He and his wife are attempting to escape the stifling conservatism of 1930s Australia by inviting other like-minded artists to live and work with them at their family home. As Lily’s friendship with Eva grows, she becomes infatuated with this makeshift family and longs to truly be a part of it.Looking back on those years later in life, Lily realises that this utopian circle involved the same themes as Evan Trentham’s art: Faustian bargains and terrible recompense; spectacular fortunes and falls from grace. Yet it was not Evan, nor the other artists he gathered around him, but his own daughters, who paid the debt that was owing.The Strays is an engrossing story of ambition, sacrifice and compromised loyalties from an exciting new talent.

    No one knows where Ben is, but everyone wants to find him – especially The Department. And they should know, the all-seeing government body has fitted the entire population with a universal tracking chip to keep them ‘safe’.But suddenly Ben can’t be tracked. And Mim is questioned, made to surrender her passport and threatened with the unthinkable – her two children being taken into care at the notorious BestLife.Cornered, Mim risks everything to go on the run to find her husband – and a part of herself, long gone, that is brave enough to tackle the journey ahead.From the stark backroads of the Australian outback to a terrifying sea voyage, Mim is forced to shuck off who she was – mother, daughter, wife, sister – and become the woman she needs to be to save her family and herself.

    A horrific accident thrusts his mother and siblings into a world impossible for them to navigate, a life of poverty and drug addictionOne Hundred Years of Dirt is an unflinching memoir in which the mother is a hero who is never rewarded. It is a meditation on the anger, fear of others and an obsession with real and imagined borders. Yet it is also a testimony to the strength of familial love and endurance.

    Meet Mercy Blain, whose house has just burnt down. Unfortunately for Mercy, this goes beyond the disaster it would be for most people: she hasn't been outside that house for two years now.Flung out into the world she's been studiously ignoring, Mercy goes to the only place she can. Her not-quite-ex-husband Eugene's house. But it turns out she can't stay there, either.And so begins Mercy's unwilling journey. After the chance purchase of a cult classic campervan (read tiny, old and smelly), with the company of her sausage dog, Wasabi, and a mysterious box of cremated remains, Mercy heads north from Adelaide to Darwin.On the road, through badly timed breakdowns, gregarious troupes of grey nomads, and run-ins with a rogue adversary, Mercy's carefully constructed walls start crumbling. But what was Mercy hiding from in her house? And why is Eugene desperate to have her back in the city? They say you can't run forever...Exquisite, tender and wry, this is a break-out novel about facing anxiety and embracing life from an extraordinary new talent.PRAISE: 'Tender, funny and quietly profound, The Other Side of Beautiful is a breath of fresh air.' - The Sunday Times'A colourful, engaging story of escape and road-trip adventure ... also compellingly cinematic and features an endearing narrator-heroine with plenty of meaty real-world troubles.' - Sydney Morning Herald'An engaging story about second chances and a life changing road trip ... a heart-warming story.' - Canberra Weekly magazine'Mercy Blain is a character you find yourself cheering on. Kim Lock mixes the transformative journey of Alice Hart with the quirkiness of Eleanor Oliphant in this story about embracing life, even when it threatens to overwhelm you' - Tricia Stringer, bestselling author of The Family Inheritance'Mercy Blain is an unforgettable character who will capture your heart from the first pages and hold it through until the end. Her madcap journey towards forgiveness - of herself and others - is moving and funny and all other good things that will make you want to keep reading and make you sad when your time with Mercy comes to an end.' - Sophie Green, bestselling author of The Shelly Bay Ladies Swimming Circle

    On the second floor of the famous F.G. Goode department store, in Ladies' Cocktail Frocks, the women in black are girding themselves for the Christmas rush. Lisa is the new Sales Assistant (Temporary). Across the floor and beyond the arch, she is about to meet the glamorous Continental refugee, Magda, guardian of the rose-pink cave of Model Gowns.With the lightest touch and the most tender of comic instincts, Madeleine St. John conjures a vanished summer of innocence. The Women in Black is a classic.

