A. Tripp, a highly regarded sex researcher and colleague of Alfred Kinsey, and author of the runaway bestseller "The Homosexual Matrix," devoted the last ten years of his life to an exhaustive study of Abraham Lincoln's writings and of scholarship about Lincoln, in search of hidden keys to his character. In "The Intimate World of Abraham Lincoln," completed just weeks before he died, Tripp offers a full examination of Lincoln's inner life and relationships that, as Dr. Jean Baker argues in the Introduction, "will define the issue for years to come." Throughout this riveting work, new details are revealed about Lincoln's relations with a number of men. Long-standing myths are debunked convincingly -- in particular, the myth that Lincoln's one true love was Ann Rutledge, who died tragically young. Ultimately, Tripp argues that Lincoln's unorthodox loves and friendships were tied to his maverick beliefs about religion, slavery, and even ethics and morals. As Tripp argues, Lincoln was an "invert": a man who consistently turned convention on its head, who drew his values not from the dominant conventions of society, but from within.For years, a whisper campaign has mounted about Abraham Lincoln, focusing on his intimate relationships. He was famously awkward around single women. He was engaged once before Mary Todd, but his fiance e called off the marriage on the grounds that he was "lacking in smaller attentions." His marriage to Mary was troubled. Meanwhile, throughout his adult life, he enjoyed close relationships with a number of men. He shared a bed with oshua Speed for four years as a young man, and -- as Tripp details here -- he shared a bed with an army captainwhile serving in the White House, when Mrs. Lincoln was away. As one Washington socialite commented in her diary, "What stuff!"This study reaches far beyond a brief about Lincoln's sexuality: it is an attempt to make sense of the whole man, as never before. It includes an Introduction by Jean Baker, biographer of Mary Todd Lincoln, and an Afterword containing reactions by two Lincoln scholars and one clinical psychologist and longtime acquaintance of C.A. Tripp. As Michael Chesson explains in one of the Afterword essays, "Lincoln was different from other men, and he knew it. More telling, virtually every man who knew him at all well, long before he rose to prominence, recognized it. In fact, the men who claimed to know him best, if honest, usually admitted that they did not understand him." Perhaps only now, when conventions of intimacy are so different, so open, and so much less rigid than in Lincoln's day, can Lincoln be fully understood.

    This landmark work of scholarship offers an enlightening review of the shifting concept of "lesbian literature," followed by examples of six different genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism.Faderman examines works as diverse as Willa Cather's My Antonia and Virginia Woolf's Orlando; poetry by Gertrude Stein and Amy Lowell; fiction by Carson McCullers, Helen Hull, and Alice Walker. In addition, Chloe Plus Olivia contains writing by men who focused on women's relationships. These writings are included in the early section of the book and were, in various ways, important to the development of lesbian literature, since men were far more likely than women to achieve publication in other centuries.It would be impossible to identify a single "great tradition" of lesbian writing, since it is in constant metamorphosis, reflecting changing social attitudes and women's voices. Chloe Plus Olivia, with its historical scope enhanced by Faderman's own personal search for a definition of lesbian literature, makes this the first book of its kind; it is certain to become the point of reference from which all subsequent studies of lesbian literature will begin.

    Much has been written about how gays have been portrayed in the movies but no book -- until now -- has looked at their influence behind the screen. Whether out of or in the closet, gays and lesbians have from the very beginning played a significant role in shaping Hollywood. Gay actors were among the earliest matinee idols and gay directors have long been among the most popular and commercially successful filmmakers. In fact, gay set and costume designers created the very look of Hollywood.With this landmark book, Mann fills a void in the Hollywood history archives. Written in the tradition of Neal Gabler's An Empire of Their Own: How the Jews Invented Hollywood and based on hundreds of hours of interviews with survivors of this golden age, Behind the Screen is destined to become a classic of film literature.

