Instead, Astrid spends hours lying on the backyard picnic table watching airplanes fly overhead. She doesn't know the passengers inside, but they're the only people who won't judge her when she asks them her most personal questions--like what it means that she's falling in love with a girl.As her secret relationship becomes more intense and her friends demand answers, Astrid has nowhere left to turn. She can't share the truth with anyone except the people at thirty thousand feet, and they don't even know she's there. But little does Astrid know just how much even the tiniest connection will affect these strangers' lives--and her own--for the better.In this truly original portrayal of a girl struggling to break free of society's definitions, Printz Honor author A.S. King asks readers to question everything--and offers hope to those who will never stop seeking real love.

    Not college—that’s all set. Not prom—he’ll find a date somehow. No, it’s the worst problem of all: he’s fallen for his best friend.As much as Jamie tries to keep it under wraps, everyone seems to know where his affections lie, and the giggling girls in art class are determined to help Jamie get together with Mason. But Jamie isn’t sure if that’s what he wants—because as much as Jamie would like to come clean to Mason, what if the truth ruins everything? What if there are no more road trips, taco dinners, or movie nights? Does he dare risk a childhood friendship for romance?This book is about what happens when a picture reveals what we can’t say, when art is truer than life, and how falling in love is easy, except when it’s not. Fan Art explores the joys and pains of friendship, of pressing boundaries, and how facing our worst fears can sometimes lead us to what we want most.

    When four fans jokingly invite him on a cross-country road trip, they are shocked that he actually takes them up on it. Chased by paparazzi and hounded by reporters, this unlikely crew takes off on a journey of a lifetime--but along the way they discover that the star they love has deep secrets he's been keeping. What they come to learn about the life of the mysterious person they thought they knew will teach them about the power of empathy and the unbreakable bond of true friendship.

    Sixteen-year-old Audre is despondent, having just found out she’s going to be sent to live in America with her father because her strictly religious mother caught her with her secret girlfriend, the pastor’s daughter. Audre’s grandmother Queenie (a former dancer who drives a white convertible Cadillac and who has a few secrets of her own) tries to reassure her granddaughter that she won’t lose her roots, not even in some place called Minneapolis. “America have dey spirits too, believe me,” she tells Audre.Minneapolis. Sixteen-year-old Mabel is lying on her bed, staring at the ceiling and trying to figure out why she feels the way she feels–about her ex Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that’s plagued her all summer. Mabel’s reverie is cut short when her father announces that his best friend and his just-arrived-from-Trinidad daughter are coming for dinner. Mabel quickly falls hard for Audre and is determined to take care of her as she tries to navigate an American high school. But their romance takes a turn when test results reveal exactly why Mabel has been feeling low-key sick all summer and suddenly it’s Audre who is caring for Mabel as she faces a deeply uncertain future.Junauda Petrus’s debut brilliantly captures the distinctly lush and lyrical voices of Mabel and Audre as they conjure a love that is stronger than hatred, prison, and death and as vast as the blackness between the stars.

    The finest boarding schools in England and the constant disapproval of his father haven’t been able to curb any of his roguish passions—not for gambling halls, late nights spent with a bottle of spirits, or waking up in the arms of women or men.But as Monty embarks on his Grand Tour of Europe, his quest for a life filled with pleasure and vice is in danger of coming to an end. Not only does his father expect him to take over the family’s estate upon his return, but Monty is also nursing an impossible crush on his best friend and traveling companion, Percy.Still it isn’t in Monty’s nature to give up. Even with his younger sister, Felicity, in tow, he vows to make this yearlong escapade one last hedonistic hurrah and flirt with Percy from Paris to Rome. But when one of Monty’s reckless decisions turns their trip abroad into a harrowing manhunt that spans across Europe, it calls into question everything he knows, including his relationship with the boy he adores.

    She can’t imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there’s certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures.But then, there’s this gorgeous girl on the train.Jane. Dazzling, charming, mysterious, impossible Jane. Jane with her rough edges and swoopy hair and soft smile, showing up in a leather jacket to save August’s day when she needed it most. August’s subway crush becomes the best part of her day, but pretty soon, she discovers there’s one big problem: Jane doesn’t just look like an old school punk rocker. She’s literally displaced in time from the 1970s, and August is going to have to use everything she tried to leave in her own past to help her. Maybe it’s time to start believing in some things, after all.Casey McQuiston’s One Last Stop is a magical, sexy, big-hearted romance where the impossible becomes possible as August does everything in her power to save the girl lost in time.

    Yet that's exactly what happens.Sloane becomes closest to Vera, a social-media star who lights up any room, and Gabe, Vera's twin brother and the most serious person Sloane's ever met. When a beloved painting by the twins' late mother goes missing, Sloane takes on the responsibility of tracking it down, a journey that takes her across state lines—and ever deeper into the twins' lives.Filled with intense and important friendships, a wonderful warts-and-all family, shiveringly good romantic developments, and sharp, witty dialogue, this story is about finding the people you never knew you needed.

