Plus, this year featuring more all-new material than ever before!Contributors to the 2017 calendar include:Kelly Link (Get in Trouble, Magic for Beginners)Jim Gavin (Middle Men, AMC's forthcoming Lodge 49)Carmen Maria Machado (Her Body and Other Parties)Ken Liu (The Paper Menagerie, The Grace of Kings)Maggie Shipstead (Astonish Me, Seating Arrangements)and [REDACTED x 19]!As always, each booklet is sealed, so you won't know what story you're getting until the morning you open it. Calendars are available in a one-time print run, which means that once they're gone, they're gone forever. The 2017 edition has also been reimagined, design-wise—did someone say translucent vellum sleeve? Yes. It was us.

    But when a terrified woman falls through his bathroom ceiling, he's forced back into a life of gunfights, double agents and paranormal research. The secret he's been keeping for nearly four decades might reunite him with his lost love, or kill millions.This new short story by John August falls into the genre of paranoid "spy-fi" popularized by writers like Jorge Luis Borges and shows like The Prisoner and The Man from U.N.C.L.E.== What Others Say =="I really dug the story. Gave it a glance just to see, got totally hooked, and blazed on through to the end."-- Michael Chabon (The Amazing Adventures of Kavalier & Clay, The Yiddish Policemen's Union) "The Variant" is both a good, fun, smart story and an interesting experiment in indie self-publishing for fiction."-- John Gruber, daringfireball.net== About the Author ==An excerpt of The Variant is available at johnaugust.com/variant About the AuthorJohn August is the screenwriter of eight feature films, including Go, Big Fish, Charlie and the Chocolate Factory and Corpse Bride. He wrote and directed the 2007 movie The Nines.He can be found on Twitter, @johnaugust

    Contains the stories:"Green Magic""The Miracle Workers""The Moon Moth""The Mitr""The Men Return""The Narrow Land""The Pilgrims""The Secret""Liane the Wayfarer" (aka "The Loom of Darkness")

    Author of the New York Times bestsellers “Let the Great World Spin” and “Transatlantic,” McCann has been called “a giant among us” (Peter Carey), “dazzlingly talented” (O: The Oprah Magazine), and “that rare species in contemporary fiction: a literary writer who is an exceptional storyteller” (The Independent). He’s received a National Book Award, an Oscar nomination, and a slew of international prizes. His talents are on full display in his new short story, “Gone,” a deeply affecting literary thriller about a mother and son, alone in a cottage on the west coast of Ireland, and the search that ensues when the boy—whom she adopted years before, deaf and with “already a whole history written in him”—goes missing. He slips away in early morning, down to the cold sea with his new Christmas wetsuit, and as the hours and days drag on, the coast guard, police, dogs, fishermen, farmers, and schoolchildren holding hands search the sea and walk the fields while the television crews and detectives come and go, the police at the cottage seeming to “ghost into one another: almost as if they could slip into one another’s faces.” The mother, Rebecca, now under suspicion, is racked with guilt over the decisions that led to her son’s disappearance, and tormented by the judgment of others: "You bought what? A wetsuit? Why in the world? What sort of mother? How much wine did you drink?" For Rebecca, “every outcome was unwhisperable.” “Gone” is a charged narrative that propels you forward, heart in your throat, and a moving, intimate look at life’s struggles toward grace and a kind of redemption.

    Over time he has learned to accept his confinement. After all, it is no more than he deserves given the heinous nature of his previous crimes. However, when a new member of the nursing staff begins taking an interest in Tommy, he learns things previously kept from him: Like why he is being permanently dosed with meds. How, and why, his parents really died. And is it just a coincidence his earlier crimes occurred at the time of a full moon? Nurse Jenny informs Tommy about the true nature of his world: Secret Government cabals, and their plans for a New World Order; the murder of his parents, and facing up to the reality of his life as a werewolf. Then, when she thinks he is ready, she tells him the biggest secret of all: Nurse Jenny has a way out of Broad-lands. But, as is often the case, nothing comes without a price. What is the real motivation for her aiding Tommy's escape? A tale of horror that unfolds beneath the light of a full moon.