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    Providing you with the antidote to every annoying little thing, these rules are not made to be broken.488 Rules for Life is not a self-help book, because it's not you who needs help, it's other people. Whether they're walking and texting, asphyxiating you on public transport with their noxious perfume cloud, or leaving one useless square of toilet paper on the roll, a lot of people just don't know the rules. But thanks to Kitty Flanagan's comprehensive guide to modern behaviour, our world will soon be a much better place. A place where people don't ruin the fruit salad by putting banana in it … where your co-workers respect your olfactory system and don't reheat their fish curry in the office microwave ... where middle aged men don't have ponytails …What started as a joke on Kitty Flanagan's popular segment on ABC TV's The Weekly, is now a quintessential reference book with the power to change society. (Or, at least, make it a bit less irritating.) What people are (Kitty Flanagan is) saying about this book: 'You're welcome everyone.''Thank god for me.''I'd rather be sad and lonely, but right.''There's not actually 488 rules in here but it sure feels like it'.

    And telling the truth won't bring him back...When a baby goes missing on a lonely roadside in Australia, it sets off a police investigation that will become a media sensation and dinner-table talk across the world.Lies, rumours and guilt snowball, causing the parents, Joanna and Alistair, to slowly turn against each other.Finally Joanna starts thinking the unthinkable: could the truth be even more terrible than she suspected? And what will it take to make things right?The Cry is a dark psychological thriller with a gripping moral dilemma at its heart and characters who will keep you guessing on every page.

    A year later, troubled journalist Martin Scarsden arrives in Riversend to write a feature on the anniversary of the tragedy. But the stories he hears from the locals about the priest and incidents leading up to the shooting don't fit with the accepted version of events his own newspaper reported in an award-winning investigation. Martin can't ignore his doubts, nor the urgings of some locals to unearth the real reason behind the priest's deadly rampage.Just as Martin believes he is making headway, a shocking new development rocks the town, which becomes the biggest story in Australia. The media descends on Riversend and Martin is now the one in the spotlight. His reasons for investigating the shooting have suddenly become very personal. Wrestling with his own demons, Martin finds himself risking everything to discover a truth that becomes darker and more complex with every twist. But there are powerful forces determined to stop him, and he has no idea how far they will go to make sure the town's secrets stay buried.A compulsive thriller that will haunt you long after you have turned the final page.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    Or a relationship. Or just a date with a semi-normal person will do.It’s not that she hasn’t tried. She’s the queen of online dating. But enough is enough. Inspired by her job at The Little Brunswick Street Bookshop, Frankie decides to take fate into her own hands and embarks on the ultimate love experiment.Her plan? Plant her favourite books on trains inscribed with her contact details in a bid to lure the sophisticated, charming and well-read man of her dreams.Enter Sunny, and one spontaneous kiss later, Frankie begins to fall for him. But there’s just one problem – Frankie is strictly a classics kind of gal, and Sunny is really into Young Adult. Like really.A quirky and uplifting love letter to books, friendship and soulmates.

    Forced to take her life in a new direction when an injury ends her ballet career, Emma returns to her home in Australia and learns that she has inherited an isolated sheep station from a late grandmother who would impart key lessons about love and motherhood.

    A fateful connection is made, and an unlikely friendship blooms. Slowly, we learn what led Sam and Vic to the bridge that night. Bonded by their suffering, each privately commits to the impossible task of saving the other.Honeybee is a heart-breaking, life-affirming novel that throws us headlong into a world of petty thefts, extortion plots, botched bank robberies, daring dog rescues and one spectacular drag show.At the heart of Honeybee is Sam: a solitary, resilient young person battling to navigate the world as their true self; ensnared by a loyalty to a troubled mother, scarred by the volatility of a domineering step-father, and confounded by the kindness of new alliances.Honeybee is a tender, profoundly moving novel brimming with vivid characters and luminous words. It's about two lives forever changed by a chance encounter -- one offering hope, the other redemption. It's about when to persevere, and when to be merciful, as Sam learns when to let go, and when to hold on.

    Having devoted her rather conventional life to looking after her husband and three children - who have now all departed the family home - she is experiencing something of an identity crisis, especially as she must now sell the family home and thus lose her beloved garden. On a folly she gets a tattoo. Marie forges a friendship with her tattoo artist, Rhys, who introduces her to an alternative side of Sydney from that to which Marie is accustomed. Through their burgeoning connection, Marie's two worlds collide causing great friction within Marie's family and with her circle of rich friends. With echoes of Jonathan Franzen's The Corrections and Christos Tsiolkas's The Slap, Indelible Ink is a multi-layered examination of how we live now, in which one family becomes a microcosm for the changes operating in society at large.