As adolescence gives way to adulthood, Vivek finds solace in friendships with the warm, boisterous daughters of the Nigerwives, foreign-born women married to Nigerian men. But Vivek’s closest bond is with Osita, the worldly, high-spirited cousin whose teasing confidence masks a guarded private life. As their relationship deepens—and Osita struggles to understand Vivek’s escalating crisis—the mystery gives way to a heart-stopping act of violence in a moment of exhilarating freedom. Propulsively readable, teeming with unforgettable characters, The Death of Vivek Oji is a novel of family and friendship that challenges expectations—a dramatic story of loss and transcendence that will move every reader.

    In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.

    For almost all of those years she has been the clandestine lover to Paul Sheringham, young heir of a neighboring house. The two now meet on an unseasonably warm March day—Mothering Sunday—a day that will change Jane's life forever. As the narrative moves back and forth from 1924 to the end of the century, what we know and understand about Jane—about the way she loves, thinks, feels, sees, remembers—expands with every vividly captured moment. Her story is one of profound self-discovery, and through her, Graham Swift has created an emotionally soaring, deeply affecting work of fiction.

    The only son of a wealthy London baronet, he’s struggling to escape his father’s suffocating world. But Laurie is losing his fight. At nineteen years of age, bright and imaginative, he’s no match for the brutal Sir William. Laurie wants to be an actor – bad enough as far as Sir William is concerned, but, worse than that, he’s gay.One bitter winter night, he meets a young homeless man huddled in blankets outside the opera house. The two form a bond straight away, and Laurie takes him home, wanting only to offer him food and a warm bed. But Sasha is a passionate Romani immigrant, and his beauty and sweet nature soon overwhelm Laurie’s chaste intentions, leaving him hopelessly in love.Laurie and Sasha reach out desperately to one another from their different worlds, and against all odds begin an affair, hidden in the attics of Laurie’s sumptuous home and on the bleak moorland of a Romani encampment. For Laurie, it’s a delicious sexual awakening, and Sasha returns his affections, opening up to him a whole new world of freedom.But Sasha has secrets, and a murky, violent past. When he vanishes, he leaves Laurie bereft and alone in a city he hardly recognises any more. Now Laurie has to stand on his own two feet and find the strength to rescue his lover – and himself. Note: This is not a historical series. They are titled aristocrats in contemporary society.Word Count: 77,877

    The Virgin in the Garden is a wonderfully erudite entertainment in which enlightenment and sexuality, Elizabethan drama and contemporary comedy, intersect richly and unpredictably.

    The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Milly and Jared’s adopted son Mateo grows to see the opportunity for both self-realization and oblivion that New York offers. As the junkies and protesters of the 1980's give way to the hipsters of the 2000's and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020's, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them. Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a true response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself.

    Suzanne Malherbe, a shy seventeen-year-old with a talent for drawing, is completely entranced by the brilliant but troubled Lucie Schwob, who comes from a family of wealthy Jewish intellectuals. They embark on a clandestine love affair, terrified they will be discovered, but then, in an astonishing twist of fate, the mother of one marries the father of the other. As “sisters” they are finally free of suspicion, and, hungry for a more stimulating milieu, they move to Paris at a moment when art, literature, and politics blend in an explosive cocktail.Having reinvented themselves as Claude Cahun and Marcel Moore, they move in the most glamorous social circles, meeting everyone from Hemingway and Dalí to André Breton, and produce provocative photographs that still seem avant-garde today. In the 1930s, with the rise of anti-Semitism and threat of fascism, they leave Paris for Jersey, and it is on this idyllic island that they confront their destiny, creating a campaign of propaganda against Hitler’s occupying forces that will put their lives in jeopardy.Brilliantly imagined, profoundly thought-provoking, and ultimately heartbreaking, Never Anyone But You infuses life into a forgotten history as only great literature can.

    One Day meets Sliding Doors in this outstanding debut that is causing a buzz across the publishing worldSome moments can change your life for ever. Have you ever wondered, what if...?A man is walking down a country lane. A woman, cycling towards him, swerves to avoid a dog. On that moment, their future hinges. There are three possible outcomes, three small decisions that could determine the rest of their life.Eva and Jim are nineteen and students at Cambridge when their paths first cross in 1958. And then there is David, Eva's then-lover, an ambitious actor who loves Eva deeply. The Versions of Us follows the three different courses their lives could take following this first meeting. Lives filled with love, betrayal, ambition but through it all is a deep connection that endures whatever fate might throw at them.The Versions of Us explores the idea that there are moments when our lives might have turned out differently, the tiny factors or decisions that could determine our fate, and the precarious nature of the foundations upon which we build our lives. It is also a story about the nature of love and how it grows, changes and evolves as we go through the vagaries of life.

