Freddie and Lydia. They'd been together for more than a decade, and Lydia thought their love was indestructible.But she was wrong. On her twenty-eighth birthday, Freddie died in a car accident.So now it's just Lydia, and all she wants to do is hide indoors and sob until her eyes fall out. But Lydia knows that Freddie would want her to try to live fully, happily, even without him. So, enlisting the help of his best friend, Jonah, and her sister, Elle, she takes her first tentative steps into the world, open to life--and perhaps even love--again.But then something inexplicable happens that gives her another chance at her old life with Freddie. A life where none of the tragic events of the past few months have happened.Lydia is pulled again and again across the doorway of her past, living two lives, impossibly, at once. But there's an emotional toll to returning to a world where Freddie, alive, still owns her heart. Because there's someone in her new life, her real life, who wants her to stay.Written with Josie Silver's trademark warmth and wit, The Two Lives of Lydia Bird is a powerful and thrilling love story about the what-ifs that arise at life's crossroads, and what happens when one woman is given a miraculous chance to answer them.

    What she doesn’t anticipate is being blindsided by a breakup he chronicles in a blog…which (of course) goes viral. Devastated and humiliated, Ainsley turns to her older half sister, Kate, who’s struggling with a sudden loss of her own.Kate’s always been the poised, self-assured sister, but becoming a newlywed—and a widow—in the space of four months overwhelms her. Though the sisters were never close, she starts to confide in Ainsley, especially when she learns her late husband was keeping a secret from her.Despite the murky blended-family dynamic that’s always separated them, Ainsley's and Kate’s heartaches bind their summer together when they come to terms with the inevitable imperfection of relationships and family—and the possibility of one day finding love again.

    She likes to spy from the crumbling wall into the gardens and imagine that one day she’ll escape her meager existence and live there surrounded by its otherworldly splendor. Then one day Dante, the son of the villa’s powerful industrialist owner, invites her inside and shows her the enchanting Mermaid Garden. From that moment, Floriana knows that the only destiny for her is there, in that garden, with Dante. But as they grow up and fall in love, their romance causes a crisis, jeopardizing the very thing they hold most dear.Decades later and hundreds of miles away, a beau-tiful old country house hotel on England’s Devon coast has fallen on hard times after the financial crash of 2008. Its owner, Marina, advertises for an artist to stay the summer and teach the guests how to paint. The man she hires is charismatic and wise and soon begins to pacify the discord in her family and transform the fortunes of the hotel. However, he has his own agenda. Is it to destroy, to seduce, or to heal? Whatever his intentions, he is certain to change Marina’s life forever.Spanning four decades and sweeping from the Italian countryside to the English coast, this new story by Santa Montefiore is a moving and mysterious tale of love, forgiveness, and the past revealed.

    Always thinking the grass is greener on the other side. But it never is. It’s still grass. Just a different patch of it, that’s all.’*****The past has a habit of tracking us down. And tripping us up.When Kate was twenty-two, she had an intense and passionate affair with a married man, Callum, which ended in heartbreak. Kate thought she’d never get over it.Seventeen years later, life has moved on – Kate, now a successful actress, is living in London, married to Matt and mother to little Tallulah. Meanwhile Callum and his wife Belinda are happy together, living in Edinburgh and watching their kids grow up. The past, it would seem, is well and truly behind them all.But then Kate meets Callum again.And they are faced with a choice: to walk away from each other . . . or to risk finding out what might have been.Second chances are a rare gift in life. But that doesn’t mean they should always be taken . . .

    Because in the end, music can save us all ...1988. Frank owns a music shop. It is jam-packed with records of every speed, size and genre. Classical, jazz, punk – as long as it’s vinyl he sells it. Day after day Frank finds his customers the music they need.Then into his life walks Ilse Brauchmann.Ilse asks Frank to teach her about music. His instinct is to turn and run. And yet he is drawn to this strangely still, mysterious woman with her pea-green coat and her eyes as black as vinyl. But Ilse is not what she seems. And Frank has old wounds that threaten to re-open and a past he will never leave behind ...

