He’s taken to hospital for treatment. Then people start trying to assassinate him.The man has to find out why, how to get them to stop, and what the CIA has to do with all this. There’s also the little problem of working out who he used to be, and why that changed. Meanwhile, his girlfriend Piper and best friend Lance are trying to find him…Jonathon Fairfax – still the world’s most socially awkward hero – is back. If only he knew.‘A hugely entertaining novel … a surprising, yet strangely fitting, progression to the Jonathon Fairfax story.’ Scott Pack (former head buyer for Waterstones)Pick up the latest Jonathon Fairfax novel – sequel to two Amazon bestsellers: The Perpetual Astonishment of Jonathon Fairfax (‘A comic gem’ Stylist, ‘You can’t help being tickled’ The Guardian, Bath Novel Award shortlist) and Jonathon Fairfax Must Be Destroyed (‘A funny, daft-yet-relatable, nerve-jangly thriller’ Emerald Street).*That’s a trashcan or dumpster, for American readers.The Jonathon Fairfax novels can be read in any order.

    In the twilight of the Cold War (the late 1980s), nine-year old Lev Golinkin and his family cross the Soviet border with only ten suitcases, $600, and the vague promise of help awaiting in Vienna. Years later, Lev, now an American adult, sets out to retrace his family's long trek, locate the strangers who fought for his freedom, and in the process, gain a future by understanding his past.Lev Golinkin's memoir is the vivid, darkly comic, and poignant story of a young boy in the confusing and often chilling final decade of the Soviet Union. It's also the story of Lev Golinkin, the American man who finally confronts his buried past by returning to Austria and Eastern Europe to track down the strangers who made his escape possible . . . and say thank you. Written with biting, acerbic wit and emotional honesty in the vein of Gary Shteyngart, Jonathan Safran Foer, and David Bezmozgis, Golinkin's search for personal identity set against the relentless currents of history is more than a memoir—it's a portrait of a lost era. This is a thrilling tale of escape and survival, a deeply personal look at the life of a Jewish child caught in the last gasp of the Soviet Union, and a provocative investigation into the power of hatred and the search for belonging. Lev Golinkin achieves an amazing feat—and it marks the debut of a fiercely intelligent, defiant, and unforgettable new voice.

    At the end of the First World War, Bernard Jacquelain returns from the trenches a changed man. Broken by the unspeakable horrors he has witnessed, he becomes addicted to the lure of wealth and success. He wallows in the corruption and excess of post-war Paris, but when his lover abandons him, Bernard turns to a childhood friend for comfort. For ten years, he lives the good bourgeois life, but when the drums of war begin to sound again, everything around which he has rebuilt himself starts to crumble, and the future—of his marriage and of his country—suddenly becomes terribly uncertain.Written after Némirovsky fled Paris in 1940, just two years before her death, and first published in France in 1957, The Fires of Autumn is a coruscating, tragic novel of war and its aftermath, and of the ugly color it can turn a man's soul.

    Most lived in shtetls—Jewish communities connected to larger towns—images of which are ingrained in popular imagination as the shtetl Anatevka from Fiddler on the Roof. Brimming with life and tradition, family and faith, these shtetls existed in the shadow of their town’s oppressive anti-Jewish laws. Not Trochenbrod.Trochenbrod was the only freestanding, fully realized Jewish town in history. It began with a few Jewish settlers searching for freedom from the Russian Czars' oppressive policies, which included the forced conscriptions of one son from each Jewish family household throughout Russia. At first, Trochenbrod was just a tiny row of houses built on empty marshland in the middle of the Radziwill Forest, yet for the next 130 years it thrived, becoming a bustling marketplace where people from all over the Ukraine and Poland came to do business. But this scene of ethnic harmony was soon shattered, as Trochenbrod vanished in 1941—her residents slaughtered, her homes, buildings, and factories razed to the ground. Yet even the Nazis could not destroy the spirit of Trochenbrod, which has lived on in stories and legends about a little piece of heaven, hidden deep in the forest.Bendavid-Val, himself a descendant of Trochenbrod, masterfully preserves and fosters the memory of this city, celebrating the vibrant lives of her people and her culture, proving true the words of one of Trochenbrod’s greatest poets, Yisrael Beider: I beg you hold fast to these words of mine. After this darkness a light will shine