    At crucial moments in their personal histories their lives intersect, and each discovers his own unique - and uniquely gay- identity. Through the lends of their complex, tumultuous, yet enduring relationship - and their involvement with the handsome model, poet and decorated Vietnam vet Matt Loguidice, whom they both love - Felice Picano chronicles and celebrates gay life and subculture over the last half of the twentieth century. From Malibu Beach in its palmist surfer days to the legendary parties at Fire Island Pines in the 1970s, from San Francisco during its gayest era to AIDS activism in Greenwich Village in the 1990s, Like People in History presents 'the heroic and funny saga of the last three decades by someone who saw everything and forgot nothing' (Edmund White).

    M. Forster's secret novel of a happy same-sex love affair, tells the story of Alec Scudder, the gamekeeper Maurice Hall falls in love with in Forster's classic, published only after the author's death.Di Canzio follows their story past the end of Maurice to the front lines of battle in World War I and beyond. Forster, who tried to write an epilogue about the future of his characters, was stymied by the radical change that the Great War brought to their world. With the hindsight of a century, di Canzio imagines a future for them and a past for Alec--a young villager possessed of remarkable passion and self-knowledge.Alec continues Forster's project of telling stories that are part of "a great unrecorded history." Di Canzio's debut novel is a love story of epic proportions, at once classic and boldly new.

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.

    Summers spent with the girls at their lakeside camp in Vermont are her one escape--from her husband's demands, from days consumed by household drudgery, and from the nagging suspicion that life was supposed to hold something different.Then a new family moves in across the street. Ted and Eva Wilson have three children and a fourth on the way, and their arrival reignites long-buried feelings in Billie. The affair that follows offers a solace Billie has never known, until her secret is revealed and both families are wrenched apart in the tragic aftermath.Fifty years later, Ted and Eva's son, Johnny, contacts an elderly but still spry Billie, entreating her to return east to meet with him. Once there, Billie finally learns the surprising truth about what was lost, and what still remains, of those joyful, momentous summers.In this deeply tender novel, T. Greenwood weaves deftly between the past and present to create a poignant and wonderfully moving story of friendship, the resonance of memories, and the love that keeps us afloat.

    When news spreads of a high school teacher's relationship with his underage student, participants and observers alike soon take part in an elaborate show of concern and dismay. But beneath the surface of the teenage girls' display, there simmers a new awareness of their own power. They obsessively examine the details of the affair with the curiosity, jealousy, and approbation native to any adolescent girl, under the watchful eye of their stern and enigmatic saxophone teacher, whose focus may not be as strictly on their upcoming recital as she implies.

    There she rides for the rich clientele, including twins June and Wade Fisk. June begins to take an interest in Rory—but she is more drawn to Vivian Price, the beautiful teenager with the movie-star father, who lives down the hill, and Rory can’t help noticing, swims in her pool nearly every night. Rory’s ambiguous roots and blue-collar upbringing keep her largely separate from the likes of the Prices and the Fisks—until her stepfather is involved in a tragic car accident. From that moment on, the lives of these teenagers become inextricably linked—are they friends or foes, lovers or rivals?—sparking a series of events that come to a head the night a wildfire tears through Topanga Canyon, and Rory’s life is changed forever.Kept Animals is narrated by Rory’s daughter, Charlie, twenty years after that fateful 1993 fire. Rory is away on assignment as a war photographer, and Charlie knows the key to her own existence lies in the story of what happened during that unseasonably warm fall. And without her mother to tell her the truth, she must unravel it by herself.Taut, propulsive, and gorgeously written, Kate Milliken’s debut is a searing exploration of girlhood, class, and fate.

    His mother Eileen died two years earlier when her car plunged into the icy waters of the Mississippi River, and since then Kevin's relationship with his father Patrick has become increasingly distant. As lonely women vie for his father's attention, Kevin discovers Patrick's own closely guarded secret: he had planned to abandon his family for another woman. More disturbingly, his mother's death may well have been a suicide, not an accident.Complicating the family dynamic is the constant meddling of Kevin's outspoken Aunt Nora--who will never forgive Patrick for Eileen's death--along with Patrick's inability to stay single for very long. His loyalties divided between his father and his aunt, between his internal reality and his public persona, Kevin is forced to accept his gay identity and reevaluate his notions of family and love as painful truths emerge about both.