    Both products of difficult childhoods -- Julia’s father is a compulsive gambler and Michael’s mother abandoned his family when he was a young boy – they find a sense of safety and mutual understanding in each other. Shortly after graduation they flee West Virginia to start afresh. Now thirty-somethings, they are living a rarified life in their multi-million-dollar,Washington D.C. home. From the outside it all looks perfect – Julia has become a highly sought-after party planner, while Michael has launched a wildly successful flavored water company that he sold for $70 million. But one day Michael stands up at the head of the table in his company's boardroom -- then silently crashes to the floor. More than four minutes later, a portable defibrillator manages to jump-start his heart. Yet what happened to Michael during those lost minutes forever changes him. Money is meaningless to him now - and he wants to give it all away to charity. A prenuptial agreement that Julia insisted upon back when Michael's company was still struggling means she has no claim to his fortune, and now she must decide: should she walk away from the man she once adored, but who truthfully became a stranger to her long before his near-death experience - or should she give in to her husband's pleas for a second chance and a promise of a poorer but happier life?

    Then, suddenly, on what should have been one of the happiest days of her life, everything she worked for is taken away in one tumultuous moment. In the hospital and forced to face the possibility that nothing will ever be the same again, Margaret must figure out how to move forward on her own terms while facing long-held family secrets, devastating heartbreak, and the idea that love might find her in the last place she would ever expect.

    This time around, the ladies are a bit older, a lot richer, but not particularly wiser nor more endearing than Bushnell's earlier heroines. Lipstick Jungle weaves the stories of Nico O'Neilly, Wendy Healy, and Victory Ford, numbers 8, 12, and 17 on The New York Post's list of "New York's 50 Most Powerful Women." But this is 21st Century New York, and to get ahead and stay ahead, these women will do anything, including jeopardizing their personal and professional relationships. Take for example Nico, editor-in-chief of Bonfire magazine, who betrays her boss to rise to the top of the entire magazine division at media mega-giant Splatch-Verner. As president of Paradour Pictures, Wendy may be poised to win an Oscar for her 10-year labor-of-love, Ragged Pilgrims, but her marriage is in shambles and her children care more about a $50,000 pony than their mother. And for single, 43-year-old fashion designer Victory, pleasing tough critics may be more important than ever finding the real relationship she's convinced herself she doesn't need. This racy tale of women behaving badly manages to shrewdly flip the tables to show us how gender roles are essentially interchangeable, given the right circumstances. Whether that was Bushnell's intent when crafting this wicked tale is another story. --Gisele Toueg Q: Were Victory, Wendy, and Nico inspired by any real-life women? A: The characters and situations in Lipstick Jungle were inspired by the real-life women I know and admire in New York City. As with Sex and the City, I spent a lot of time thinking about where women were today, and what I noticed was that there was a fascinating group of women in their forties who were leading non-traditional lives. They were highly successful and motivated, they often had children, and usually were the providers for their families, and yet, they didn't fit the old stereotype of the witchy businesswoman. Indeed, so many of these women were the girls next door, the girls who reminded me of my best friends when I was a kid and we used to fantasize about the great things we were going to do in life. Like the women in Sex and the City, the Lipstick Jungle women are charting new lives for themselves, redefining what it means to be a woman when you really are as powerful, or more powerful, than a man. Of course, you probably want specifics, so I will say that there was a moment when it all clicked. Tina Brown used to write a terrific column in the Washington Post, and one of the things she was always mentioning was how there was a group of powerful women who were meeting and lunching at Michael's restaurant. They'd been working for over twenty years, their children were now in their early teens and didn't need them every minute, and now, in their forties or early fifties, they had time to strive for new career goals and to spend more time with their girlfriends. I thought, "Aha--that's the Lipstick Jungle." Q: What kind of research did you do to cover fashion, film, and publishing in one book? A: To research fashion, film and publishing, I did what I always do--I talked to my girlfriends! Of course, it helps that I've worked in magazine publishing and have had my share of experience with Hollywood. I'm also lucky enough to have a couple of girlfriends who are top designers, who offered to help me out with the specific details. I still remember the afternoon when one of my girlfriends and I sat down to talk--she was over eight months pregnant, and I was worried that we were going to have to run to the hospital!

    The adventures of an extraordinary and unforgettable woman as she attempts to rescue her family’s struggling shoe business and find love at the same time, Very Valentine sweeps the reader from the streets of Manhattan to the picturesque hills of la bella Italia.

