And with their success is launched a brave new world that is in some ways better than ours--but in most ways even worse. Fry's experiment in history makes for his most ambitious novel yet, and his most affecting. His first book to be set mostly in America, it is a thriller with a funny streak, a futuristic fantasy based on one of mankind's darkest realities. It is, in every sense, a story of our times.

    legal system. The play centers on Juror Eight, who is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal prejudices or biases. Reginald Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture to form of them—and of America, at its best and worst.   After the critically acclaimed teleplay aired in 1954, this landmark American drama went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. More recently, Twelve Angry Men had a successful, and award-winning, run on Broadway.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

     Ennis del Mar and Jack Twist, two ranch hands, come together when they're working as sheepherder and camp tender one summer on a range above the tree line. At first, sharing an isolated tent, the attraction is casual, inevitable, but something deeper catches them that summer. Both men work hard, marry, and have kids because that's what cowboys do. But over the course of many years and frequent separations this relationship becomes the most important thing in their lives, and they do anything they can to preserve it. The New Yorker won the National Magazine Award for Fiction for its publication of "Brokeback Mountain," and the story was included in Prize Stories 1998: The O. Henry Awards. In gorgeous and haunting prose, Proulx limns the difficult, dangerous affair between two cowboys that survives everything but the world's violent intolerance.

    It was like a tiny bit of Dorothy’s Oz in boring old black-and-white Kansas. Pink was for girls.Ava Simpson is trying on a whole new image. Stripping the black dye from her hair, she heads off to the Billy Hughes School for Academic Excellence, leaving her uber-cool girlfriend, Chloe, behind.Ava is quickly taken under the wing of perky, popular Alexis who insists that: a) she’s a perfect match for handsome Ethan; and b) she absolutely must audition for the school musical.But while she’s busy trying to fit in — with Chloe, with Alexis and her Pastel friends, even with the misfits in the stage crew — Ava fails to notice that her shiny reinvented life is far more fragile than she imagined.Debut author Wikinson takes a lighthearted but timely and resonant look at a teen's attempts to don a new personality and figure out who she really wants to be.

    From a typical suburban childhood to his perpetual search for true love, Albo evokes a poignant, nostalgic past and a vibrant, energetic present. By turns vulnerable and jaded, flamboyant and obsessive, Hornito is full of subversive humor and outrageous irony.

    But when he and his best friend, Bob, partake in "awful kid stuff", the experience forms Jim's ideal of spiritual completion. Defying his parents’ expectations, Jim strikes out on his own, hoping to find Bob and rekindle their amorous friendship. Along the way he struggles with what he feels is his unique bond with Bob and with his persistent attraction to other men. Upon finally encountering Bob years later, the force of his hopes for a life together leads to a devastating climax. The first novel of its kind to appear on the American literary landscape, The City and the Pillar remains a forthright and uncompromising portrayal of sexual relationships between men.

    The popular image of the men who made the bomb is of dispassionate intellects who number-crunched their way towards a weapon whose devastating power they could not even imagine. But in his Tony Award-winning play Copenhagen, Michael Frayn shows us that these men were passionate, philosophical, and all too human, even though one of the three historical figures in his drama, Werner Heisenberg, was the head of the Nazis' effort to develop a nuclear weapon. The play's other two characters, the Danish physicist Niels Bohr and his wife, Margrethe, are involved with Heisenberg in an after-death analysis of an actual meeting that has long puzzled historians. In 1941, the German scientist visited Bohr, his old mentor and long-time friend, in Copenhagen. After a brief discussion in the Bohrs' home, the two men went for a short walk. What they discussed on that walk, and its implications for both scientists, have long been a mystery, even though both scientists gave (conflicting) accounts in later years. Frayn's cunning conceit is to use the scientific underpinnings of atomic physics, from Schr?dinger's famous cat to the Heisenberg uncertainty principle, to explore how an individual's point of view renders attempts to discover the ultimate truth of any human interaction fundamentally impossible. To Margrethe, Heisenberg was always an untrustworthy student, eager to steal from her husband's knowledge. To Bohr, Heisenberg was a brilliant if irresponsible foster son, whose lack of moral compass was part of his genius. As for Heisenberg, the man who could have built the bomb but somehow failed to, his dilemma is at the heart of the play's conflict. Frayn's clever dramatic structure, which returns repeatedly to particular scenes from different points of view, allows several possible theories as to what his motives could have been. This isn't the first play to successfully merge the world

    In James Goldman’s classic play The Lion in Winter, domestic turmoil rises to an art form. Keenly self-aware and motivated as much by spite as by any sense of duty, Henry II and Eleanor of Aquitaine maneuver against each other to position their favorite son in line for succession. By imagining the inner lives of Henry, Eleanor, and their sons, John, Geoffrey, and Richard, Goldman created the quintessential drama of family strife and competing ambitions, a work that gives visceral, modern-day relevance to the intrigues of Angevin England. Combining keen historical and psychological insight with delicious, mordant wit, the stage play has become a touchstone of today’s theater scene, and Goldman’s screenplay for the 1968 film adaptation won him an Academy Award. Told in “marvelously articulate language, with humor that bristles and burns” (Los Angeles Times), The Lion in Winter is the rare play that bursts into life on the printed page.

