Scrupulously following the fluidity and breathlessness of the sparsely punctuated original manuscript, Mark Harman’s new translation reveals levels of comedy, energy, and visual power, previously unknown to English language readers.

    Peejoe and his older brother Wiley move on to their Uncle Dove's home in Industry, Ala., where racial conflict brings frightening bloodshed as well as oratory from George Wallace and Martin Luther King Jr. Meanwhile, on the road and in California, the newly emancipated Lucille brings every ounce of her desirability and determination to bear on her quest for stardom. Childress tells his story through the masterfully crafted voice of the adult Peejoe reminiscing from his home in present-day San Francisco. He depicts each character with convincing detail and all the vividness of childhood memory; there is magic in his mixture of humor and pathos, boyish candor and time-earned understanding. The narrative has a unique gentleness that tempers even the most extreme horrific or comic events without dismissing or oversimplifying them. Terrible crimes go unpunished, and good people face tragedy--not always nobly--but this remains a tale of laughter and great hope, one not easily forgotten.

    This is her story, and that of Ormus Cama, the lover who finds, loses, seeks, and again finds her, over and over, throughout his own extraordinary life in music. Their epic romance is narrated by Ormus's childhood friend and Vina's sometime lover, her "back-door man," the photographer Rai, whose astonishing voice, filled with stories, images, myths, anger, wisdom, humor, and love, is perhaps the book's true hero. Telling the story of Ormus and Vina, he finds that he is also revealing his own truths: his human failings, his immortal longings. He is a man caught up in the loves and quarrels of the age's goddesses and gods, but dares to have ambitions of his own. And lives to tell the tale.Around these three, the uncertain world itself is beginning to tremble and break. Cracks and tears have begun to appear in the fabric of the real. There are glimpses of abysses below the surfaces of things. The Ground Beneath Her Feet is Salman Rushdie's most gripping novel and his boldest imaginative act, a vision of our shaken, mutating times, an engagement with the whole of what is and what might be, an account of the intimate, flawed encounter between the East and the West, a brilliant remaking of the myth of Orpheus, a novel of high (and low) comedy, high (and low) passions, high (and low) culture. It is a tale of love, death, and rock 'n' roll.

    As the ringmaster bends over her, he notices an amulet of amber around her neck, the same trinket he had given his own lost child, who was swept away in a torrent some sixteen years earlier.This tale is narrated by Petter, a precocious child and fantasist, and perhaps Jostein Gaarder's most intriguing character since Sophie. As an adult, Petter makes his living selling stories and ideas to professionals suffering from writer's block. But as Petter sits spinning his tales, he finds himself in a trap of his own making.

    Domestic life is beginning to take its toll until Meg is offered her dream assignment: to write a guidebook about French history. Unfortunately, there is a catch. Jean-Jacques, a scruffy and imperious photographer, has been assigned to the project. As the dueling pair visits each region in search of the past, what they find is the colorful, food-filled present—the festive bullfights in the Camargue, the sacred gypsy pilgrimage at Stes-Maries-de-la-Mer, the pictographs and lightning storms of Mount Bégo. And over the course of mouthwatering meals—of lamb daube, paella and rosé, bull steak and anchioade, Brebis and strawberries—their antagonistic collaboration turns into a fiery love affair. Meg's notions about history—about what we preserve and how we accept the new—evolve, and in the end, she must reconcile her two lives and decide what to hold on to, and what to let go.

    "Its a ghost story, a thriller, an action-packed murder mystery, and a great tragedy that is profoundly moving." With an outstanding cast of international actors--including Derek Jacobi as Claudius, Julie Christie as Gertrude, Kate Winslet as Ophelia, Charlton Heston as the Player King, Robin Williams as Osric, and Gerard Depardieu as Reynaldo--Branagh's version, in which he will play the title role as well as direct, is sure to go down in film history.This beautiful volume includes Branagh's introduction and screenplay adaptation of Shakespeare's text, color and black-and-white stills, and a production diary that takes us behind the scenes for a day-to-day look at the shooting of his film.

    Even more astonishing, so has his prodigious gift. A mediocre pianist at best as a child, Liza can suddenly pound out concertos and compose masterly music out of the blue. But how can a brilliant male Austrian composer from the nineteenth century coexist in the everyday life of a modern American woman? And how can Liza explain what’s happened to her without everyone thinking she’s gone off the deep end? Fortunately, the evidence is tangible, and Liza is soon brought into the esteemed halls of Juilliard under the tutelage of the revered—and feared—Greta Pretsky, a humorless woman whose only interest in Liza is her channeling of Schubert. Greta’s greedy for her next big star, and the entire New York City press is whispering of Liza’s brilliance as the public awaits her debut at Carnegie Hall. Even Liza’s boyfriend, Patrick, seems more in love with her than ever.Yet as Liza yields to Franz’s great passion, her own life and identity threaten to elude her. Why was she chosen as the vessel for this musical genius—and when, if ever, will he leave? Their entwined souls follow a path of ecstasy, peril, and surprise as they search for the final, liberating truth.A strikingly original novel, Sleeping with Schubert plays on years of speculation regarding Franz Schubert’s “Unfinished Symphony.” Bonnie Marson’s extraordinary imagination supposes that Schubert cannot truly die until the mystery is solved—even if it means being resurrected in the body of a deceptively ordinary woman. Filled with drama and humor, this irresistible novel explores love, genius, and identity in ways that will engage and amaze readers.From the Hardcover edition.

