Régine Miller was one such child, who left her mother, father, and brother when she was 10 years old. Utterly alone as she is shunted from place to place, told to tell no one she is Jewish, she hears that her mother and brother have been taken by the SS, the German secret police. Only her desperate hope that her father will return sustains her. At war’s end she must learn to live with the terrible truth of “the final solution,” the Nazi’s extermination camps.The people who sheltered Régine cover a wide spectrum of human types, ranging from callous to kind, fearful to defiant, exploitive to caring. This is a story of a brave girl and an equally brave woman to tell the story so many years later.From the Hardcover edition.

    The story of these men is unrecognized, submerged in the overall history of the concentration camps.From all countries and of all ages, the priests were gathered behind the barbed wire of Dachau according to an agreement wrested from the Reich by Vatican diplomacy. For eight years, both tragedies and magnificent gestures punctuated the journey of the clergy at Dachau, from the terrifying forced march of -Holy Week- in 1942 to the heroic voluntary confinement of priests in the barracks of those dying of typhoid, to the moving clandestine ordination of a young German deacon by a French bishop. Never in the course of history have so many priests, monks and seminarians been murdered in such a small area: 1,034 lost their lives.Beyond the personal journeys of which it is composed, the history of the priests at Dachau sheds new light on Hitler's system of concentration camps, on the intrinsic anti-Christian animus of Nazism and, beyond the strictly historical perspective, on faith and spiritual commitment. This book deals with many questions about the priest barracks, including:How does the experience of the priests at Dachau compare to those who were laymen? What were their privileges and what were their particular sufferings? Did the Nazi persecution against the clergy have ideological or political underpinnings? Did the faith and religious commitment of the priests reinforce them against the methodical dehumanization in the camps? Were their moral convictions, forged by the Gospel and the tradition of the Church, able to resist the perversion of values imposed by the SS? Did the sufferings endured by the priests at Dachau bear fruit within the ecclesiastical institution and also outside, at the peripheries of the Church?In Guillaume Zeller's recounting of this strange story, this fragment of the tragedy of the concentration camps allows us to learn answers to these and other intriguing questions.

    A sunny day. A soldier. A gun. A child, arms high in the air. A moment captured on film. But what is the history behind arguably the most recognizable photograph of the Holocaust? In The Boy: A Holocaust Story, the historian Dan Porat unpacks this split second that was immortalized on film and unravels the stories of the individuals—both Jews and Nazis—associated with it.The Boy presents the stories of three Nazi criminals, ranging in status from SS sergeant to low-ranking SS officer to SS general. It is also the story of two Jewish victims, a teenage girl and a young boy, who encounter these Nazis in Warsaw in the spring of 1943. The book is remarkable in its scope, picking up the lives of these participants in the years preceding World War I and following them to their deaths. One of the Nazis managed to stay at large for twenty-two years. One of the survivors lived long enough to lose a son in the Yom Kippur War. Nearly sixty photographs dispersed throughout help narrate these five lives. And, in keeping with the emotional immediacy of those photographs, Porat has deliberately used a narrative style that, drawing upon extensive research, experience, and oral interviews, places the reader in the middle of unfolding events.

    Couched in the interview style of Tuesdays with Morrie, Henry relates in his own voice a life as a champion swimmer, interrupted by three years imprisoned in Auschwitz and Buchenwald as a Polish political prisoner. With a pragmatic gallows humor, and sense of hope, he showed the author how to truly live for today, preferably with a shot of good Polish vodka. Henry's path of resiliency and power of connection are as relevant today, as they were in World War II.Henry reminds us that no single class of people was safe from Hitler's reach or imprisonment, and no country suffered more under Hitler and Stalin than Poland. This bridge to history and view of the Holocaust through Polish eyes is supported by extensive research, and features more than 70 original photos and rare German documents. Ultimately, Henry is the story a strong young man, who survives by his wits, humor, friends, and a healthy dose of luck. This book is for the discerning adult looking for an intelligent read that examines World War II, the Holocaust, and the true meaning of friendship then and now.

    After the war, Gretel fell in love with a British officer. When he was transferred back to England, her determination and bravery were tested once more.