    Set in the seventeenth century, the play follows Anna Fierling -- "Mother Courage" -- an itinerant trader, as she pulls her wagon of wares and her children through the blood and carnage of Europe's religious wars. Battered by hardships, brutality, and the degradation and death of her children, she ultimately finds herself alone with the one thing in which she truly believes -- her ramshackle wagon with its tattered flag and freight of boots and brandy. Fitting herself in its harness, the old woman manages, with the last of her strength, to drag it onward to the next battle. In the enduring figure of Mother Courage, Bertolt Brecht has created one of the most extraordinary characters in the literature of drama.

    In this daring and original production of Timothy Findley's Governor-General Award winning play, William Shakespeare and the formidable Virgin Queen, Elizabeth I, are brought together in a remarkable encounter on the night of April 22, 1616. The night the Queen's Lover will be executed, by the Queen's decree.

    In While England Sleeps, available for the first time in two years, he moves beyond precisely controlled domestic drama to create a historical novel, set against the rise of fascism in 1930s Europe, that tells a story of love and the violent chaos of war.

    Which, in his characters' vernacular, means he's a total scream.Having made a career of deconstructing the denizens of the modern gay world, Robert Rodi now turns his hand to -- and twists the knife in -- yet another gay archetype: the kept boy.Dennis Racine is 31, but looks 23...which might be considered his good fortune, except that even 23 is a bit old for his chosen profession: pampered "companion" to the fiftyish, filthy rich Chicago theatrical impresario Farleigh Nock (a.k.a. "the Papp of the Provinces"). In fact, Farleigh has lately become so resistant to Dennis's charms that he's conferred the ultimate indignity on him: demanding that he get a job.Dennis proves himself astonishingly unemployable, then learns that his old job is in peril as well; for Farleigh's affections have been snared by the lithe young pool boy Jasper Moran. When Jasper is promoted from chlorination duties to directing Farleigh's production of Lady Windermere's Fan, Dennis knows he's in danger of losing his place in Farleigh's life (not to mention his Last Will and Testament).Lending him a hand in a spirit of common cause are his two best friends. Lonnie Roach is the kept boy of an ancient gossip columnist; Paulette Ng is retained by a member of Congress whose anonymity she protects by referring to him only as "the Spanker of the House".Together they devise a plan to whisk Farleigh away from Jaspers influence, landing him in Greece, where Dennis can re-seduce him in exotic privacy. The scheme provokes bigger repercussions than Dennis ever expected and he finds himself fighting for his man -- and his man's legacy-- more fiercely than ever before, aided only by two Iowa co-eds and a maniacal Santorini grandmother.His satiric eye sharper than ever, but never straying from the deep humanity that makes his characters and stories so appealing, Robert Rodi once again delivers a fabulous, unforgettable farce of the kind that has made him so enduringly popular.

    The first is told episodically by John, a hustler in New York, who falls in love with Martin, a man dying of AIDS. Interwoven with these stories is a second set, in which characters named Martin and John appear, but living different lives. The resulting novel is a work of stunning originality that is "inspired and brilliant" (The Nation).

    . . .The lives of three teens—Claire, Jasper, and Peter—are altered forever on September 11, 2001. Claire, a high school junior, has to get to her younger brother in his classroom. Jasper, a college sophomore from Brooklyn, wakes to his parents’ frantic calls from Korea, wondering if he’s okay. Peter, a classmate of Claire’s, has to make his way back to school as everything happens around him.Here are three teens whose intertwining lives are reshaped by this catastrophic event. As each gets to know the other, their moments become wound around each other’s in a way that leads to new understandings, new friendships, and new levels of awareness for the world around them and the people close by.David Levithan has written a novel of loss and grief, but also one of hope and redemption as his characters slowly learn to move forward in their lives, despite being changed forever.

    Jason Carrillo is a jock with a steady girlfriend, but he can't stop dreaming about sex...with other guys. Kyle Meeks doesn't look gay, but he is. And he hopes he never has to tell anyone—especially his parents. Nelson Glassman is "out" to the entire world, but he can't tell the boy he loves that he wants to be more than just friends...In a revealing debut novel that percolates with passion and wit, Alex Sanchez follows these very different high-school seniors as their struggles with sexuality and intolerance draw them into a triangle of love, betrayal, and ultimately, friendship.