With masterful economy worthy of Charles Schultz, Lat recounts the life of Mat, a Muslim boy growing up in rural Malaysia in the 1950s: his adventures and mischief-making, fishing trips, religious study, and work on his family's rubber plantation. Meanwhile, the traditional way of life in his village (or kampung) is steadily disappearing, with tin mines and factory jobs gradually replacing family farms and rubber small-holders. When Mat himself leaves for boarding school, he can only hope that his familiar kampung will still be there when he returns. Kampung Boy is hilarious and affectionate, with brilliant, super-expressive artwork that opens a window into a world that has now nearly vanished.

    At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia's intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity--what it means and how to think about it--for advocates, friends, and humans everywhere.

     In 1961, when Lila was five, she and her family emigrated from Buenos Aires, Argentina, to Marion, Alabama, in the heart of Alabama’s Black Belt. As educated, middle-class Latino immigrants in a region that was defined by segregation, the Quinteros occupied a privileged vantage from which to view the racially charged culture they inhabited. Weaver and her family were firsthand witnesses to key moments in the civil rights movement.  But Darkroom is her personal story as well: chronicling what it was like being a Latina girl in the Jim Crow South, struggling to understand both a foreign country and the horrors of our nation’s race relations. Weaver, who was neither black nor white, observed very early on the inequalities in the American culture, with its blonde and blue-eyed feminine ideal. Throughout her life, Lila has struggled to find her place in this society and fought against the discrimination around her.

    But don't let all the hashtags fool you: the #girlsquad goes back a long, long time. In this hilarious and heartfelt book, geek girl Sam Maggs takes you on a tour of some of history's most famous female BFFs, including: • Anne Bonny and Mary Read, the infamous lady pirates who sailed the seven seas and plundered with the best of the men • Jeanne Manon Roland and Sophie Grandchamp, Parisian socialites who landed front-row seats (from prison) to the French Revolution • Sharon and Shirley Firth, the First Nations twin sisters who would go on to become Olympic skiers and break barriers in the sport • The Edinburgh Seven, the band of pals who fought to become the first women admitted to medical school in the United Kingdom • The Zohra Orchestra, the ensemble from Afghanistan who defied laws, danger, and threats to become the nation's first all-female musical group And many more! Spanning art, science, politics, activism, and even sports, these girl squads show just how essential female friendship has been throughout history and throughout the world. Sam Maggs brings her signature wit and warmth as she pays tribute to the enduring power of the girl squad. Fun, feisty, and delightful to read—with empowering illustrations by artist Jenn Woodall—it's the perfect gift for your BFF.

    You can be trans and have a successful future. You can be trans and have a normal life full of ups and downs. In our current political and social climate, this hopeful, accessible narrative about trans lives is both entertaining and vital.

    At an increasingly fraught time for immigrants and their families, Good Talk delves into the difficult conversations about race, sex, love, and family that seem to be unavoidable these days.Inspired by her popular BuzzFeed piece "37 Difficult Questions from My Mixed-Raced Son," here are Jacob's responses to her six-year-old, Zakir, who asks if the new president hates brown boys like him; uncomfortable relationship advice from her parents, who came to the United States from India one month into their arranged marriage; and the imaginary therapy sessions she has with celebrities from Bill Murray to Madonna. Jacob also investigates her own past, from her memories of being the only non-white fifth grader to win a Daughters of the American Revolution essay contest to how it felt to be a brown-skinned New Yorker on 9/11. As earnest and moving as they are sometimes laugh-out-loud funny, these are the stories that have formed one American life.

    With her father off fighting for the Hungarian army and the German troops quickly approaching, Katin and her mother are forced to flee to the countryside after faking their deaths. Leaving behind all of their belongings and loved ones, andunable to tell anyone of their whereabouts, they disguise themselves as a Russian servant and illegitimate child, while literally staying a few steps ahead of the German soldiers.We Are on Our Own is a woman's attempt to rebuild her earliest childhood trauma in order to come to an understanding of her lifelong questioning of faith. Katin's faith is shaken as she wonders how God could create and tolerate such a wretched world, a world of fear and hiding, bargaining and theft, betrayal and abuse. The complex and horrific experiences on the run are difficult for a child to understand, and as a child, Katin saw them with the simple longing, sadness, andcuriosity she felt when her dog ran away or a stranger made her mother cry. Katin's ensuing lifelong struggle with faith is depicted throughout the book in beautiful full-color sequences.We Are on Our Own is the first full-length graphic novel by Katin, at the age of sixty-three.

    This was a woman who endured Nazi persecution firsthand, survived harrowing "escapes" from country to country in Europe, and befriended such luminaries as Walter Benjamin and Mary McCarthy, in a world inhabited by everyone from Marc Chagall and Marlene Dietrich to Albert Einstein and Sigmund Freud. A woman who finally had to give up her unique genius for philosophy, and her love of a very compromised man--the philosopher and Nazi-sympathizer Martin Heidegger--for what she called "love of the world."Compassionate and enlightening, playful and page-turning, New Yorker cartoonist Ken Krimstein's The Three Escapes of Hannah Arendt is a strikingly illustrated portrait of a complex, controversial, deeply flawed, and irrefutably courageous woman whose intelligence and "virulent truth telling" led her to breathtaking insights into the human condition, and whose experience continues to shine a light on how to live as an individual and a public citizen in troubled times.

