But when a dark-skinned man was holed up in a shack with a gun, they sent the part-time town constable to deal with the problem -- and made sure he had no choice but to gun the fugitive down. Trouble was, Valdez killed an innocent man. And when he asked for justice -- and some money for the dead man's woman -- they beat Valdez and tied him to a cross. They were still laughing when Valdez came back. And then they began to die...

    Larry McMurtry takes us on a hell-for-leather journey with Billy and his friends as they ride, drink, love, fight, shoot, and escape their way into the shining memories of Western myth. Surrounded by a splendid cast of characters that only Larry McMurtry could create, Billy charges headlong toward his fate, to become in death the unforgettable desperado he aspires to be in life. Not since Lonesome Dove has there been such a rich, exciting novel about the cowboys, Indians, and gunmen who live at the blazing heart of the American dream.

    Cole and Hitch are used to cleaning up after scavengers, but this one raises the stakes by playing not with the rules—but with emotion.

    Here, too, are superb, action-packed entries from today's outstanding Western storytellers -- distinguished award winners as well as daring newcomers, including Peter Brandvold · Randy Lee Eickhoff · Marcus Galloway · Ed Gorman · Elmer Kelton · Rod Miller · Robert J. Randisi · James Reasoner · Dusty Richards · Troy D. Smith · L. J. Washburn Edited by renowned author and anthologist Robert J. Randisi, Lone Star Law spans the existence of this elite investigative law enforcement agency. From fending off hostile Comanche to tracking serial killers, from aiming Winchesters and Colt revolvers to firing up laptops and state-of-the-art forensics technology, from targeting rustlers and outlaw gangs to leading harrowing hostage negotiations, the men and women who don the badge and white hat of the Texas Ranger stand as steadfast deliverers of American justice -- the Lone Star way.

    Ben Kazin is a brilliant archeologist. Louren Sturvesant is rich, impulsive, and physically imposing, everything Ben is not. Now, the two men--friends, competitors and partners--are searching for the legendary lost city of Opet, built by who escaped the fall of Carthage two thousand years ago.For Ben, the expedition is a chance to prove a controversial thesis. For Louren, it is a chance to spend millions--and make it all back in gold and glory. But what awaits them is an astounding discovery, a siege of terror, and an act of betrayal that will tear the two men apart and bind them together forever...Hidden beneath water, jungle, and blood-red cliffs is a lost world where two men and a beautiful woman were caught in a furious battle of passions two thousands years ago, but which has begun once again....

    Instead, it authorized the State of Texas to raise its own troops.Many kinds of men drifted into the Texas Mounted Rifles. Some thought it might be safer than fighting in far off Virginia. Many were merely young men a-thirst for adventure. Some were settlers who saw this as the best way to protect their families and homes against the murderous thrusts of the Comanche. And some were men who still loved the Union, who had lived too long under that gallant flag to turn their guns against it now. Such a man was Scout Sam Houston Cloud...

    Jean-Pierre, the Frenchman. They were two men on opposite sides of the cold war, with a woman torn between them. Together, they formed a triangle of passion and deception, racing from terrorist bombs in Paris to the violence and intrigue of Afghanistan - to the moment of truth and deadly decision for all of them...

    In this adventure he must find and seize a golden Buddha - the artifact and its contents are vital to striking a deal with the Russians and the Chinese and restoring the Dalai Lama to power in Tibet.

    Rich, handsome, and ingenious, he charms the city's most prominent citizens even as he plots the crime of his century, the daring theft of a fortune in gold. But even Pierce could not predict the consequences of an extraordinary robbery that targets the pride of England's industrial era: the mighty steam locomotive. Based on remarkable fact, and alive with the gripping suspense, surprise, and authenticity that are his trademarks, Michael Crichton's classic adventure is a breathtaking thrill-ride that races along tracks of steel at breakneck speed.

    B. Guthrie Jr.'s epic adventure novels set in the American West. Here he introduces Boone Caudill, Jim Deakins, and Dick Summers: traveling the Missouri River from St. Louis to the Rockies, these frontiersmen live as trappers, traders, guides, and explorers. The story centers on Caudill, a young Kentuckian driven by a raging hunger for life and a longing for the blue sky and brown earth of big, wild places. Caught up in the freedom and savagery of the wilderness, Caudill becomes an untamed mountain man, whom only the beautiful daughter of a Blackfoot chief dares to love.

    Covered by F-14 fighters, accompanied by security men, the planes carry warriors, pacifists, lovers, enemies, dignatories - and a bomb planted by a terrorist mastermind. Suddenly they're forced to crash-land at an ancient desert site. Here, with only a handful of weapons, the men and women of the peace mission must make a desperate stand against an army of crack Palestinian commandos - while the Israeli authorities desperately attempt a rescue bid. A story of compulsive excitement, rich in personal drama and political tension that must rank as one of the greatest of our times.

    It is the story of Lassiter, a gunslinging avenger in black, who shows up in a remote Utah town just in time to save the young and beautiful rancher Jane Withersteen from having to marry a Mormon elder against her will. Lassiter is on his own quest, one that ends when he discovers a secret grave on Jane’s grounds. “[Zane Grey’s] popularity was neither accidental nor undeserved,” wrote Nye. “Few popular novelists have possessed such a grasp of what the public wanted and few have developed Grey’s skill at supplying it.”

    But when one of his stories from the Middle East is exposed as a fraud, his professional reputation crashes and burns. Now he lives in virtual exile—haunted by bad decisions and a shocking truth he can never prove:  that his downfall was a deliberate act of sabotage by an unknown enemy. But before Sagan can end his torment with the squeeze of a trigger, fate intervenes in the form of an enigmatic stranger.  This stranger forces Sagan to act—and his actions attract the attention of the Magellan Billet, a top-secret corps of the United States Justice Department that deals with America’s most sensitive investigations. Sagan suddenly finds himself caught in an international incident, the repercussions of which will shudder not only Washington, D.C., but also Jerusalem. Coaxed into a deadly cat-and-mouse game, unsure who’s friend and who’s foe, Sagan is forced to Vienna, Prague, then finally into the Blue Mountains of Jamaica—where his survival hinges on his rewriting everything we know about Christopher Columbus.

    Suddenly the planet and every living thing on it no longer exist in a single timeline. Instead, the world becomes a patchwork of eras, from prehistory to 2037, each with its own indigenous inhabitants.Scattered across the planet are floating silver orbs impervious to all weapons and impossible to communicate with. Are these technologically advanced devices responsible for creating and sustaining the rifts in time? Are they cameras through which inscrutable alien eyes are watching? Or are they something stranger and more terrifying still?The answer may lie in the ancient city of Babylon, where two groups of refugees from 2037: three cosmonauts returning to Earth from the International Space Station, and three United Nations peacekeepers on a mission in Afghanistan have detected radio signals: the only such signals on the planet, apart from their own. The peacekeepers find allies in nineteenth-century British troops and in the armies of Alexander the Great. The astronauts, crash-landed in the steppes of Asia, join forces with the Mongol horde led by Genghis Khan. The two sides set out for Babylon, each determined to win the race for knowledge . . . and the power that lies within.Yet the real power is beyond human control, perhaps even human understanding. As two great armies face off before the gates of Babylon, it watches, waiting. . . .

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.