vladimir Nabokov's Laughter in the Dark; this, the author tells us, is the whole story except that he starts from here, with his characteristic dazzling skill and irony, and brilliantly turns a fable into a chilling, original novel of folly and destruction. Amidst a Weimar-era milieu of silent film stars, artists, and aspirants, Nabokov creates a merciless masterwork as Albinus, an aging critic, falls prey to his own desires, to his teenage mistress, and to Axel Rex, the scheming rival for her affections who finds his greatest joy in the downfall of others. Published first in Russian as Kamera Obskura in 1932, this book appeared in Nabokov's own English translation six years later. This New Directions edition, based on the text as Nabokov revised it in 1960, features a new introduction by Booker Prize-winner John Banville.

    He immediately receives four white feathers—symbols of cowardice—one each from his three best friends and his fiancée. To disprove this grave dishonor, Harry dons an Arabian disguise and leaves for the Sudan, where he anonymously comes to the aid of his three friends, saving each of their lives.Having proved his bravery, Harry returns to England, hoping to regain the love and respect of his fiancée. This suspenseful tale movingly depicts a distinctive code of honor that was deeply valued and strongly promoted by the British during the height of their imperial power.

    

    Set in mid-nineteenth century Gloucestershire, a saga focusing on two farms and families who own them.

    A man sits on a bench in front of his old school remembering the place where one particular day changed his life and those of many others dramatically years earlier.

    Will Rising had dragged himself from humble beginnings to his own small tailoring business in Gloucester - and on the way he'd fallen violently in love with Florence, refined, delicate, and wanting something better for her children. March was the eldest girl, the least loved, the plain, unattractive one who, as the family grew, became more and more the household drudge. But March, a strange, intelligent, unhappy child, had inherited some of her mother's dreams. March Rising was determined to break out of the round of poverty and hard work, to find wealth, and love, and happiness.

    ”Samara shook her head. “I never will. I’ll always imagine you just like this . . . Or watching me through the lens of a camera . . . Or turning up on a beach somewhere . . . Or teaching me how to hold the camera. ”The tears flowed as she walked, and a sudden wind whipped them off her face. “Or sitting behind me in church when I least expect it . . . Or telling me things I need to hear when I don’t want to hear them . . . Or watching over me.” Fighting her way through the chaos of her family’s dysfunction, Samara Danes has immersed herself in a promising photography career. She sees no need to love or be loved. Then Adam Russell arrives in Samara’s hometown on Australia’s Gold Coast. Years ago, it was Adam who introduced her to the art of photography and opened her eyes to the wonder of the world. She in turn opened his heart to the truths of the gospel. Now can the older man’s kindness, wisdom, and strength help save a family that teeters on the brink of dissolution? Are Samara’s strong feelings for Adam more than just friendship and gratitude? With tender insight, gifted LDS author Pamela Carrington Reid explores the dynamics that stretch fragile relationships nearly to the breaking point. Shades of Gray is a richly crafted novel, genuinely moving and compelling—a tribute to the healing power of the gospel, where the lines of love are never blurred.

    Every member of the family will enjoy this tale of wagon trains, cowboys, settlers, love, romance, and did I mention wagons?

    Determined to do exactly what she sets her mind to, she explores the mountains and valleys around her home with an unquenchable thirst for knowledge and a keen eye that misses nothing. When her mother dies, Emmaline, Emmy for short, is thrust into the mystical, spiritual world of her mother’s native peoples, the Tsalagi, better known as the Cherokee. Given the power of observation and shape shifting by her immortal g-great-grandfather Two Feathers, who is the keeper of the Sacred Fire’s Ashes, Emmy is told that she must carry on her mother’s duties and is charged with the task of becoming the family “Ka no he ha Ka no Ge sdi,” the Storyteller. She is supposed to remember and pass down her family’s history and tell about their ancestors. As Emmy grows older and matures, her explorations become more advanced. She discovers a hidden path that takes her beyond an ancient willow tree to a layer of the world that at first seems much like her own, but she soon discovers that it is quite different… When she stays longer than allowed a mortal, she discovers that her grandfather can travel between space and time and communicate with all peoples between the layers of her world. Emmy’s Journey is a voyage through time and into the mysterious spiritual and mystical realms of the Cherokees and a world that most never knows exists.

    There, among the baroque castles and gardens of the bustling capital, she struggles to restart her life. Finding her passion through a cooking school, Johanna is soon intrigued by the attentions of handsome Thomas, who is eager to make Johanna his own. Thomas works hard to win her trust, but just as they establish a fragile faith in each other, Thomas receives news: the job of his dreams is waiting in New York. Anchored by family and her hard-won sense of belonging, Johanna remains in Vienna. Can Johanna and Thomas’s passion survive a distance of four thousand miles? Told with humor and grace, Wait for Me in Vienna paints a portrait of two lovers helping one another emerge from isolation, risking their hearts for a chance at that one great love.

    Her malicious intrigues fuel the plot of this gripping melodrama: a tale of confused identities, inherited curses, romantic rivalries, espionage, money—and murder. The character of Lydia Gwilt horrified contemporary critics, with one reviewer describing her as "One of the most hardened female villains whose devices and desires have ever blackened fiction." She remains among the most enigmatic and fascinating women in nineteenth-century literature and the dark heart of this most sensational of Victorian "sensation novels."