    With stunning, expressive illustrations and ample direct quotation from the diary, this edition will expand the readership for this important and lasting work of history and literature.

    Thompson's extraordinary life he was publicly branded a bum, a vandal, a thief, a liar, an addict, a freak and a psychopath. Only some of which are true. Even in the 20th century crowded with celebrity, his legacy remains a brilliantly vital force.The great American iconoclast, the great American outlaw, the great American hedonist... However you choose to view him, Thompson remains the high-water mark for all social commentators the world over, and a truly fearless champion of individual liberties.This is his story... the story of a troubled kid from Louisville, Kentucky, who went on to become an international icon. This is a story that charts the legendary heights of so-called "Gonzo Journalism", plumbs the darkest depths of American politics, and presents a lifestyle beyond imagination."No sympathy for the devil; keep that in mind. Buy the ticket, take the ride."

    or a new low for "Presidential Harassment!"Shannon Wheeler, Eisner Award-winning New Yorker cartoonist (Too Much Coffee Man, Sh*t My President Says, God is Disappointed in You), and veteran journalist Steve Duin (The Oregonian, Comics: Between the Panels, Oil and Water) turn their critical eye on the Mueller Report--a comprehensive, understandable, and readable graphic novel version of the book every patriot needs.Fight the spin spewing forth from both parties and political pulpits and check out this graphic novel that brings a 400-page legal document down to size. Wheeler and Duin, in graphic form, bring to life scenes detailed in the report: from the infamous Trump Tower Meeting of 2016 to Trump exclaiming "I'm f*cked" upon finding out he was the subject of investigation. It's in the report and it's in the graphic novel!The Mueller Report: Graphic Novel borrows style from classic private detective yarns, complete with a villainous rogues' gallery, nail-biting cliffhangers, and a lone lawman standing proud against the wave of crime.See Trump berate his Attorney General. Watch a petulant Commander-in-Chief lob insults at the White House counsel. Witness the "witch hunt" as it happened, cataloged as only the top lawman in the country could!This staggering laundry list of questionable contacts, misleading statements, unreported engagements, and possible coordination--enough to stun any student of the U.S. Constitution--is laid bare with a cold, satirical edge.You'll laugh. You'll cry. You may Tweet in anger. But most importantly, you will be reading the report for yourself!

    In the time of Lewis Carroll it was the greatest shipbuilding port in the world. To this city that gave the world the electric light bulb, the stars and stripes, the millennium, the Liberty Ships and the greatest British dragon legend came Carroll in the years preceding his most famous book, Alice in Wonderland, and here are buried the roots of his surreal masterpiece. Enter the famous Edwardian palace of varieties, The Sunderland Empire, for a unique experience: an entertaining and epic meditation on myth, history and storytelling and decide for yourself - does Sunderland really exist?

    Picking up a harmonica and eventually a battered guitar, Guthrie finds solace in the ancient lineage of folksong. Hayes charts the musician’s course from Oklahoma and Texas towns ravaged by dust and the Depression to boxcars, factory farms, and the migrant camps of California, highlighting Guthrie’s dedication to singing American folk tunes and creating his own modern classics along the way. Hayes ends his portrait in 1940, at the pivotal time when Guthrie makes his way to New York and writes “This Land Is Your Land,” his iconic anthem tinged with both clear-eyed reality and optimism.

    1 in 1938, introduced the world to something both unprecedented and timeless: Superman, a caped god for the modern age. In a matter of years, the skies of the imaginary world were filled with strange mutants, aliens, and vigilantes: Batman, Wonder Woman, the Fantastic Four, Iron Man, and the X-Men—the list of names as familiar as our own. In less than a century, they’ve gone from not existing at all to being everywhere we look: on our movie and television screens, in our videogames and dreams. But what are they trying to tell us?For Grant Morrison, arguably the greatest of contemporary chroniclers of the “superworld,” these heroes are powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them we tell the story of ourselves, our troubled history, and our starry aspirations. In this exhilarating work of a lifetime, Morrison draws on art, science, mythology, and his own astonishing journeys through this shadow universe to provide the first true history of the superhero—why they matter, why they will always be with us, and what they tell us about who we are . . . and what we may yet become.

    Aspiring filmmakers Bernhard and Illo are madly in love, united by their passion for cinema...and now, on the eve of the Second World War, it could be the only thing they have left. As the streets heat up with the flames of violent antisemitism, the couple has no choice but to abandon their home and go into exile. With nothing but a screenplay and each other, they manage to board a ship headed for Shanghai—a bubbling and enigmatic city that holds the promise of freedom...but at what cost? A powerful humanistic take on World War II from the largely undocumented perspective of the forced Jewish immigration to China.