    It was the same piece and the same pianist, when broadcasting was resumed six years later. The Pianist is Szpilman's account of the years inbetween, of the death and cruelty inflicted on the Jews of Warsaw and on Warsaw itself, related with a dispassionate restraint borne of shock. Szpilman, now 88, has not looked at his description since he wrote it in 1946 (the same time as Primo Levi's If This Is A Man?; it is too personally painful. The rest of us have no such excuse. Szpilman's family were deported to Treblinka, where they were exterminated; he survived only because a music-loving policeman recognised him. This was only the first in a series of fatefully lucky escapes that littered his life as he hid among the rubble and corpses of the Warsaw Ghetto, growing thinner and hungrier, yet condemned to live. Ironically it was a German officer, Wilm Hosenfeld, who saved Szpilman's life by bringing food and an eiderdown to the derelict ruin where he discovered him. Hosenfeld died seven years later in a Stalingrad labour camp, but portions of his diary, reprinted here, tell of his outraged incomprehension of the madness and evil he witnessed, thereby establishing an effective counterpoint to ground the nightmarish vision of the pianist in a desperate reality. Szpilman originally published his account in Poland in 1946, but it was almost immediately withdrawn by Stalin's Polish minions as it unashamedly described collaborations by Lithuanians, Ukrainians, Poles and Jews with the Nazis. In 1997 it was published in Germany after Szpilman's son found it on his father's bookcase. This admirably robust translation by Anthea Bell is the first in the English language. There were 3,500,000 Jews in Poland before the Nazi occupation; after it there were 240,000. Wladyslaw Szpilman's extraordinary account of his own miraculous survival offers a voice across the years for the faceless millions who lost their lives. --David Vincent

     But what did the German people think of the war? And what had they actually thought about the rise of the Nazi party? William Russell, a young US diplomat who worked in the American Embassy in Berlin, explains in detail his experiences of Germany in the early phases of the war from August 1939 through to April 1940. By asking questions to his friends, colleagues and people who he passed on the streets, Russell uncovered the state of minds of normal Germans, what they were thinking, doing and saying through the course of 1939 and 1940. Drawing evidence from a variety of sources, including newspapers, the radio, recently published books, as well as the jokes and gossip that circulated on the streets of the German capital, Russell is able to demonstrate how not all Germans were card-waving Nazis, but how the vast majority were politically apathetic, nervous of the future and often outwardly critical of the Nazi regime. Russell explains how many Germans laughed at figures such as Joseph Goebbels and Herman Goering when they were in privacy of their own houses. Although written in only second year of the war it is clear that Russell and many of his friends are aware of the impending horrors that the war will cause and he tries desperately throughout the book to do his best for those who would suffer the most at the hands of the Nazi regime. Berlin Embassy is the classic account of Germany and its people in the first year of the Second World War. “The small things that happen to the small people- as reported by a man in a small job in the American embassy in Berlin, who managed to get the man in the street to talk frankly.” Kirkus Reviews “Exciting reading … A very fine book.” William L. Shirer, author of The Rise and Fall of the Third Reich: A History of Nazi Germany William Russell was an author and journalist who after completing his education had worked in the Berlin Embassy during 1939 and 1940. After he left Germany he joined the U.S. Army and served two years as an Order of Battle Specialist in the Intelligence Branch in England. He passed away in 2000. His book Berlin Embassy was first published in 1941.

    This announcement has rekindled interest in the claim made by Joseph Stalin, maintained to the end of his life, that Hitler got away. The truth is that no one saw Hitler and Eva Braun die in the bunker in Berlin on April 30, 1945. No photographs were taken to document claims Hitler and Evan Braun committed suicide. Hitler’s body was never recovered. No definitive physical evidence exists proving Hitler died in the bunker in Berlin.Dr. Jerome Corsi explores the historical possibility that Hitler escaped Nazi Germany at the end of World War II. FBI and CIA records maintained at the National Archives indicate that the US government took seriously reports at the end of World War II that Hitler had escaped to Argentina. More recent evidence suggests Hitler may have fled to Indonesia, where he married and worked at a hospital in Sumbawa. Even the chief of the US trial counsel at Nuremburg, Thomas J. Dodd, was quoted as saying, �No one for sure can say Adolf Hitler is dead.”Putting massive amounts of evidence and research under a critical eye, Dr. Corsi shows that perhaps modern history’s most tantalizing question has yet to be definitively answered: Did Hitler escaped Nazi Germany at the end of World War II to plot revenge and to plan the rise of the Fourth Reich?

    His grandparents encouraged his mother and stepfather to take young John somewhere safe. “You must have a future,” his grandfather told him before he and his parents boarded the train and waved goodbye.As they trekked across the country, from Vienna to Prague and then finally settling in Shanghai, there was never a single moment Stoessinger was not afraid—he lived in constant fear that he and his family would be found and killed. However, even in Hitler-ruled Nazi Germany, there were plenty of people who refused to cower to absolute evil and who did everything they could to usher families like Stoessinger’s to freedom.In From Holocaust to Harvard, Stoessinger recalls heartbreaking moments from his childhood and of living a life of secrets in Shanghai. He then presents the second part of his story—the part where he attempts to untangle himself from his previous life and devastating memories and is able to relocate to America, earn a graduate-level degree from a prestigious university, and later become a member of the Council on Foreign Relations despite making a decision that nearly lands him in prison and threatens his hard-earned freedom.Throughout his story, Stoessinger expresses his gratitude to those who helped him through the toughest parts of this life and put him on a path that led him to a Harvard education, a successful career, and inner peace.