    He was poised to challenge the newly elected US president Dwight Eisenhower with armed force and was also broadening a vicious campaign against Soviet Jews. Stalin's sudden collapse and death in March 1953 was as dramatic and mysterious as his life. It is no overstatement to say that his passing marked a major turning point in the twentieth century.The Last Days of Stalin is an engaging, briskly told account of the dictator's final active months, the vigil at his deathbed, and the unfolding of Soviet and international events in the months after his death. Rubenstein throws fresh light on the devious plotting of Beria, Malenkov, Khrushchev, and other "comrades-in-arms" who well understood the significance of the dictator's impending death; the witness-documented events of his death as compared to official published versions; Stalin's rumored plans to forcibly exile Soviet Jews; the responses of Eisenhower and Secretary of State Dulles to the Kremlin's conciliatory gestures after Stalin's death; and the momentous repercussions when Stalin's regime of terror was cut short.

    Jura finds that the favourite rooms in his house, each designed to reflect an aspect of his personality, are disappearing one by one. He remembers perfectly well playing the piano in `The Grand Piano Room'. However, the other members of his family deny the room ever existed. In `The Last Day' a family discovers an app that tells them on which day one of them will die. A man receives letters from God giving him choices which throw him into a moral dilemma. In this award-winning collection of stories, `Melnikas questions the taboos that limit human freedom.' Lire Jaroslavas Melnikas is one of the most inventive and interesting Ukrainian and Lithuanian writers today. La Croix wrote of him, `He meditates, like Dostoyevsky, on the relationship between sin and freedom.'

    As Russia and Ukraine tussle for Crimea and the eastern regions, relations between Putin and the West have reached an all-time low. How did we get here? Richard Sakwa here unpicks the context of conflicted Ukrainian identity and of Russo-Ukrainian relations and traces the path to the recent disturbances through the events which have forced Ukraine, a country internally divided between East and West, to choose between closer union with Europe or its historic ties with Russia. In providing the first full account of the ongoing crisis, Sakwa analyses the origins and significance of the Euromaidan Protests, examines the controversial Russian military intervention and annexation of Crimea, reveals the extent of the catastrophe of the MH17 disaster and looks at possible ways forward following the October 2014 parliamentary elections. In doing so, he explains the origins, developments and global significance of the internal and external battle for Ukraine. With all eyes focused on the region, Sakwa unravels the myths and misunderstandings of the situation, providing an essential and highly readable account of the struggle for Europe's contested borderlands.

    This rare opportunity took the famous travellers not only to Moscow and Stalingrad - now Volgograd - but through the countryside of the Ukraine and the Caucasus. A RUSSIAN JOURNAL is the distillation of their journey and remains a remarkable memoir and unique historical document. Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II. This is an intimate glimpse of two artists at the height of their powers, answering their need to document human struggle

    The main story is simple: released after thirty years in the Soviet camps, Ivan Grigoryevich must struggle to find a place for himself in an unfamiliar world. But in a novel that seeks to take in the whole tragedy of Soviet history, Ivan’s story is only one among many. Thus we also hear about Ivan’s cousin, Nikolay, a scientist who never let his conscience interfere with his career, and Pinegin, the informer who got Ivan sent to the camps.Then a brilliant short play interrupts the narrative: a series of informers steps forward, each making excuses for the inexcusable things that he did—inexcusable and yet, the informers plead, in Stalinist Russia understandable, almost unavoidable.And at the core of the book, we find the story of Anna Sergeyevna, Ivan’s lover, who tells about her eager involvement as an activist in the Terror famine of 1932–33, which led to the deaths of three to five million Ukrainian peasants. Here Everything Flows attains an unbearable lucidity comparable to the last cantos of Dante’s Inferno.