    The flamboyantly dressed Miss Fanny Park and Miss Stella Boulton are causing a stir in the Strand Theatre. All eyes are riveted upon their lascivious oglings of the gentlemen in the stalls. Moments later they are led away by the police. What followed was a scandal that shocked and titillated Victorian England in equal measure. It turned out that the alluring Miss Fanny Park and Miss Stella Boulton were no ordinary young women. Far from it. In fact, they were young men who liked to dress as women. When the Metropolitan Police launched a secret campaign to bring about their downfall, they were arrested and subjected to a sensational show trial in Westminster Hall. As the trial of 'the Young Men in Women's Clothes' unfolded, Fanny and Stella's extraordinary lives as wives and daughters, actresses and whores were revealed to an incredulous public. With a cast of peers, politicians and prostitutes, drag queens, doctors and detectives, "Fanny and Stella" is a Victorian peepshow, exposing the startling underbelly of nineteenth-century London. By turns tragic and comic, meticulously researched and dazzlingly written, "Fanny and Stella" is an enthralling tour-de-force.

    would start a new professional league. The North American Soccer League had failed just four years prior, and the prospects of launching a new league for Americans, who didn’t share the rest of the world’s love for soccer, were both exciting and daunting.The United States of Soccer is the engaging history of MLS’s bootstrap origins prior to its 1996 launch, its near-demise in the early 2000s, its surprising resilience and growth in the following years, and its continued rise in respectability and recognition from soccer fans around the world.The book also explores the origin of a number of MLS’s best-known supporters groups – the superfans responsible for setting the tone within MLS stadiums and defining what it is to be a North American soccer fan. The book looks at how MLS helped develop the massive American audiences for the most recent men’s and women’s World Cups – peaking at 27 million for the 2015 Women’s World Cup finals – even as it looks to expand its number of franchises and grow its audience in a sports-saturated world.Phil West chronicles those fans’ voices – intermingled with league officials, former players and coaches, journalists, and newspaper accounts – to detail MLS’s remarkable journey for those new to the U.S.’s top-tier league, as well as those who think they know the full MLS story.

    His memoir is a story of extraordinary challenges met for honor, freedom, and the Corps.

    Chronicle of a Plague, Revisited features ten pieces never previously republished outside Christopher Street, as well as a new introduction keenly describing and evaluating a historical moment that still informs and defines today’s world-particularly its community of homosexuals, which, arguably, is still recovering from the devastation of AIDS.

    Born in the post-war East End of London, young Michael's life is changed when he is spotted in a school play, cast in Lionel Bart's Oliver! and is transported to the glittering West End. Acting on stage and screen into adulthood, he finds his most defining role as Colin in Eastenders, making television history as one half of the first gay kiss ever broadcast on a British soap. But it is a chance encounter in a Butlins resort that leads Michael to the great love of his life: Paul Cottingham, who would become his husband and partner of 31 years. We follow Michael's second act, as with Ian McKellen he founds and chairs Stonewall, fighting tirelessly for civil liberties all over the world before entering the world of politics. His adventures and misadventures lead him and Paul as far and wide as high tea in LA with David Hockney to flirting with Joan Collins to flying the rainbow flag over the Albert Hall with Elton John. But Michael's greatest triumphs are seasoned with bitter loss - and he continues his ceaseless fight bearing a profound grief. One of Them contains as many multitudes as its author: glorious nostalgia, wicked showbiz gossip, a stirring history of a civil rights movement, a sorrowfully clear-eyed exposition of Britain's standing in Europe, and an unforgettable love story. Told with warmth, wit and humanity, it is an account of a life lived both left-of-field and firmly embedded in the heart of all that makes Britain liberal and good.

