Left alone with her sad, peculiar father, her days are spent piecing together why her mother and sister have disappeared and contemplating her inevitable career at Happy Family Farms, a chicken slaughterhouse on the outskirts of East Village. Not the East Village in New York City where Nomi would prefer to live, but an oppressive town founded by Mennonites on the cold, flat plains of Manitoba, Canada.This darkly funny novel is the world according to the unforgettable Nomi, a bewildered and wry sixteen-year-old trapped in a town governed by fundamentalist religion and in the shattered remains of a family it destroyed. In Nomi's droll, refreshing voice, we're told the story of an eccentric, loving family that falls apart as each member lands on a collision course with the only community any of them have ever known. A work of fierce humor and tragedy by a writer who has taken the American market by storm, this searing, tender, comic testament to family love will break your heart.

    Scattered recollections - of childhood, adolescence, motherhood, old age - come together in this transformative narrative, stitched into a vibrant whole by McDermott's deft, lyrical voice. Our first glimpse of Marie is as a child: a girl in glasses waiting on a Brooklyn stoop for her beloved father to come home from work. A seemingly innocuous encounter with a young woman named Pegeen sets the bittersweet tone of this remarkable novel. Pegeen describes herself as an "amadan," a fool; indeed, soon after her chat with Marie, Pegeen tumbles down her own basement stairs. The magic of McDermott's novel lies in how it reveals us all as fools for this or that, in one way or another. Marie's first heartbreak and her eventual marriage; her brother's brief stint as a Catholic priest, subsequent loss of faith, and eventual breakdown; the Second World War; her parents' deaths; the births and lives of Marie's children; the changing world of her Irish-American enclave in Brooklyn - McDermott sketches all of it with sympathy and insight. This is a novel that speaks of life as it is daily lived; a crowning achievement by one of the finest American writers at work today.Membership

    . . When Sylvie Serfer met Richard Woodruff in law school, she had wild curls, wide hips, and lots of opinions. Decades later, Sylvie has remade herself as the ideal politician's wife-her hair dyed and straightened, her hippie-chick wardrobe replaced by tailored knit suits. At fifty-seven, she ruefully acknowledges that her job is staying twenty pounds thinner than she was in her twenties and tending to her husband, the senator. Lizzie, the Woodruffs' younger daughter, is at twenty-four a recovering addict, whose mantra HALT (Hungry? Angry? Lonely? Tired?) helps her keep her life under control. Still, trouble always seems to find her. Her older sister, Diana, an emergency room physician, has everything Lizzie failed to achieve-a husband, a young son, the perfect home-and yet she's trapped in a loveless marriage. With temptation waiting in one of the ER's exam rooms, she finds herself craving more. After Richard's extramarital affair makes headlines, the three women are drawn into the painful glare of the national spotlight. Once the press conference is over, each is forced to reconsider her life, who she is and who she is meant to be. Written with an irresistible blend of heartbreak and hilarity, Fly Away Home is an unforgettable story of a mother and two daughters who after a lifetime of distance finally learn to find refuge in one another.

    Her marriage badly frayed by years of stress, she comes to the island in a trial separation to try and make sense of the tragedy of her Anthony’s short life.Beth, a stay-at-home mother of three, is also recently separated after discovering her husband’s long-term infidelity. In an attempt to recapture a sense of her pre-married life, she rekindles her passion for writing, determined to find her own voice again. But surprisingly, as she does so, Beth also find herself channeling the voice of an unknown boy, exuberant in his perceptions of the world around him if autistic in his expression—a voice she can share with Olivia—(is it Anthony?)—that brings comfort and meaning to them both.

    The girls live in a terrible situation: they depend on an unstable mother that has never recovered from her husband's murder, their stepfather beats them regularly, and they must forage on their own for food. Stop here and you have a story told many times before, as fiction and nonfiction in tales like Ellen Foster, or I Know Why the Caged Bird Sings --stories in which a young girl reveals the horrors of her childhood. Me & Emma differentiates itself with a spectacular finish, shocking the reader and turning the entire story on its head. Through several twists and turns the reader learns that things are not quite the way our narrator led us to believe and everything crescendos in a way that (like all good thrillers) immediately makes you want to go back and read the whole book again from the start.

    Paris in the 1920s shimmers with excitement, dissipation, and freedom. It is a place of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club's loyal denizens, including the rising Hungarian photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol; and the caustic American writer Lionel Maine. As the years pass, their fortunes - and the world itself - evolve. Lou falls desperately in love and finds success as a race car driver. Gabor builds his reputation with startlingly vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant twenties give way to darker times, Lou experiences another metamorphosis - sparked by tumultuous events - that will warp her earnest desire for love and approval into something far more.

    She has never had physical contact with a man, but is bound to marry a stranger. The rabbi's wife teaches her what it means to be a Jewish wife, but Rivka has her own questions to answer. Soon buried secrets, fear and sexual desire bubble to the surface in a story of liberation and choice; not to mention what happens on the wedding night.