    Rita Feuerstahl comes to the university in Krakow intent on enjoying her freedom. But life has other things in store—marriage, a love affair, a child, all in the shadows of the oncoming war. When the war arrives, Rita is armed with a secret so enormous that it could cost the Allies everything, even as it gives her the will to live. She must find a way both to keep her secret and to survive amid the chaos of Europe at war. Living by her wits among the Germans as their conquests turn to defeat, she seeks a way to prevent the inevitable doom of Nazism from making her one of its last victims. Can her passion and resolve outlast the most powerful evil that Europe has ever seen?In an epic saga that spans from Paris in the ’30s and Spain’s Civil War to Moscow, Warsaw, and the heart of Nazi Germany, The Girl from Krakow follows one woman’s battle for survival as entire nations are torn apart, never to be the same.

    Here, he mixes insightful facts with personal anecdotes to examine the region's history, food, languages, sites, stereotypes and drinking habits.

    They lived a paradox--unwanted by a repressive Stalinist state, yet forbidden to leave. "When They Come for Us, We'll Be Gone" is the astonishing and inspiring story of their rescue.Journalist Gal Beckerman draws on newly released Soviet government documents as well as hundreds of oral interviews with refuseniks, activists, Zionist "hooligans," and Congressional staffers. He shows not only how the movement led to a mass exodus in 1989, but also how it shaped the American Jewish community, giving it a renewed sense of spiritual purpose and teaching it to flex its political muscle. He also makes a convincing case that the movement put human rights at the center of American foreign policy for the very first time, helping to end the Cold War.In cinematic detail, the book introduces us to all the major players, from the flamboyant Meir Kahane, head of the paramilitary Jewish Defense League, to Soviet refusenik Natan Sharansky, who labored in a Siberian prison camp for over a decade, to Lynn Singer, the small, fiery Long Island housewife who went from organizing local rallies to strong-arming Soviet diplomats. This multi-generational saga, filled with suspense and packed with revelations, provides an essential missing piece of Cold War and Jewish history.

    A young man walks through the hills of south-west Romania, where the locals have peculiar ideas about gold. On the morning of a medical examination, a woman tries to coax her husband off the roof. A smuggler pays off an old debt to his sister and resigns himself to a life of honest toil in the mine-shafts of his home town. A mysterious rodent named Brigitte enters the lives of two old men. And, in the astonishing long story 'In the Neighbourhood', the inhabitants of a crumbling tower-block go about their business, unforgettably.The stories of Philip Ó Ceallaigh create a world that is utterly original and yet immediately recognizable - a world of ordinary people grappling with work and idleness, ambition and frustration, wildness and sobriety, love and lust and decay. Scabrously honest, screamingly funny and beautifully crafted, Notes from a Turkish Whorehouse is a brilliant debut from a writer who cannot be ignored by anyone who cares about the art of fiction.

    His journeys take him from his native Poland to Slovakia, Hungary, Romania, Slovenia, Albania, Moldova, and Ukraine. By car, train, bus, ferry. To small towns and villages with unfamiliar-sounding yet strangely evocative names. “The heart of my Europe,” Stasiuk tells us, “beats in Sokolow, Podlaski, and in Husi, not in Vienna.”  Where did Moldova end and Transylvania begin, he wonders as he is being driven at breakneck speed in an ancient Audi—loose wires hanging from the dashboard—by a driver in shorts and bare feet, a cross swinging on his chest. In Comrat, a funeral procession moves slowly down the main street, the open coffin on a pickup truck, an old woman dressed in black brushing away the flies above the face of the deceased. On to Soroca, a baroque-Byzantine-Tatar-Turkish encampment, to meet Gypsies. And all the way to Babadag, between the Baltic Coast and the Black Sea, where Stasiuk sees his first minaret, “simple and severe, a pencil pointed at the sky.”  A brilliant tour of Europe’s dark underside—travel writing at its very best.

    He reflects on his past while indulging in Viennese cakes and savoring music in a gilded concert hall. Levadski was born in 1914, the same year that Martha – the last of the now-extinct passenger pigeons – died. Levadski himself has an acute sense of being the last of a species. He may have devoted much of his existence to studying birds, but now he befriends a hotel butler and another elderly guest, who also doesn’t have much time left, to share in the lively escapades of his final days. This gloriously written tale, in which Levadski feels “his heart pounding at the portals of his brain,” mixes piquant wit with lofty musings about life, friendship, aging and death.