To enter into these poems one must be fully committed, as the poet is, to seeing this world as it is, to staying with it, moment by moment, day by day. Yet these poems hold a dark promise: this is how you can do it, but you must be fully engaged, which means you must be fully awake, you must wake up inside it. As we proceed, the how-to of the beginning poems subtly transform, as the animals (or, more specifically, the livestock) we are engaging begin to, more and more, become part of us, literally and figuratively we enter inside of that which we devour.--Nick FlynnThis is the book you want with you in the cellar when the tornado is upstairs taking your house and your farm. It's the book you want in the bomb shelter, and in the stalled car, in the kitchen waiting for the kids to come home, in the library when the library books are burned. Its instructions are clear and urgent. Rebecca Gayle Howell has pressed her face to the face of the actual animal world. She remembers everything we have forgotten. Read this! It's not too late. We can start over from right here and right now.--Marie HoweIn every one of these haunting and hungry poems, Howell draws a map for how to enter the heat and dew of the human being, naked and facing the natural world, desperate to feel. I did not realize while reading RENDER how deeply I was handing everything over.--Nikky Finney

    Now, with Goldenrod, the award-winning poet returns with a powerful collection of poems that look at parenthood, solitude, love, and memory. Pulling objects from everyday life—a hallway mirror, a rock found in her son’s pocket, a field of goldenrods at the side of the road—she reveals the magic of the present moment. Only Maggie Smith could turn an autocorrect mistake into a line of poetry, musing that her phone “doesn’t observe / the high holidays, autocorrecting / shana tova to shaman tobacco, / Rosh Hashanah to rose has hands.”​

    . . . His enthusiasm for literature is a joyous intoxicant.” —New York TimesIn this charming anthology, esteemed literary critic Harold Bloom collects the last poems of history's most important and celebrated poets. As with his immensely popular Best Poems of the English Language, Bloom has carefully curated and annotated the final works of one hundred poets in Till I End My Song, with selections from John Keats, T.S. Eliot, Elizabeth Bishop, Emily Dickinson, Dylan Thomas, Robert Frost, D.H. Lawrence, W.H. Auden, John Milton, Herman Melville, Emily Brontë, and others. Written with the same wise and discerning commentary of earlier books—including his acclaimed Shakespeare: The Invention of the Human and The Book of J—Till I End My Song is a moving and provocative meditation on the relationship between art, meaning, and ultimately, death, from the literary titan of our time.

    A lively and inspiring poem weaves together facts about water and the need for water conservation.

    Through photographs, poetry, prose, and a short story, Orion Carloto invites readers to remember the forgotten and reach into the past, find comfort in the present, and make sense of the intangible future. Film photography isn’t just eye candy; it’s timeless and romantic—the ideal complement to Carloto’s writing. In Film for Her, much like a visual diary, word and image are intertwined in a book perfect for both gift and self-purchase.

    He goes about his day, calling on a friend, going to the store for his mom and visiting his grandfather's grave. But all the while, his mind strays to his father who is digging for coal deep under the sea.Written by Joanne Schwartz, this beautifully understated and haunting story brings a piece of history to life. Stunning illustrations by Sydney Smith, the award-winning illustrator of Sidewalk Flowers, show the striking contrast between a sparkling seaside day and the darkness underground where the miners dig.--front flap