    Depicting her father’s ascension to command Auschwitz, the most infamous of all concentration camps, the author reveals his relationship with his family, his unceasing love for his mistress, and the very separate life he led as a senior officer of the S.S. Chronicling his capture at the end of the war, this narrative also documents his imprisonment at Dachau and Nuremburg, his sentencing at the Auschwitz Trial in Krakow, and his subsequent execution. Recounting a shocking tale with clarity and without judgment, this riveting autobiography embodies one woman’s unwavering mission to resolve her own past.

    The Germans called it Auschwitz. Auschwitz; a name now synonymous with man's darkest hour. Contrary to widespread belief, Auschwitz was not just a camp for those that the Third Reich deemed 'undesirables' - Jews, homosexuals and communists - hundreds of British Tommies were also incarcerated there and beheld the atrocities meted out by Hitler's brutal SS. This is the true story of one of those witnesses. Forced to do hard labour in an industrial factory, beaten by SS guards, part of a partisan group aiding in the plans for a mass breakout of Jewish prisoners. An escapee, a survivor; Arthur Dodd - a Spectator in Hell.

    On that train were carriage after carriage of loot – gold, diamonds, furs, wedding rings – plundered in one of the most shameful crimes of the century. Commanded by Árpád Toldi, a key organizer of the Hungarian Holocaust, and harbouring a desperate group of fascist ideologues, soldiers and thieves, the gold train was destined for a Nazi stronghold in the Alps. It would never arrive. Along its crazed journey the train’s contents were pilfered, fought over, hidden and scattered, until they became the stuff of legend, with legal claims unresolved even today. What is the truth of this mythical cargo? In ‘The Gold Train’ Ronald Zweig reveals the full story of one of the most terrible mysteries of the Second World War.

     It brings to life the dramatic experiences of a woman caught between a ruthless government and the will to survive with her children during the last six months of World War 2 in Nazi Germany as she flees the incoming Russian front in the East and right into the carpet bombing in the West. This book brings this war down to a human level in a way that will leave the reader with a stunning new perspective never told in America and represents the missing link in the historical annals of this time. A sequel called WEST WIND is being written at this time and deals with the chaotic aftermath of the collapse of the Third Reich and the survival of Elisabeth, her four children and Helga, the maid. It also describes her husband's experiences in an American prison camp in the south of France. Quote by Elisabeth Wendell, Professor of American Literature, University of Duesseldorf, Germany: “Barbara Martin is a very talented story teller and has captured a dark period of German history during the holocaust with sincere honesty and deep understanding for the people caught up in it. The book makes for great reading enjoyment!”

    In the following twenty-three years she experienced many of the terrors of her fellowEuropean Jews: early Nazi oppression in Berlin; post-"Anschluss" Vienna; Nazi occupied Prague; and deportation to Theresienstadt in 1942. But the truehorrors of the Nazi "Final Solution" awaited her in Birkenau, the woman's concentration camp where she survived her internment, beginning in January, 1943, for two years. These months of hell were followed by a "Death March" and incarceration in Ravensbrück from which she and a group of fellow inmates walked away to freedom.As Professor Emerita in German literature at UNC-Charlotte, Dr. Cernyak-Spatz continues to teach and to lecture about the Holocaust. This book is a rare firsthand testament of a Holocaust survivor. The audiobook version, narrated by the author, is now available on her website.

    With no other family, except each other, they build a world that revolves around Sidonia's extraordinary talent with a needle and thread to create beautiful garments while Hanna serves as her dutiful model. As Sidonia becomes well-known in western Massachusetts and northern Connecticut for her remarkable sewing talent, she continues to keep her inner secrets about her past hidden not only from her daughter but from everyone else. Determined to craft a life of pride, self-reliance and perseverance, Sidonia teaches her daughter to "stand up straight" in fashion and in life. Sidonia's Thread uses sewing metaphors to tell the tale of these two women as though stitched together like a handmade garment. Why did Sidonia keep these significant life secrets, and why was Hanna so afraid to ask about them? When Sidonia moves to elderly housing, Hanna steals some of her old letters and photographs hoping to find clues to her paternity, her mother's reclusive behavior, and her heritage. Combined with a trip to her mother's Hungarian homeland and a phone conversation with her father, Hanna's surprising discoveries inspire a revised view of her life with her mother, replacing her conflicting emotions toward her mother with true reverence.