    With great wit and humor, the co-author of The Joy of Gay Sex tells what goes on behind the glittering surface of fashionable nightspots and glamorous resorts. But he also shows us gay engineers, gay computer experts, and gay cowboys; this is a look at a vast world never before documented. By introducing us to a wide variety of gay people, White gives us remarkable new insights into what it means to be gay in America.In States of Desire, you will meet a gay timber baron from Portland and a "big-wig" (literally as well as figuratively) in the Florida drag world. Here are: handsome lifeguards in Chicago—those "bronzed demigods . . . who lord it above us on their white wood towers"; a Hollywood host who has just spent "a typical L.A. day, driving 150 miles assembling the twelve ingredients for supper"; a San Franciscan who embraces his friends "with long, therapeutic hugs, silently searching their faces for the weather report of their subtlest, innermost feelings"; and Boston gay radicals, who defend some of the most controversial positions that concern society today. You will hear the stories of gay Cubans in Miami, a gay lobbyist in Washington, D.C., and even a self-appointed gay Mormon prophet in Salt Lake City—all narrated with a novelist's fine ear for nuance.Into this vivid tapestry of people and places the author weaves the pros and cons of such issues as gay radicalism, the "urban gay renaissance" and the much discussed gay penchant for hedonism and sexual extremism. Above all, White shows the remarkable possibilities for gay life today—from the black gay ghettos of Atlanta to communes in New England; from "friendship networks" in New York City to New Orleans-style "uptown marriages" (in which men live with wife and children uptown and keep a boy in the Quarter); from Kansas City, where the self-oppression of 1950s gay life still reigns supreme, to Fire Island's unrivaled "spectacle of gay affluence and gay-male beauty." For this eye-opening book makes clear that gay life is every bit as rich and varied as the many gay lives the author so effectively describes.

    I am furious. Because I never thought it would happen to us. Not us, the rainbow nation that defied doomsayers and suckled and nurtured a fragile democracy into life for its children. I never thought it would happen to us, this relentless decline, the flirtation with a leap over the cliff.” In a searing, honest paean to his country, renowned political journalist and commentator Justice Malala forces South Africa to come face to face with the country it has become: corrupt, crime-ridden, compromised, its institutions captured by a selfish political elite bent on enriching itself at the expense of everyone else. In this deeply personal reflection, Malala’s diagnosis is devastating: South Africa is on the brink of ruin. He does not stop there. Malala believes that we have the wherewithal to turn things around: our lauded Constitution, the wealth of talent that exists, our history of activism and a democratic trajectory can all be used to stop the rot. But he has a warning: South Africans of all walks of life need to wake up and act, or else they will soon find their country has been stolen.

    In a small town in the west of Ireland, a beautiful baby boy is born. He enjoys an idyllic country childhood: privileged, carefree, surrounded by love - and pet sheep.Eleven years later, the Pope visits Ireland, and things will never be the same again. At the Pontiff's mass in Knock, the little boy has an epiphany that will set him on the road to become the biggest, boldest, and most opinionated drag queen Ireland has ever known.This is the story of Rory O'Neill's journey from the fields to becoming Panti Bliss, the voice of a brave new nation embracing diversity, all the colours of the rainbow and, most of all, a glamorous attitude.It's also the story of a misfit who turned his difference into a triumphant art form; of coming to terms with HIV; of political activism; and of 'Pantigate', and the speech that touched a million lives.Welcome to the world of Panti - adored, fun drunk aunt to the world - and her creator Rory, in their own inimitable words.

    They pored over magazines that described the dangerous pleasures of corporal punishment. A few had sexual relationships with each other, exchanged rings and vows, willed each other property, and lived together in long-term partnerships described as marriages. But, as Sharon Marcus shows, these women were not seen as gender outlaws. Their desires were fanned by consumer culture, and their friendships and unions were accepted and even encouraged by family, society, and church. Far from being sexless angels defined only by male desires, Victorian women openly enjoyed looking at and even dominating other women. Their friendships helped realize the ideal of companionate love between men and women celebrated by novels, and their unions influenced politicians and social thinkers to reform marriage law.Through a close examination of literature, memoirs, letters, domestic magazines, and political debates, Marcus reveals how relationships between women were a crucial component of femininity. Deeply researched, powerfully argued, and filled with original readings of familiar and surprising sources, Between Women overturns everything we thought we knew about Victorian women and the history of marriage and family life. It offers a new paradigm for theorizing gender and sexuality--not just in the Victorian period, but in our own.

    In Disasterama, Orloff tells their story: the true tale of how a bunch of pathologically flippant kids floundered through a deadly disaster.

    In place of sexual status quo, Warner offers a vision of true sexual autonomy that will forever change the way we think about sex, shame, and identity.

    By combining accessible introductory and explanatory material with primary texts and artifacts, this book explores the development and growth of LGBT (lesbian, gay, bisexual, transgender) identities and the interdisciplinary nature of LGBT studies.