The dawning of the herring fisheries brought with it the hope of escape from the Highland Clearances, and this story paints a vivid picture of a community fighting against nature and history, and refusing to be crushed.

    First published in 1935, it is the story of Johnnie Stark, son of a violent father and a downtrodden mother, the 'Razor King' of Glasgow's pre-war slum underworld, the Gorbals. The savage, near-truth descriptions, the raw character portrayals, bring to life a story that is fascinating, authentic and convincing.

    In between he experiences tempests at sea, on land and in the mind; and relatives who kill for love and lovers who sacrifice their bodies; as all the while he moves ever closer to the central mystery of his and all existence. First Blast is Eric McCormack at his finest.

    In this hidden city haunted by a host of vividly drawn characters, Rilke comes face to face with the dark desires and illicit urges that lurk behind even the most respectable facades.

    For years the people of this remote area of the Highlands have lived a hard life. Now a local Gold Rush has attracted the Pan-European Mining Company to the area, and Solveig McCleery is determined to re-open the Brora mines and give the population the riches they deserve. But when work starts on re-opening the mines, the body of a prospector is discovered, and odd inscriptions found on stones near the corpse. Before the meaning of these strange marks can be deciphered another body is discovered. Are these attacks connected to the re-opening of the mines? Will Solveig's plan succeed in bringing peace and prosperity back to the area? Or has she put in motion something far more sinister?

    L. Kennedy's first collection of stories, are small people - the kind who inhabit the silence in libraries, who never appear on screen and who never make the headlines. Often alone and sometimes lonely, her characters ponder the mysteries of sex and death-and the ability of public transport to affect our lives.

    She has never met another child.Nina X has no books, no toys and no privacy.Nina X has no idea what the outside world is like.Nina X has a lot to learn.Nina X has no mother and no father; she has Comrade Chen, and Comrades Uma, Jeni and Ruth. Her closest emotional connection is with the birds she sees when she removes the plasterboard that covers her bedroom window. Comrade Chen has named her The Project; she is being raised entirely separated from the false gods of capitalism and the cult of the self. He has her record everything in her journal, to track her thoughts. To keep her ideology pure, her words are erased, over and over again. But that was before. Now Nina is in Freedom, and all the rules have changed. She has to remember that everything is opposite to what she was told, and yet Freedom seems to be a very confusing and dangerous place.

    In his fourteenth collection of poems, Pulitzer Prize winner Stephen Dunn reveals his concerns, ranging from meditations on salvation and time to the difficulties and pleasures of loving in this "already brutal century." In language that Gerald Stern has called "unbearably fearless and beautiful," Dunn continues to probe the elusive in the lives we live.

    A scheming bastard in and out of school, Diller screws, drinks, snorts, cons and kills his way through the Lanarkshire underworld and attempts to survive the attention of his local drug-lord, Hondo, who's less than impressed by Diller's growing debt and status; He's also having a busy week at school.A brutal and wickedly funny novella inspired by The Prodigy's 'Smack my Bitch Up' music video.Contains strong language and graphic violence throughout.

    In an exemplary interpretation of the novel, this volume integrates theoretical concepts from narrotology, visual culture and cultural history into a close reading of the aesthetic and structural features of the novel. Interpretative insight into a postmodern novel is thus combined with the provision of transferable conceptual knowledge.