    When her animal friends try to help her find something tasty to eat, the real the problems begin! Join Lisbon on her funny misadventures. Each beautiful illustration is designed to inspire the imaginations of children. An activity page at the end of the book allows for more fun as they search for special items in the illustrations. This version of I Don’t Want to Eat Bugs has been designed specifically for ebook with a fixed layout and larger text for easy reading. While this is a great read-aloud book for parents, teachers, and other adults to share with children, we have chosen fonts that are similar to the way children form letters for easy recognition as they begin to read on their own. The print book is also available in 8.5” x 11” format. Author’s Note: I Don’t Want to Eat Bugs was written for my daughter, who was two when I wrote this story and didn’t like salad, but now she’s four and a half and loves it—if I give her plenty of salad dressing! (But don’t worry—this isn’t a book about eating salad.) Of course birds, cats, and dogs have a very different idea of what's good to eat, but through this fun adventure, Lisbon learns there is also food meant just for her—and it's good, especially compared with all the offerings from her animal friends. My daughter and I privately call this book the "Ice Cream Story" (she LOVES ice cream so there had to be ice cream involved), and now whenever something funny happens, she says, "We should write a new ice cream story about that." And we have! I Don’t Want to Eat Bugs is the first book in a series called Lisbon’s Misadventures. Book 2, I Don't Want to Have Hot Toes, is now available, and Tim Petersen is hard at work creating the illustrations for the next two books. Tim is obviously a fabulous artist, and I’m excited to be working with him. You can sign up on my website to learn when the next book comes out (http://teylarachelbranton.com/). Thank you and enjoy!

    Bram Stoker Award-winner Sara Tantlinger delivers her CRADLELAND OF PARASITES, a harrowing and darkly gorgeous collection of poetry chronicling the death and devastation of one of history's greatest horrors: The Black Plague.

    The paintings are in brilliant color and each features the Japanese parasol.Matsuo Basho (1644 - 1694) was born Matsuo Kinsaku during the early Edo period in Japan. During his lifetime, Basho was recognized for his work in a poetic form that was a precursor to the haiku. Over the course of time, Basho became recognized as an unparalleled master of the haiku. His work is internationally renowned, and his poems are reproduced at many historical sites in Japan.

    Following Pulitzer Prize finalist Ron Padgett's 2013's Collected Poems (winner of the Los Angeles Times Book Prize and the William Carlos Williams Prize) Alone and Not Alone offers new poems that see the world in a clear and generous light.From "The World of Us":Don't go around all daythinking about life—doing so will raise a barrierbetween you and its instants.You need those instantsso you can be in them,and I need you to be in them with mefor I think the world of usand the mysterious barricadesthat make it possible.

    Included in this collection of short stories is a poignant tale about civil war, where a young girl hides from enemy soldiers in a public toilet; a haunting story of a little girl swept out to sea while collecting cowrie shells; and the moving account of two brothers, who, over the years, create a mental picture of their absent father.Former Children’s Laureate and award-winning author of War Horse, Michael Morpurgo, demonstrates why he is considered to be the master story-teller with this diverse collection of stories for children.

    Book of Longing is Cohen’s eagerly awaited new collection of poems, following his highly acclaimed 1984 title, Book of Mercy, and his hugely successful 1993 publication, Stranger Music, a Globe and Mail national bestseller. Book of Longing contains erotic, playful, and provocative line drawings and artwork on every page, by the author, which interact in exciting and unexpected ways on the page with poetry that is timeless, meditative, and at times darkly humorous. The book brings together all the elements that have brought Leonard Cohen’s artistry with language worldwide recognition.From the Hardcover edition.

    In his newly discovered poems and song lyrics, we see the world through his eyes. The poetry reveals his depth of understanding, both of the world around him and within - his frailties and his strengths alike. He pens verses in his hallmark voice, reflecting upon love, pain, freedom, fame and mortality.Illustrated with facsimile reproductions of Cash's own handwritten pages, Forever Words is a remarkable new addition to the canon of one of America's heroes. His music is a part of our collective history, but here he demonstrates the depth of his talent as a writer.Edited and with an introduction by Paul Muldoon, as well as a preface by John Carter Cash, this is a book sure to delight and surprise fans the world over.

    Meet Miss Misinformation, Swami Gourami, and Gladiola Gloppe (and her Soup Shoppe), and delight in a backwards poem, a poem that ever ends, and scores of others that will be changed, read, and loved by readers of every age. Whether you begin at the beginning or just open the book at random, you won't stop smiling.“Prelutsky’s a natural rhymester. He has a keen sense of what tickles kids.”—Kirkus Reviews

    The ancient Story Giant, collector and keeper of all the world's stories, enlists the help of four children to find the one missing tale that will keep his collection from fading away.