Related in loving detail are inside stories of the writing and publishing of the novel; the Hollywood frenzy of transforming the book into film, including casting headaches, on-set tensions, and jinxed scenes; the premiere; and the Academy Awards. This updated edition also contains the scoop on the publication of two GWTW sequels; the disastrous debut of the Scarlett television miniseries; the post GWTW lives of cast members, such as the news of Gable s secret lovechild; the restoration of three original costumes in time for GWTW s seventy-fifth anniversary; and much, much more. The reader-friendly format fact-packed features, profiles, quizzes, and photographs will delight any GWTW fan and make this the one book that no Windie can do without."

    Hundreds of photographs and illustrations of the most popular movie ever made.

     Based on almost 200 previously unpublished letters and extensive interviews with their closest associates, this ground-breaking new biography allows the extraordinary couple to tell their love story in their own words. In extracts from their letters to family and friends, John and Peggy describe the stormy years of their courtship, the arduous but fulfilling years when Peggy ws writing her famous novel, the thrill of its literary success, the excitement of the movie making . . . . All of the exhilarating, poignant, and moving moments of their lives are brought to life by the voices of John and Peggy themselves. In telling the private story of this remarkable 24-year marriage, author Marianne Walker reveals a long-suspected truth-that GONE WITH THE WIND might never have been written if Margaret Mitchell had not married John Marsh. In addition to being Peggy's husband, best friend, and constant support, he acted as her editor, proofreader, researcher, business manager, and in general, the inspiration obehind her work. At every point in their relationship, including the turbulent years of Mitchell's first marriage to Red Upshaw, it was john who providedthe intellectual stimulation, emotional support, and editorial expertise that enabled his gifted wife to channel her talents into the making of GONE WITH THE WIND. After years of meticulous research, Marianne Walker has created a fascinating portrait of a love match between a writer and her editor-a childless marriage dominated from beginning to end by their dear but difficult "baby," GONE WITH THE WIND.

    The life of "Peggy" Mitchell, from her birth in the highest reaches of aristocratic Atlanta in 1900 to her death in 1949 in a car accident, is detailed in a manner that is sympathetic yet wholly objective. A fascinating mass of contradictions, Mitchell emerges here as alternately retiring and flirty, as a Southern belle confident enough to enter Atlanta's worst prisons and slums during her journalism career at the "Atlanta Journal, and as an intensely private person who nonetheless answered every fan letter herself. The breadth of this biography is vast, ranging from the intimate--including the astonishing real-life model for Rhett Butler--to the global--exploring the intense responses to the book from people all over the world who continue to see an image of their own political struggles in Mitchell's depiction of bravery in defense of a lost cause.

    

    Although the young woman has dreams of becoming a screenwriter, the only job Julie's able to find is one in the studio publicity office of the notoriously demanding producer David O. Selznick —who is busy burning through directors, writers and money as he begins filming Gone with the Wind.     Although tensions run high on the set, Julie finds she can step onto the back lot, take in the smell of smoky gunpowder and the soft rustle of hoop skirts, and feel the magical world of Gone with the Wind come to life. Julie's access to real-life magic comes when Carole Lombard hires her as an assistant and invites her into the glamorous world Carole shares with Clark Gable—who is about to move into movie history as the dashing Rhett Butler. Carole Lombard, happily profane and uninhibited, makes no secret of her relationship with Gable, which poses something of a problem for the studio as Gable is technically still married—and the last thing the film needs is more negative publicity. Julie is there to fend off the overly curious reporters, hoping to prevent details about the affair from slipping out. But she can barely keep up with her blonde employer, let alone control what comes out of Carole's mouth, and--as their friendship grows - soon finds she doesn't want to. Carole, both wise and funny, becomes Julie's model for breaking free of the past.     In the ever-widening scope of this story, Julie is given a front-row seat to not one but two of the greatest love affairs of all time: the undeniable on-screen chemistry between Scarlett and Rhett, and off screen, the deepening love between Carole and Clark. Yet beneath the shiny façade, things in Hollywood are never quite what they seem, and Julie must learn to balance career aspirations and her own budding romance with outsized personalities and the overheated drama on set.