    Shortly before the story opens he has endured a ridiculously humiliating incident that put him off his instrument—as part of a string quartet, he was sent unaware by the Musicians’ Union to “open” for a reunion tour of over-the-hill Hessian metal-gods Volstagg (based on Meat Loaf), who threw the classical musicians offstage. Biding his time until he can afford to leave Philth Town (a tweaked Philadelphia), he now works in a deli run by a despotic Dutchman and lives in a boarding house (The Desmon), among whose other residents are Armless Rob (self-explanatory), Yancey Fishnet (dominatrix), Emmylou Mattressback (basically what you’d expect), and others. Including Tinsel Greetz, an ill-informed anarchist prone to disaster, and Charlie's best friend.As the story opens, Tinsel has founded a “barter system” economy for the various misfits in the Desmon and its affiliated businesses (The Grain Shack, the dive bar Maxine’s, a veterinary office) which results in the destruction of the Shack, a huge pack of dogs being left at the Desmon for Tinsel to deal with, threats of lawsuits and bodily harm, and Tinsel hiding out with his inexplicably understanding girlfriend Zelda. Charlie has been supplementing his deli paycheck via the “Willard Rounds,” the illegal method Philth Town’s Sanitation Department has evolved to deal with its out-of-control sewer rat problem: paying “slag-hands” to go down into the sewers armed with pipes and duffel bags and pays them a fee per quantity of dead rats (“Willard,” above, and “Ben,” as the rats are collectively called, are references to the movies Willard [1971, recently remade starring Crispin Glover] and Ben [1972] in which rats avenge the wrongs done to their human guardians). Tinsel is persona non grata and has lost his gig playing guitar at a bar, so Charlie initiates him into life as a slag-hand, ending in a ridiculously generous haul. To celebrate, Charlie and Tinsel get drunk and—unfortunately—trash Zelda's apartment just as a foreign investor is about to come buy some of her photographs for a French media conglomerate. Furious, Zelda throws them out whereupon they are beaten up by skinheads and end up waking up the next morning worse for wear in a hotel room in one of the poshest hotels in the city, with Louise (the “investor,” who's actually a French journalist). Charlie is instantly, stupidly in love with Louise, reduced to stammering incoherence and suddenly relating to the lyrics of “Total Eclipse of the Heart.” And strange as it might seem, it appears to be mutual.Over the next forty-eight hours, Charlie is on a hellbent journey from disaffected, self-destructive, downwardly mobile slacker to redeeming his former creativity and maturity, as Tinsel and Louise vie for his loyalties. Along the way there are hilarious scenes where the two cleaned-up slag-hands attempt to navigate the stressful environment of a nice restaurant (complete with compulsive table-crumbers and a schmaltzy table-side troubadour who receives his comeuppance when Charlie takes his violin and bears down with classical fury, getting a standing ovation); the three play a vicious game of Death Match culminating in watching a Felix Trinidad-Hector Camacho fight at Maxine’s; and a final denouement in which fallen cinematic genius Delvin Corollo is shooting a vapid costume drama outside the hotel (based on Martin Scorsese and The Age of Innocence) and Tinsel and Charlie conspire to destroy the shoot.Brewing under the surface, Charlie is being forced to confront the “hate” part of his “love-hate” relationship with his extremely trying friend. Louise has offered to take him with her when she leaves town—to cover an uprising in New Guinea, and whatever comes next. Tinsel shows no sign of abandoning his hare-brained schemes—he’s planning to rob a bank now—and Charlie has become disgusted with himself for putting up with Tinsel’s behavior, which includes not only a lack of hygiene and normalcy, but more seriously a streak of casual misogyny and xenophobia that Charlie has always assumed was a joke, but now is not so sure. In a final scene both hilarious and poignant, Charlie takes his revenge on the evil Dutchman who persecuted him at the deli and gives Tinsel the means to attempt the bank job—in other words, enough rope to hang himself.

    Whitaker's Millionaire Wives Club are back for a third season of explosive lies, forbidden sex, and scandals like you've never seen before!Step into the world of cable TV's hit reality show and meet new bride and new mother Milan, who finally has everything she's ever dreamed of. Problem is her perfect life doesn't work for TV. What will she do when the producer threatens to fire her? Editor-in-chief Chaunci isn't feeling the fame and the last thing she needs is to share the spotlight with her worst enemy, newcomer Journee. Socialite Journee expected her eighty-two-year-old husband to only live four days past their wedding night, but it's been four years. And just when it seems that he's ready to meet his maker, his son--Journee's ex-lover--shows up. Hair care mogul Vera is struggling with her failing marriage and the last thing she needs is her drug-addicted mother to further ruin her life or her image. Jaise is finally standing by her man. But will she live the life she thinks or will it cost her everything?

    Nida is no different.Coming from a broken marriage, she dreams to spend her life in the arms of her lover. Reality, however, has other plans for her. As she goes through different phases in her life, she encounters various heart-wrenching experiences along the way; all in her journey to be a rebellious author. Turning to comfort in everyone she meets, trying to cope up with the betrayals of her most trusted friends, Nida understands what it means to be independent when it’s her against the world.From the late-night escapades with her boyfriend in the chills of Simla, to attending her mother’s marriage, to write about all the outrageous books, to adopting an orphan child; join Nida in Litany of Woes as she searches for love in all forms and to the realization that it is indeed just a word after all.

    We are who we are because we grew up the Stornoway way. We do not live in the back of beyond, we live in the very heart of beyond …’Meet R Stornoway, drink-addled misfit, inhabitant of the Hebridean Isle of Lewis, and meandering man fighting to break free of an island he just can’t seem to let go of…

    Johann Fausten dem wietbeschreyen Zauberer und Schwartzkunstler, or History of Dr John Faust the notorious Magician and Necromancer, as written by his familiar servant and disciple Christopher wagner, now for the first time Englished from the Low German.