Wearing a wig means Mallow can hide her hair loss. But now someone’s sending her creepy messages. It’s a race to stop them before everyone discovers her secret. Losing her hair was hard enough – but will she lose the people she cares about too? A touching mystery about family, friendships and being different, from the award-winning author of Shadow Jumper. Bad Hair Days is perfect for older children and young teens.

    This collection includes: Aria da Capo, A Few Figs from Thistles, Second April, Renascence and Other Poems

    But when she discovers that Camp Everbee has been used to dump toxic waste from a hospital, she realizes that forced cheeriness and paddling excursions are the least of her problems. Something deadly is lurking in the forest at Camp Everbee, something that has already begun to infect new hosts. Soon, Lizzie and her new friends are facing a fight for their lives. As the infestation spreads, however, it quickly becomes clear that Camp Everbee might just end up being the first stage of a terrifying new organism that wants nothing less than total world domination.

    The wizened, bird-like Inspector Cockrill of the Kent police starred in Green for Danger, one of the greatest detective novels to emerge from World War II, but The Spotted Cat is the first collection of all of the short stories about him. Five of the stories have never previously appeared in a Brand volume, and one of them is published here for the first time. The book also includes a genuine find -- a previously unpublished three-act detective drama featuring Cockrill.

    Some of these characters remain friends, others are like ex–lovers with whom we no longer have anything in common. All of them bring something out in us that will never go back in the box.’ In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare’s heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra’s magnificent death? Why didn’t Shakespeare write more – and more powerful – roles for mature women? For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all–female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played? In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles. The book is an exploration of the Shakespearean canon through the eyes of a self-identified ‘feminist actor’ – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: ‘I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage… I would love you to come back and do some rewrites.’

    But hidden there is a secret no one wants to confront, and when they stumble upon it the friends set off an unstoppable chain of events. A supernatural thriller of suburban teenagers fleeing a mysterious plague.

    Although she is sixteen, she weighs as much as an eight-year-old. We have tried everything the medical system has to offer – psychologists, psychiatrists, family therapists, dieticians, drugs … but nothing has worked. And now here we are, she and I, flying to the other side of the world in a last ditch effort to save her. Anorexia is a difficult thing to get people to understand. Usually they will look at me incredulously. Sometimes they will come right out and say what I know they are thinking: Why can’t you just get her to eat?Anne Tonner is a high achieving human rights lawyer and used to facing battles and winning. But when her 13-year-old daughter Chloe stops eating and is diagnosed with anorexia, she is confronted with the mother of all enemies, one that is completely unfathomable and seemingly incurable. Anne and her family throw everything they have at facing the ‘demon' they name 'Cold Vein'. But some three years later Chloe is still desperately ill and the family is in tatters. In a last ditch effort they travel across the world to attend a ground breaking- clinic in Stockholm, knowing that this might be the only chance Chloe has to survive.Beautifully and engagingly written, Anne’s depiction of the devastating effects of anorexia is honest, tough and compelling. Ultimately uplifting, this story will shed light on one of the most insidious and dangerous mental conditions afflicting modern society today.

    Based on the bestselling book be Ilene Beckerman.5W (doubling, flexible casting)

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    Based on Carlo Goldoni's classic Italian comedy The Servant of Two Masters, in this new English version by prize-winning playwright Richard Bean, sex, food, and money are high on the agenda.

    Marcus Hubbard, rich, despotic and despised, made a fortune during the Civil War by running the blockade and worse. In his family life he is equally injurious: one son he bulldozes while the other he holds in contempt for his frailty. By Marcus's side stands his mentally deranged wife and, finally, Regina, the adored daughter amoral, conniving, and beautiful as an evil flower. Marcus, it would seem, has been on the top of the heap long enough and someone must depose him. Turning the tables on a tyrant has always made for high drama, and when Hellman puts her brilliant talents to work on such a theme the result is a play of great theatrical intensity.

    Reduced to a life of exile in rural southern Ontario—accompanied only by his fantasy daughter, Miranda, who died twelve years ago—Felix devises a plan for retribution.Eventually he takes a job teaching Literacy Through Theatre to the prisoners at the nearby Burgess Correctional Institution, and is making a modest success of it when an auspicious star places his enemies within his reach. With the help of their own interpretations, digital effects, and the talents of a professional actress and choreographer, the Burgess Correctional Players prepare to video their Tempest. Not surprisingly, they view Caliban as the character with whom they have the most in common. However, Felix has another twist in mind, and his enemies are about to find themselves taking part in an interactive and illusion-ridden version of The Tempest that will change their lives forever. But how will Felix deal with his invisible Miranda’s decision to take a part in the play?

    Forget the textbook theory now and settle down for what amounts to an eavesdrop into their girlie chats.

    Here, Tempest shows how the old myths still live on in our everyday acts of violence, bravery, sacrifice and love – and that our lives make tales no less dramatic and powerful than those of the old gods.

    Her father is an impoverished poet with a penchant for mending cars with string and optimism, her mother a classicist now more concerned with trying to keep track of spiralling chaotic family life than the declining of verbs.Gabriella and her brothers run amuck through the attics and wilderness garden of their home, Mildney. Here she observes and experiences the triumphs and pitfalls of belonging to a wayward family, and longs for conformity. Her failure to achieve it is absolute.