Then Jocelyn's father tells her their family restaurant may be going under, and all wishes are off. Because her dad has the marketing skills of a dumpling, it's up to Jocelyn and her unlikely new employee, Will, to bring A-Plus Chinese Garden into the 21st century (or, at least, to Facebook).What starts off as a rocky partnership soon grows into something more. But family prejudices and the uncertain future of A-Plus threaten to keep Will and Jocelyn apart. It will take everything they have and more, to save the family restaurant and their budding romance.

    Then it's on to Harvard to fulfill the fantasy portrait of success that he and his parents have cultivated for the past four years. Four years of academic achievement. Four years of debate championships. Two years of dating the most popular girl in school. It was, literally, everything his parents could have wanted. Everything they wanted for Higgs's older brother Jeffrey, in fact. But something's not right. And when Higgs's girlfriend presents him with a seemingly innocent hypothetical question about whether or not he'd give her a kidney . . . the exposed fault lines reach straight down to the foundations of his life. . . .

    A family. And that is exactly what she gets-a daddy and two "wifeys." So what if she has to go out and earn some coins to keep her place? It seems a fair enough exchange for love.Dime never meant to become a prostitute. It happened so gradually, she pretty much didn't realize it was happening until it was too late.But when a new "wifey" joins the family and Dime finds out that Daddy doesn't love her the way she thought he did, will Dime have the strength to leave? And will Daddy let her?

    The last thing she has left is her art, and not even Banksy himself could convince her to give that up.Out in the ’burbs, Julia paints anywhere she can, eager to claim some turf of her own. But Julia soon learns that she might not be the only vandal in town. Someone is adding to her tags, making them better, showing off—and showing Julia up in the process. She expected her art might get painted over by cops. But she never imagined getting dragged into a full-blown graffiti war.

    Since they were children, they’ve shared almost everything—reading the same books, running down the same sandy footpaths to the beach, eating peaches from the same market, laughing around the same sun-soaked dining table. Even sleeping in the same bed, on the very same worn cotton sheets. But they’ve never met.Sasha’s dad was once married to Ray’s mom, and together they had three daughters: Emma, the perfectionist; Mattie, the beauty; and Quinn, the favorite. But the marriage crumbled and the bitterness lingered. Now there are two new families—and neither one will give up the beach house that holds the memories, happy and sad, of summers past.The choices we make come back to haunt us; the effect on our destinies ripples out of our control…or does it? This summer, the lives of Sasha, Ray, and their siblings intersect in ways none of them ever dreamed, in a novel about family relationships, keeping secrets, and most of all, love.

    After his favorite uncle was blown to bits on his way to work in a foreign city, Tom watched his family implode. He quit school and turned his back on his music and everyone that mattered, including the girl he can't forget. Shooting for oblivion, he's hit rock bottom, forced to live with his single, pregnant aunt, work at the Union pub with his former friends, and reckon with his grieving, alcoholic father. Tom's in no shape to mend what's broken. But what if no one else is either? An unflinching look at family, forgiveness, and the fierce inner workings of love and friendship, The Piper's Son redefines what it means to go home again.The award-winning author of Finnikin of the Rock and Jellicoe Road pens a raw, compelling novel about a family's hard-won healing on the other side of trauma.

    The problem with that: she’s not. She’s smart and creative and a little bit funky. She’s also an unwilling player in her parents’ modern-hippy, let’s-live-on-a-goat-farm experiment (regretfully, instigated by a younger, much more enthusiastic Janie). This, to put it simply, is not helping Janie reach that “normal target.” She has to milk goats every day…and endure her mother’s pseudo celebrity in the homemade-life, crunchy mom blogosphere. Goodbye the days of frozen lasagna and suburban living, hello crazy long bus ride to high school and total isolation--and hovering embarrassments of all kinds. The fresh baked bread is good…the threat of homemade jeans, not so much. It would be nice to go back to that old suburban life…or some grown up, high school version of it, complete with nice, normal boyfriends who wear crew neck sweaters and like social studies. So, what’s wrong with normal? Well, kind of everything. She knows that, of course, why else would she learn bass and join Jam Band, how else would she know to idolize infamous wild-child and high school senior Emma (her best friend Sarah’s older sister), why else would she get arrested while doing a school project on a local freedom school (jail was not part of the assignment). And, why else would she kind of be falling in "like" with a boy named Monster—yes, that is his real name. Janie was going for normal, but she missed her mark by about ten miles…and we mean that as a compliment. Frances O’Roark Dowell’s fierce humor and keen eye make her YA debut literary and wise. In the spirit of John Green and E. Lockhart, Dowell’s relatable, quirky characters and clever, fluid writing prove that growing up gets complicated…and normal is WAY overrated.

