As Dovie’s longtime love, Gabe Pearce, and her adoptive son, Elmer Brewer, return home, the family is overjoyed. The happiness of their reunion is cut short when the news that Dovie’s son-in-law, Evalyn’s husband, Robert, is missing in action. Even with Robert MIA, there is a ray of light when the Brewer’s long lost sister, Ellie arrives in their hometown, Knollwood, TX. With little information regarding her troubled past, Dovie takes Ellie home to Quail Crossings without hesitation, hoping to start the healing process for the young girl who now refuses to speak. As Ellie deals with a lifetime of abuse, Elmer adjusts to life off the battlefield, and Evalyn aches for her lost love. Dovie is quickly realizing that the Germans may have surrendered but the battle at home is just beginning.

    He never returns, and the police department in Middlebury, Vermont are divided in their assessment of what may have happened to him. Some feel that Flanders left on his own accord and is deliberately out of touch. Others, including detectives Nick Jenkins and Helen Kennedy, suspect that harm may have come to him. As the search for Luc Flanders widens and intensifies, suspicions about several different people, including his Middlebury College roommates and ex-girlfriend arise. Unfortunately, Sam Solomon an older man with whom Luc has been having a secret relationship, cannot prove his whereabouts during the hours when the younger man may have disappeared and Solomon, too, comes under suspicion. BLACK DIAMOND FALL is at once a lush, evocative literary novel, a portrait of love between a younger and older man, and a riveting mystery that could only come from the mind of acclaimed writer Joseph Olshan.

    Her specialty is parties, not crime. But there's no denying that someone with a lot of money and significant resources is out to silence her. What secrets does she hold about international money laundering and a criminal syndicate? How can she save herself when she's accused of trying to murder the U. S. marshal in charge of her safety? Enter the Cornwall brothers. Jackson, Lincoln, and Jefferson all have some special skills that can help untangle Marigold's complicated life. But they're going to have to work fast if they hope to prevent another murder...or before Marigold Flowers permanently disappears!

    Now, Weir follows up with another terrifically moving- and often disarmingly funny-book about loss, survival, and sexuality in the post-AIDS era. Returning to a Manhattan haunted by the memory of all the young men who died in the late 1980s and early 90s, "What I Did Wrong" has at its heart a protagonist for whom that loss is still all too palpable. Tom, a forty-two-year-old English professor, watched his best friend die years earlier and now finds himself sliding into middle age while questioning everything he thought he knew about his "gay identity." His Queens College classes are filled with borough boys displaying their own bravado along with their confused masculinity. As Tom balances their friendship with the occasional displaced erotic overtones, he finds an unexpected common ground with these proud young men and, surprisingly, claims his place in the world and in history. "What I Did Wrong" is a dazzling work juxtaposing low comedy and heartfelt tragedy with astonishing finesse, a book worthy of John Weir's return to fiction that will be warmly welcomed by critics and readers alike.

    So the next time the fates collide and you're reminded of what a small world it can be, you'll realize we're all victims of coincidence ...

     It wasn’t just her marriage that crumbled in the wake of unspeakable tragedy, it was her entire life. Even though five years had passed since she lost Evan, Angelia White was still picking up the pieces. Getting involved in a cause she could pour her broken heart into was just another part of the healing process. The wounds were too fresh for Mark Lyon to keep his grip on reality. Everything he thought he knew and believed was obliterated when he lost Ashleigh, along with his heart. The only way he could pick up the pieces was to fight for a way to prevent any other parent from ever suffering such merciless pain. Two heartbroken parents enduring the darkest of nights. Two wounded souls waiting for the light at dawn. Authors Note: Contains sensitive subject matter that may be upsetting to some readers.

    It’s in perfect condition, except for one important thing — a bullet hole in the bodice. When he shows it to Sadie, he also reveals another antique that suggests one of Sadie’s relatives knew how that bullet hole got there. As she is investigating the history of the dress, a mysterious visitor arrives who wants the gown — at any cost. Will the stranger be the key to unlocking the secret past of the dress? Will she uncover what happened to the bride so long ago?

    Kienzle meticulously sifted through archival material, government records, recollections by colleagues and admirers, interviewing many involved in Jones’s life and career. The result: an evocative portrait of this enormously gifted, tragically tormented icon called “the Keith Richards of country.”Kienzle chronicles Jones’s impoverished East Texas childhood as the youngest son of a deeply religious mother and alcoholic, often-abusive father. He examines his three troubled marriages including his union with superstar Tammy Wynette and looks unsparingly at Jones’s demons. Alcohol and later cocaine nearly killed him until fourth wife Nancy helped him learn to love himself. Kienzle also details Jones’s remarkable musical journey from singing in violent Texas honky tonks to Grand Ole Opry star, hitmaker and master vocalist whose raw, emotionally powerful delivery remains the Gold Standard for country singers.The George Jones of this heartfelt biography lived hard before finding contentment until he died at eighty-one—a story filled with whiskey, women and drugs but always the saving grace of music.Illustrated with eight pages of photos.

    But Ulysses (or his half brother) is but one of the beguiling guises Komunyakaa dons over the course of this densely lyrical book. Here his speaker observes a doomed court jester; here he is with Napoleon, as the emperor "tells the doctor to cut out his heart / & send it to the empress, Marie-Louise"; here he is at the circus, observing as "The strong man presses six hundred pounds, / his muscles flexed for the woman / whose T-shirt says, these guns are loaded"; and here is just a man, placing "a few red anemones / & a sheaf of wheat" on Mahmoud Darwish's grave, reflecting on why "I'd rather die a poet / than a warrior." Through these mutations and migrations and permutations and peregrinations there are constants: Komunyakaa's jazz-inflected rhythms; his effortlessly surreal images; his celebration of natural beauty and of love. There is also his insistent inquiry into the structures and struggles of power: not only of, say, king against jester but of man against his own desire and of the present against the pernicious influence of the past. Another brilliant collection from the man David Wojahn has called one of our "most significant and individual voices," The Emperor of Water Clocks delights, challenges, and satisfies.