    Living with her single mother in a small apartment, Evelyn Bucknow is a young girl wincing her way through adolescence. With a voice that is as charming as it is recognizable, Evelyn immerses the reader in the dramas of an entire community. The people of Kerrville stuck at once in the middle of nowhere but also at the center of everything, are the source from which Moriarty draws on universal dilemmas of love and belief to render a story that grows in emotional intensity until it lifts the reader to heights achieved only by the finest of fiction.

    Now married, her happiness is threatened when beautiful and emotionally unstable Simone, suffering from crippling postpartum depression, commits an unforgivable crime for which Roxanne comes to believe she is partially responsible. In the glare of national media attention brought on her sister, Roxanne fights to hold her marriage together as she is drawn back into the pain of her troubled past and relives the fraught relationship she and Simone shared with their narcissistic mother. At the same time, only she can help Simone's nine year old daughter, Merell, make sense of the family's tragedy. Cathartic, lyrical, and unflinchingly honest, The Good Sister is a novel of four generations of women struggling to overcome a legacy of violence, lies and secrecy, ultimately finding strength and courage in their love for each other.

      When Fumihiro Kuki is eleven years old, his elderly, enigmatic father calls him into his study for a meeting. "I created you to be a cancer on the world," his father tells him. It is a tradition in their wealthy family: a patriarch, when reaching the end of his life, will beget one last child to cause misery in a world that cannot be controlled or saved. From this point on, Fumihiro will be specially educated to learn to create as much destruction and unhappiness in the world around him as a single person can. Between his education in hedonism and his family's resources, Fumihiro's life is one without repercussions. Every door is open to him, for he need obey no laws and may live out any fantasy he might have, no matter how many people are hurt in the process. But as his education progresses, Fumihiro begins to question his father's mandate, and starts to resist.

    Maybe still is. At thirty-one he has been both a brilliant failure and a dull success. He's made a lot of mistakes that have paid off and a lot of smart moves he'll regret forever (however long that turns out to be). Daniel Weir has gone from rags to riches and back, and managed to hold onto them both, though not much else. His friends all seem to be dead, fed up with him or just disgusted - and who can blame them? And now Daniel Weir is all alone. As he contemplates his life, Daniel realises he only has two problems: the past and the future. He knows how bad the past has been. But the future - well, the future is something else.

    The boy's compelling and protean personality (he is Devon to the keepers of the Boys' Home, Alex to the Fatman with whom he lives, Priestly to the young rent-boy who reveres him, and Durwood to Sean's daughter) arches over this disturbing novel and is mirrored in the lives of all the people Sean encounters. From these different perspectives we witness the boy's many incarnations, which reflect, aggravate, and distort the desires of those around him, involving these characters irrevocably in his own mysterious intentions. The boy keeps just beyond Sean's reach, then draws him into a final encounter that is both poignant and brutal. This first novel is a penetrating study of innocence and malice ineluctably bound. With his protean sexuality and personality, the boy insinuates himself into the lives of those he encounters. We witness how he feeds their deepest desires, nourishes their greatest needs, and involves them irrevocably in his own intentions. Winner of the Lambda Literary Foundation's Editors' Choice Award for 1998!

    Traven. Evidence suggests that he was born Otto Feige in Schlewsig-Holstein and that he escaped a death sentence for his involvement with the anarchist underground in Bavaria. Traven spent most of his adult life in Mexico, where, under various names, he wrote several bestsellers and was an outspoken defender of the rights of Mexico's indigenous people. First published in 1935, The Treasure of the Sierra Madre is Traven's most famous and enduring work, the dark, savagely ironic, and riveting story of three down-and-out Americans hunting for gold in Sonora.

    Not content to merely seize his father’s throne, the renegade royal dreams of world conquest–and with his army and his black arts, there is little to stop him.So unexpected, so well planned is the invasion of the free port New Bally that out of hundreds in the city, only two escape capture. Haft and Spinner will need all their courage and cunning to retrieve their weapons from their enemy-held ship, cross the open meadows surrounding the city walls, and escape into the forest beyond–where they hope to regroup and drive back the invaders. Luckily, Haft and Spinner are no ordinary men. They are Marines . . .From the Paperback edition.

    Noah disembarks from his ark but he and his Voyage are not forgotten: they are revisited in on other centuries and other climes - by a Victorian spinster mourning her father, by an American astronaut on an obsessive personal mission. We journey to the Titanic, to the Amazon, to the raft of the Medusa, and to an ecclesiastical court in medieval France where a bizarre case is about to begin...This is no ordinary history, but something stranger, a challenge and a delight for the reader's imagination. Ambitious yet accessible, witty and playfully serious, this is the work of a brilliant novelist.