    It's pretty much the only good thing that happens there, and everyone plans to make the most of it--especially Ash's best friend, Natalia, who's the head of the committee and has prom stars in her eyes. Then the faculty advisor is busted for taking the prom money and Ash finds herself roped into putting together a gala dance. But she has plenty of help--from her large and loving (if exasperating!) family, from Nat's eccentric grandmother, from the principal, from her fellow classmates. And in making the prom happen, Ash learns some surprising things about making her life happen, too.

    Slowly, she puts the pieces together. Before she could make it home, a storm gathered. Lightning hit a power line and sparks rained down, the hot-burning electrical fire consuming her. Destroying her face. Where her nose, cheeks, and chin used to be, now there is…nothing.Maisie’s lucky enough to qualify for a rare medical treatment: a face transplant. At least, everyone says she’s lucky. But with someone else’s features staring back at her in the mirror, Maisie looks—and feels—like a stranger. The doctors promised that the transplant was her chance to live a normal life again, but nothing feels normal anymore. Before, she knew who she was—a regular girl who ran track and got good grades, who loved her boyfriend and her best friend. Now, she can’t even recognize herself.New York Times bestselling author Alyssa Sheinmel has created a gripping and gorgeously written tale of identity and love. This is a story of losing yourself and the long, hard fight to find your way back.

    Her mother has had another vision. If Amandla wears a blue sheet her mother has loosely stitched as a dress and styles her normally braided hair in a halo around her head, Amandla's father will come home. Amandla's mother, Annalisa, always speaks of her father as if he was the prince of a fairytale, but in truth he's been gone since before Amandla was born and even Annalisa's memory of him is hazy. In fact many of Annalisa's memories from before Amandla was born are hazy. It's just one of the many reasons people in Sugar Town give Annalisa and Amandla strange looks--that and the fact her mother is white and Amandla is brown.But when Amandla finds a mysterious address in the bottom of her mother's handbag along with a large amount of cash, she decides it's finally time to get answers about her mother's life. But what she discovers will change the shape and size of her family forever.

    So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.

    He's about to take his first-ever trip to Iran, and it's pretty overwhelming—especially when he's also dealing with clinical depression, a disapproving dad, and a chronically anemic social life. In Iran, he gets to know his ailing but still formidable grandfather, his loving grandmother, and the rest of his mom's family for the first time. And he meets Sohrab, the boy next door who changes everything.Sohrab makes sure people speak English so Darius can understand what's going on. He gets Darius an Iranian National Football Team jersey that makes him feel like a True Persian for the first time. And he understands that sometimes, best friends don't have to talk. Darius has never had a true friend before, but now he's spending his days with Sohrab playing soccer, eating rosewater ice cream, and sitting together for hours in their special place, a rooftop overlooking the Yazdi skyline.Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he's Darioush to Sohrab. When it's time to go home to America, he'll have to find a way to be Darioush on his own.

    After the three of them collide in Central Park, they slowly reveal the parts of their past that they haven't been able to confront, and together, they find their way back to who they're supposed to be.Told over the course of a single day from three different perspectives, Gayle Forman's newest novel about the power of friendship and being true to who you are is filled with the elegant prose that her fans have come to know and love.

    That's when they come for Wren Clemens. She's hustled out of her house and into a waiting car, then a plane, and then taken on a forced march into the desert. This is what happens to kids who've gone so far off the rails, their parents don't know what to do with them any more. This is wilderness therapy camp. The Wren who arrives in the Utah desert is angry and bitter, and blaming everyone but herself. But angry can't put up a tent. And bitter won't start a fire. Wren's going to have to admit she needs help if she's going to survive. In her most incisive and insightful book yet, beloved author Wendelin Van Draanen's offers a remarkable portrait of a girl who took a wrong turn and got lost--but who may be able to find her way back again in the vast, harsh desert.

    . . . In the summer before Cullen's senior year, a nominally-depressed birdwatcher named John Barling thinks he spots a species of woodpecker thought to be extinct since the 1940s in Lily, Arkansas. His rediscovery of the so-called Lazarus Woodpecker sparks a flurry of press and woodpecker-mania. Soon all the kids are getting woodpecker haircuts and everyone's eating "Lazarus burgers." But as absurd as the town's carnival atmosphere has become, nothing is more startling than the realization that Cullen’s sensitive, gifted fifteen-year-old brother Gabriel has suddenly and inexplicably disappeared. While Cullen navigates his way through a summer of finding and losing love, holding his fragile family together, and muddling his way into adulthood, a young missionary in Africa, who has lost his faith, is searching for any semblance of meaning wherever he can find it. As distant as the two stories seem at the start, they are thoughtfully woven ever closer together and through masterful plotting, brought face to face in a surprising and harrowing climax. Complex but truly extraordinary, tinged with melancholy and regret, comedy and absurdity, this novel finds wonder in the ordinary and emerges as ultimately hopeful. It's about a lot more than what Cullen calls, “that damn bird.” It’s about the dream of second chances.