    By all industry predictions, the film should never have worked. What makes it work so amazingly well are the fascinating and uncompromising personalities that Haskell dissects here: Margaret Mitchell, David Selznick, and Vivien Leigh. As a feminist and onetime Southern adolescent, Haskell understands how the story takes on different shades of meaning according to the age and eye of the beholder. She explores how it has kept its edge because of Margaret Mitchell’s (and our) ambivalence about Scarlett and because of the complex racial and sexual attitudes embedded in a story that at one time or another has offended almost everyone.Haskell imaginatively weaves together disparate strands, conducting her story as her own inner debate between enchantment and disenchantment. Sensitive to the ways in which history and cinema intersect, she reminds us why these characters, so riveting to Depression audiences, continue to fascinate 70 years later.

    To commemorate its seventy-fifth anniversary in 2014, The Making of Gone With The Wind presents more than 600 items from the archives of David O. Selznick, the film’s producer, and his business partner John Hay “Jock” Whitney, which are housed at the Harry Ransom Center at the University of Texas at Austin. These rarely seen materials, which are also being featured in a major 2014 exhibition at the Ransom Center, offer fans and film historians alike a must-have behind-the-camera view of the production of this classic.Before a single frame of film was shot, Gone With The Wind was embroiled in controversy. There were serious concerns about how the film would depict race and violence in the Old South during the Civil War and Reconstruction. While Clark Gable was almost everyone’s choice to play Rhett Butler, there was no clear favorite for Scarlett O’Hara. And then there was the huge challenge of turning Margaret Mitchell’s Pulitzer Prize–winning epic into a manageable screenplay and producing it at a reasonable cost. The Making of Gone With The Wind tells these and other surprising stories with fascinating items from the Selznick archive, including on-set photographs, storyboards, correspondence and fan mail, production records, audition footage, gowns worn by Vivien Leigh as Scarlett, and Selznick’s own notoriously detailed memos.This inside view of the decisions and creative choices that shaped the production reaffirm that Gone With The Wind is perhaps the quintessential film of Hollywood’s Golden Age and illustrate why it remains influential and controversial decades after it was released.

    Various Mitchell biographies and a compilation of her letters tell part of the story, but until now no single source has told the full saga. This entertaining account of the rise of a bestseller tells how Mitchell's book was developed, marketed, distributed, and otherwise groomed for success in a bygone era.

    Master dog trainer and author of Good Owners, Great Dogs Brian Kilcommons shows readers how to encourage children and dogs to be perfect companions, in a comprehensive manual that demonstrates how to train an older dog to acept an infant, choose the right breed, and more.

    They’re just there for a steal and a quick buck, but what they don’t realize is that they’ve come for a whole different reason: the Devil’s Shopkeep awaits.

    Contains all the corrections of the 2nd edition ebooks as well as a pronunciation guide. Gen was a bard's apprentice, his nimble hands meant for the lute and his voice for a song. Then the half-mad and completely bored Shadan Khairn invaded Gen's village to winter there and start a war. He shoved a sword in Gen's hands and tormented his body, shaping a bard into a warrior to be killed for sport. As the days of torture pile up like the snow, Gen's searches for death. But the day is at hand when the shattered shards of the world will knit together again and the world’s slain god be reborn. The mighty Ha'Ulrich will be the father, the mysterious Chalaine the mother. In dangerous times, the holy couple doesn't need a bard. They need a warrior. And Gen needs a reason to live.

    Given total access to Miss Leigh’s personal letters, and working with the cooperation of those who had been closest to her, Anne Edwards has produced a frank, open book that does not spare the truth, yet is as romantic a canvas, as turbulent and moving a story as any of the great films in which Vivien ever starred.

    For more than thirty years, her name alone sold out theaters and cinemas the world over, and she inspired many of the greatest visionaries of her time: Laurence Olivier loved her; Winston Churchill praised her; Christian Dior dressed her.Through both an in-depth narrative and a stunning array of photos, Vivien Leigh: An Intimate Portrait presents the personal story of one of the most celebrated women of the twentieth century, an engrossing tale of success, struggles, and triumphs. It chronicles Leigh’s journey from her birth in India to prominence in British film, winning the most-coveted role in Hollywood history, her celebrated love affair with Laurence Olivier, through to her untimely death at age fifty-three in 1967.Author Kendra Bean is the first Vivien Leigh biographer to delve into the Laurence Olivier Archives, where an invaluable collection of personal letters and documents ranging from interview transcripts to film contracts to medical records shed new insight on Leigh’s story. Illustrated by hundreds of rare and never-before-published images, including those by Leigh’s "official" photographer, Angus McBean, Vivien Leigh: An Intimate Portrait is the first illustrated biography to closely examine the fascinating, troubled, and often misunderstood life of Vivien Leigh: the woman, the actress, the legend.