    Fourteen well-crafted stories give us a sense of the daily life of a wide cast of characters. Hasan's protagonists are, as always, inward-looking, and whimsical and vulnerable outliers. Where is their place in the new order, where have they come from and where are they going?Quietly devastating, subtly subversive and wonderfully wry, Hasan is a home-grown talent whose stories are increasingly the good address for authentic Indian fiction.

    Nothing much happens. The husband, Sam, plays with a toddler, the wife, Laura, argues with her sister. But Davies uses the short-story writer's most hackneyed milieu--the holiday get-together--to tell a thoroughly fresh tale about class. A family can encompass both good and bad luck, as the author telegraphs neatly in this quick interchange: Later, as the wine moves round the table, Nick starts up on the market. How they should all get in on it. How there's easy money to be made. "It's our middle-class duty, all right," Phil says, laughing, but Suzy says she's not middle-class. She's a waitress, she says, looking around the table. Derek's a mechanic. He nods. How's that middle-class? "While your Uncle Phil is digesting that foot in his mouth..." Marilyn starts, and Laura tries to help by adding that being middle-class isn't just about income. This is a story preoccupied with how people love each other, and also with money--two subjects that bump up against each other a lot in real life but seldom in the workshoppy kind of fiction Davies specializes in. Davies (The Ugliest House in the World) has been celebrated, anthologized, presented with the O. Henry Award, and he certainly does the thing he does--the production of ambiguous feeling in the reader--very, very well. Many of his characters are academics, but they could just as well be butchers or yardmen; they do plain old human stuff--consider having affairs, fight with their parents, raise their kids. In fact, his second collection comes off as almost anti-intellectual, so devoid is it of literary game-playing. The only foray into formal play, "How to Be an Expatriate," derives directly from Lorrie Moore's stories in the imperative voice in her 1985 collection, Self-Help. But Davies eschews her bitter wit in favor of remorsefulness: "Look at old photos. Reread letters. Wish you'd kept a diary. Think, you chose this. You're an expatriate, not an exile. It's what you always wanted." Here is a writer who takes feelings seriously, whose risks are emotional and never formal. --Claire Dederer

    Winner of six Emmys (he was nominated nine times), two Sylvania Awards, on Peabody Award, and one Christopher Award for his teleplays, Serling came as close as anyone to dominating an era that abounded with talented men. His plays "Requiem for a Heavyweight" and "Patterns" are usually the first items on the lips of television aficionados reminiscing about the good old days. Yet as television changed, Rod Serling kept pace. He became producer and chief writer for the famous "Twilight Zone" series. These bizarre and fantastic adventures into the occult and demonic were without doubt one of the most creative, imaginative and successful enterprises in the history of television.Now Rod Serling has applied his prodigious writing talents to a new medium: one in which he is perhaps destined to make his greatest mark. The three novellas that compromise THE SEASON TO BE WARY betray the skillful hand of a master storyteller and prose stylist. Fired with a savage yet disciplined irony, paced with deliberate cadence that rises to a starting denouement, each story explores the theme of a terrible vengeance delivered for terrible deeds performed.In "The Escape Route," ex-Gruppenfuehrer Joseph Strobe - ex-deputy assistant commander of Auschwitz, ex-confidant of Heinrich Himmler - putters about his little rathole in Buenos Aires chewing over the good times he had breaking Jews. Yet his snug little world is turned upside down b the capture of Adolf Eichmann, and Strobe soon finds himself on the wrong end of a terrifying hunt."Color Scheme" recounts the life and times of the great King Connacher, racist and rabble-rouser, who makes his living on the stump, preaching the lynching gospel, only to find himself one summer evening the victim of an extraordinary case of mistaken identity.In "Eyes," Miss Claudia Menlo, who in her fifty lifeless years has been denied nothing that she wanted - except her sight - manipulates people with the same purposeful indifference with which she fondles the expensive bric-a-brac in her lavishly cluttered dwelling. Yet her insistant will is brutally thwarted by the one set of circumstances she cannot control.Serling has infused these simple, forceful tales with an extraordinary richness of character and detail. There is, for example, the Prussian officer Gruber, who cannot stomach the pigs like Strobe he helped create and with whom he is forced to share his guilt. And there is Indian Charlie Hatcher, the most memorable portrait of a burned-out prizefighter since Serling's own justly famous Mountain Rivera.The power, the drive, the complexity and subtlety of these novellas mark Rod Serling as one of the most important and graceful fiction writers. Mr. Serling is a graduate of Antioch College and lives in Southern California with his wife and two children.