    She’s got the modern-print rugs of Metropolitan Home, the elegant meals from Gourmet, the clutter-free closets out of Real Simple, and the elaborate Easter egg hunts seen in Parents. With her successful investment banker husband behind the wheel and her cherubic eighteen-month-old in the backseat, hers could be the family in the magazines’ glossy Range Rover ads. Yet somehow all of the how-to magazine stories in the world can’t seem to fix her faltering marriage, banish the tedium of days spent changing diapers, or stop her from asking, “What if?” Then one morning Jillian wakes up seven years in the past. Before her daughter was born. Before she married Henry. Suddenly she’s back in her post–grad school Ikea-furnished Manhattan apartment. She’s back in her fast-paced job with the advertising agency. And she’s still with Jackson, the ex-boyfriend and star of her what-if fantasies.Armed with twenty-twenty hindsight, she’s free to choose all over again. She can use the zippy ad campaigns from her future to wow the clients and bosses in her present. She can reconnect with the mother who abandoned her so many years before. She can fix the fights at every juncture that doomed her relationship with Jackson. Or can she? With each new choice setting off a trajectory of unforeseen consequences, Jillian soon realizes that getting to happily ever after is more complicated than changing the lines in her part of the script. Happiness, it turns out, isn’t an either-or proposition. As she closes in on all the things she thought she wanted, Jillian must confront the greatest what-if of all: What if the problem was never Henry or Jackson, but her? Sharp, funny, and heartwarming, Time of My Life will appeal to anyone who has ever wanted to redo the past and will leave readers pondering, “Do we get the reality we deserve?”

    He discovers that everything is fragile: love turns to loss, friends become enemies and everyone is looking for a place to belong.Isabella Hammad delicately unpicks the tangled politics and personal tragedies of a turbulent era – the Palestinian struggle for independence from the British Mandate, the strife of the early twentieth century and the looming shadow of the Second World War. An intensely human story amidst a global conflict, The Parisian is historical fiction with a remarkable contemporary voice.

    Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders.An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories?Captivating and disturbing, Alias Grace showcases best-selling, Booker Prize-winning author Margaret Atwood at the peak of her powers.

    She finds him faintly ridiculous, but talented. He sees her as aloof, but intriguing. Afterward, he writes her a letter. Soon they are immersed in the kind of fast, deep friendship that can take over—and change the course of—our lives.From points afar, they find their way to New York and, for a few whirling years, each other. The city is a wonderland for young people with dreams: cramped West Village kitchens, rowdy cocktail parties stocked with the sharp-witted and glamorous, taxis that can take you anywhere at all, long talks along the Hudson River as the lights of the Empire State Building blink on above.Inspired by the lives of Flannery O’Connor and Robert Lowell, Frances and Bernard imagines, through new characters with charms entirely their own, what else might have happened. It explores the limits of faith, passion, sanity, what it means to be a true friend, and the nature of acceptable sacrifice. In the grandness of the fall, can we love another person so completely that we lose ourselves? How much should we give up for those we love? How do we honor the gifts our loved ones bring and still keep true to our dreams?In witness to all the wonder of kindred spirits and bittersweet romance, Frances and Bernard is a tribute to the power of friendship and the people who help us discover who we are.

    This is the story of two men who first become friends in 1970s New York, of the women in their lives, of their sons, born the same year, and of how relations between the two families become strained, first by tragedy, then by a monstrous duplicity which comes slowly and corrosively to the surface.

    Her recent troubles—widowhood, a failing business, an unemployed middle-aged son—are only the latest in a litany spanning dozens of countries, scores of marriages, and hundreds of children. In the 2,000 years since she made a spiritual bargain to save the life of her first son back in Roman-occupied Jerusalem, she’s tried everything to free herself, and only one other person in the world understands: a man she once loved passionately, who has been stalking her through the centuries, convinced they belong together forever.But as the twenty-first century begins and her children and grandchildren—consumed with immortality in their own ways, from the frontiers of digital currency to genetic engineering—develop new technologies that could change her fate and theirs, Rachel knows she must find a way out.Gripping, hilarious, and profoundly moving, Eternal Life celebrates the bonds between generations, the power of faith, the purpose of death, and the reasons for being alive.

    Ten years later, Sarah is about to graduate from college when she receives a mysterious letter from Moscow suggesting that Jenny's death might have been a hoax.  She sets off to the former Soviet Union in search of the truth, but the more she delves into her personal Cold War history, the harder it is to separate facts from propaganda.You Are One of Them is a taut, moving debut about the ways in which we define ourselves against others and the secrets we keep from those who are closest to us.  In her insightful forensic of a mourned friendship, Holt illuminates the long lasting sting of abandonment and the measures we take to bring back those we have lost.

    The only job Marie can get on the outside is as a nanny for her childhood friend Ellen Kendall, an upwardly mobile Manhattan executive whose mother employed Marie's mother as a housekeeper. After Marie moves in with Ellen, Ellen's angelic baby Caitlin, and Ellen's husband, a very attractive French novelist named Benoit Doniel, things get complicated, and almost before she knows what she's doing, Marie has absconded to Paris with both Caitlin and Benoit Doniel. On the run and out of her depth, Marie will travel to distant shores and experience the highs and lows of foreign culture, lawless living, and motherhood as she figures out how to be an adult; how deeply she can love; and what it truly means to be "bad".