    His shop may be struggling, his only employee is a menace, and his plumbing is one creaky pipe away from disaster, but he can handle it. Maybe. He cannot, however, handle the film company that’s thrown his Soho street into chaos. And he definitely can’t handle the charismatic American actor Blake Sinclair. Which is why he’s extremely reluctant to lease out his shop as a set for Blake's film, but it’s his one opportunity to save his business. Now he can’t get away from the distractingly hot actor. Then Aubrey finds himself alone with Blake in a trailer, and what happens next turns London’s heat wave into an inferno that leaves him breathless.Aubrey is not cut out for the high-profile life of dating a celebrity, especially an American actor who’s not even out yet. Good thing their tryst is absolutely not going anywhere. Of course, when you expect nothing, that’s exactly when it starts to mean everything.

    But they aren’t the only ones making his high school years a living hell. All Nate wants is to keep his secret and keep his head down until he can graduate. That is, until the new boy, James Powell, takes a seat next to him in homeroom. James not only notices him, he manages to work his way into Nate’s life. But James has issues of his own.Between dead grandmothers and living aunts, Nate has to navigate the fact that he’s falling in love with his only friend, all while getting advice from the most unusual places.Ghosts, bullies, first love: it’s a lot to deal with when you’re just trying to survive senior year.

    Straight As, close friends and a home life so perfect that it could have been a TV show straight out of the 50s. Then his oldest brother died. Now his fun-loving mom cries constantly, he and his remaining brother can’t talk without fighting, and the father he always admired proved himself a coward by moving out when they needed him most.Jolene Timber’s life is nothing like the movies she loves—not the happy ones anyway. As an aspiring director, she should know, because she’s been reimagining her life as a film ever since she was a kid. With her divorced parents at each other’s throats and using her as a pawn, no amount of mental reediting will give her the love she’s starving for. Forced to spend every other weekend in the same apartment building, the boy who thinks forgiveness makes him weak and the girl who thinks love is for fools begin an unlikely friendship. The weekends he dreaded and she endured soon become the best part of their lives. But when one’s life begins to mend while the other’s spirals out of control, they realize that falling in love while surrounded by its demise means nothing is ever guaranteed.

    . . where history has a tendency to repeat itself.Ever since Margot was born, it’s been just her and her mother. No answers to Margot’s questions about what came before. No history to hold on to. No relative to speak of. Just the two of them, stuck in their run-down apartment, struggling to get along.But that’s not enough for Margot. She wants family. She wants a past. And she just found the key she needs to get it: A photograph, pointing her to a town called Phalene. Pointing her home. Only, when Margot gets there, it’s not what she bargained for.Margot’s mother left for a reason. But was it to hide her past? Or was it to protect Margot from what’s still there?The only thing Margot knows for sure is there’s poison in their family tree, and their roots are dug so deeply into Phalene that now that she’s there, she might never escape.

    Then, due to circumstances not entirely in her control, she finds herself volunteering at a local thrift shop. There she meets Emma . . . who might unwittingly upend her whole theory on life.This is a laugh-out-loud exploration of sexuality, family, female friendship, grief, and community. With the heart and hilarity of Netflix's critically-acclaimed Sex Education, Wibke Brueggemann's sex positive debut is required reading for Generation Z teens. Think of this as Bridget Jones' Diary, if it were written by Bridget's daughter.

    For one, she wasn’t going to stress over the senior project all her peers were dreading—she’d just use the same find-your-roots genealogy idea that her older sister used for hers. Secondly, she’d put all that time spent not worrying about the project toward getting reacquainted with former best friend and longtime crush Kodiak Jones who, conveniently, gets assigned as Cordelia’s partner.All she has to do is mail in her DNA sample, write about her ancestry results and breeze through the rest of senior year. Done, done and done.But when Cordelia’s GeneQuest results reveal that her father is not the man she thought he was but a stranger who lives thousands of miles away, Cordelia realizes she isn’t sure of anything anymore—not the mother who lied, the life she was born into or the girl staring back at her in the mirror.If your life began with a lie, how can you ever be sure of what’s true?

    Along with losing a parent, the media's vilification of his father and lack of accountability has left Moss with near crippling panic attacks.Now, in his sophomore year of high school, Moss and his fellow classmates find themselves increasingly treated like criminals by their own school. New rules. Random locker searches. Constant intimidation and Oakland Police Department stationed in their halls. Despite their youth, the students decide to organize and push back against the administration.When tensions hit a fever pitch and tragedy strikes, Moss must face a difficult choice: give in to fear and hate or realize that anger can actually be a gift.

    So when a girl at her new high school nearly succumbs to the wiles of a notorious cad, Mary starts compiling the Scoundrel Survival Guide, a rundown of literary types to be avoided at all costs.Unfortunately, Mary is better at dishing out advice than taking it—and the number one bad boy on her list is terribly debonair. As her best intentions go up in flames, Mary discovers life doesn’t follow the same rules as fiction. If she wants a happy ending IRL, she’ll have to write it herself.