    As tiny and inconspicuous as it may seem, That-Which-Had-Been exhibits an unexpected and varied gift for survival, as it journeys implacably toward its ultimate destination. Along the way, it meets a rich array of ordinary human beings, some of whom assist it along its way, others who impede its progress, none of whom have any idea of its existence.From whence comes the strange, but universal, experience of deja vu? Why do some people exhibit a wisdom far beyond their age and experience - persons reincarnationists refer to as 'old souls'? Joseph Wurtenbaugh in this short story offers a fascinating and tantalizingly plausible explanation for these phenomena, presented in a natural setting that brims with adventure and exhilarating possibility. Not to be missed by anyone who enjoys science fiction or thinking outside the box.

    The story was collected in his anthology Welcome To The Monkey House. The story centers on a character named Harry Nash, who is an extremely shy & characterless small-town man. However, whenever he takes a part in the local, amateur theater production he becomes the character to an overwhelming extent. Soon Helene Shaw, a recent addition to the town, falls in love with Nash--or with his character in the play.

     Farzana is one of the prostitutes at Begum's kotha and Ramakant Bannerjee, the writer, loves her deeply. He's promised to marry her once he has enough money. He's currently writing his most ambitious novel, the story of Kaneez. As the story of Kaneez unfolds, so does the intriguing life of Farzana. What fate does she meet? Read on to find out.

    It springs spontaneously from the lofty hearts and makes its own way to unite with its generous reciprocators. At times, it becomes dry and seeks the abundance of a big-hearted lover. In other scenarios, the river gets frozen and looks for the warmth of a passionate soul. And in some cases, it may just be ready and waiting to leap forth from its humble abode. All it takes is just a little stroke of fate for that river to unleash itself and flow in its full glory.'Unleash That River' is an anthology of six short stories of love and contemporary romance.1) Keys: When Dhyey returns home to meet his mother after several months, he discovers that she has started sharing the house with a beautiful tenant, Nishita who not only holds the key to his house, but to his locked heart as well.2) Dot Every 'i' And Cross Every 't':Varun and Puja met for the first time through an arranged marriage proposal. However, in order to make sure that they are the ones who can really complement each other for the rest of their lives, they must take a step out of their comfort zones, and do something unprecedented and outright crazy.3) Why Not:Neel and Rashi both have miserably failed at their first romantic endeavor. Will they keep cursing their rotten luck and ask why? Or will they reclaim the charge of their lives to embrace the second chance and say why not?4) Immeasurable Nouns:Aditi and Kartik are the academic stars of their class and each other’s arch rivals. Aditi hates boys. But Kartik secretly loves her. To win her heart, he must wait for the right moment and make every move cautiously. One day, during an English class, that moment presents itself in its full bloom.5) Madly In Marriage:Swayam and Soniya have not left any stone unturned to avoid marrying each other. But their families see this union as a match made in heaven and are hellbent to see it through. 6) Hearts And Ice-creams:Tushar is obsessed with finding his childhood crush who disappeared out of his life without a clue. Fifteen years later, will he be able to move on or destiny has yet to play its last trick?

    A Czech immigrant who finds a paradoxical contentment on the harsh expanse of the Nebraska prairie. A solitary young painter spying raptly and guiltily on his exquisite neighbor. These are some of the lives that Willa Cather renders, with a fine balance of compassion and detachment, in these nineteen stories. Here are the great themes that Cather staked out like tracts of land: the plight of people hungry for beauty in a country that has no room for it; the mysterious arc of human lives; the ways in which the American frontier transformed the strangers who came to it, turning them imperceptibly into Americans. In these fictions, Cather displays her vast moral vision, her unerring sense of place, and her ability to find the one detail or episode that makes a closed life open wide in a single exhilarating moment.

     Step into Singleton's world and you'll see why he is earning a reputation as one of the funniest, wisest, and most surprising Southern writers of his generation--and why he was named one of the "new writers you need to know" by Book Magazine.

    No wonder the Atlanta Journal-Constitution calls her "one of the best in the new generation of Southern writers."