    Her husband of nearly twenty years has just left her for one of her friends, and she is let go from her office job--on Valentine's Day, of all days. Bewildered and completely lost, Thea doesn't know what to do. But when she learns that a distant great uncle in Scotland has passed away, leaving her his home and a hefty antique book collection, she decides to leave Sussex for a few weeks. Escaping to a small coastal town where no one knows her seems to be exactly what she needs.Almost instantly, Thea becomes enamored with the quaint cottage, comforted by its cozy rooms and shaggy, tulip-covered lawn. The locals in nearby Baldochrie are just as warm, quirky, and inviting. The only person she can't seem to win over is bookshop owner Edward Maltravers, to whom she hopes to sell her uncle's antique novel collection. His gruff attitude--fueled by an infamous, long-standing feud with his brother, a local lord--tests Thea's patience. But bickering with Edward proves oddly refreshing and exciting, leading Thea to develop feelings she hasn't felt in a long time. As she follows a thrilling yet terrifying impulse to stay in Scotland indefinitely, Thea realizes that her new life may quickly become just as complicated as the one she was running from.

    Tomorrow they must go their separate ways.So where will they be on this one day next year? And the year after that?And every year that follows?--back cover

    She's in love. He's perfect for her in every way, but he's seriously out of bounds. And her friends aren't going to help her because what they do know is that Hallie doesn't have long to live. Time is running out...Flo has a dilemma. She really likes Zander. But his scary sister won't be even faintly amused if she thinks Zander and Flo are becoming friends - let alone anything more.Tasha has a problem. Her new boyfriend is the adventurous type. And she's afraid one of his adventures will go badly wrong.THREE AMAZING THINGS ABOUT YOU begins as Hallie goes on a journey. A donor has been found and she's about to be given new lungs. But whose?

    Hetty doesn't mind; at least she can be miserable in private. But 'private' is a relative term in a village which revolves around the big house. Particularly when you are expected to thwart Great Uncle Samuel's awful heir, and his nefarious plans for his inheritance.Pitchforked into the community's fight to save the manor, Hetty has no time to wallow. And once she has shared her troubles with one neighbour (Caroline: a very understanding shoulder, despite her glamorous appearance and impossibly long legs), and cast an appreciative eye over another (Peter: equally long-legged, but offering rather more practical help), she wonders if her heart is irretrievably broken after all...

    As she discovers remarkable parallels between this woman’s life and her own, it causes her to question the foundation of her own relationship with her husband–and what it means to be a wife fighting for her place in a patriarchal society.When Alice Hale leaves a career in publicity to become a writer and follows her husband to the New York suburbs, she is unaccustomed to filling her days alone in a big, empty house. But when she finds a vintage cookbook buried in a box in the old home’s basement, she becomes captivated by the cookbook’s previous owner–1950s housewife Nellie Murdoch. As Alice cooks her way through the past, she realizes that within the cookbook’s pages Nellie left clues about her life–including a mysterious series of unsent letters penned to her mother.Soon Alice learns that while baked Alaska and meatloaf five ways may seem harmless, Nellie’s secrets may have been anything but. When Alice uncovers a more sinister–even dangerous–side to Nellie’s marriage, and has become increasingly dissatisfied with the mounting pressures in her own relationship, she begins to take control of her life and protect herself with a few secrets of her own.

    The 07:44 train. Carriages packed with commuters. A woman applies her make-up. Another occupies her time observing the people around her. A husband and wife share an affectionate gesture. Further along, a woman flicks through a glossy magazine. Then, abruptly, everything changes: a man has a heart attack, and can't be resuscitated; the train is stopped, an ambulance called. For at least three passengers on the 07:44 on that particular morning, life will never be the same again. Lou witnesses the man's final moments. Anna and Lou share a cab when they realise the train is going nowhere fast. Anna is Karen's best friend. And Karen? Karen's husband is the man who dies. Telling the story of the week following that fateful train journey, One Moment, One Morning is a stunning novel about love and loss, about family and - above all - friendship. A stark reminder that, sometimes, one moment is all it takes, it also reminds us that somehow, and despite everything, life can and does go on.