Investigative journalist Cal Flyn's ISLANDS OF ABANDONMENT, an exploration of the world's most desolate, abandoned places that have now been reclaimed by nature, from the demilitarized zone between North and South Korea to the "urban prairie" of Detroit to the irradiated grounds of Chernobyl, in an ultimately redemptive story about the power and promise of the natural world.

    It is his first published book. The included poems span a wide range of subjects and themes, covering such topics as love, abuse, suicide, poverty, and many many others.

    Each chapter holds the symbol of a petal containing a multitude of thoughts crowned with passion, love, light, hope and kindness.

    women and men have always given voice to the impulse to celebrate the world that surrounds and sustains them. Now, as we face a diminished present and an uncertain future, the need to honor the interconnection between people and the planet is heightened. From Walt Whitman, Thich Nhat Hanh, and Black Elk, to Margaret Atwood, the Rig Veda, and the chant of a Samar fisherman, the varied voices linked here offer songs and prayers for land, sea, and air; graces for food; and invocations, poems, and passages that reveal in the common spiritual heritage of all who cherish creation.

    From the #1 bestselling author of The Hot Zone comes an amazing account of scientific and spiritual passion for the tallest trees in the world, the startling biosystem of Rthe canopy, S and those who are committed to the preservation of this astonishing and largely unknown world.

    Five months earlier, logger-turned-activist Grant Hadwin had plunged naked into a river in British Columbia's Queen Charlotte Islands, towing a chainsaw. When his night's work was done, a unique Sitka spruce, 165 feet tall and covered with luminous golden needles, teetered on its stump. Two days later it fell.As vividly as John Krakauer puts readers on Everest, John Vaillant takes us into the heart of North America's last great forest.

    Hauge deserves a larger American readership, and this book may summon it." —Publishers Weekly "(Hauge's) poetry is miniaturist, pictorial, and ruminative; personal in that his experience, cognitive and sensual observations, and intentions are everywhere in it. Yet it isn't at all confessional or self-assertive....He is a man who knows where he is and helps us feel that we can know where we are, too."—Booklist “If you have a tiny farm, you need to love poetry more than the farm. If you sell apples, you need to love poetry more than the apples.”—Robert Bly, from the introduction Olav H. Hauge, one of Norway’s most beloved poets, is a major figure of twentieth-century European poetry. This generous bilingual edition—introduced by Robert Bly—includes the best poems from each of Hauge’s seven books, as well as a gathering of his last poems. Ever sage and plainspoken—and bearing resemblance to Chinese poetry—Hauge’s compact and classically restrained poems are rooted in his training as an orchardist, his deep reading in world literatures, and a lifetime of careful attention to the beauties and rigors of the western fjordland. His spare imagery and unpretentious tone ranges from bleak to unabashedly joyous, an intricate interplay between head and heart and hand. The rose has been sung about. I want to sing of the thorns, and the root—how it gripsthe rock hard, hardas a thin girl’s hand. During a writing career that spanned nearly fifty years, Olav H. Hauge produced seven books of poetry, numerous translations, and several volumes of correspondence. A largely self-educated man, he earned his living as a farmer, orchardist, and gardener on a small plot in the fjord region of western Norway.

    Twenty years later, living in a tiny flat in South London, that childhood in the garden feels like a dream.When she suddenly finds herself uprooted, heartbroken, living out of a suitcase and yearning for the comfort of home, Alice starts to plant seeds. She nurtures pot plants and vines on windowsills and draining boards, filling her new space with green, and with each unfurling petal and budding leaf, she begins to come back to life.Mixing memoir, botanical history and biography, Rootbound examines how bringing a little bit of the outside in can help us find our feet in a world spinning far too fast.

    Together Okefenokee, Osceola, and Pinhook form one of the largest expanse of protected wild land east of the Mississippi River. This is one of America's last truly wild places, and Pinhook takes us into its heart.Ray comes to know Pinhook intimately as she joins the fight to protect it, spending the night in the swamp, tasting honey made from its flowers, tracking wildlife, and talking to others about their relationship with the swamp. Ray sees Pinhook through the eyes of the people who live there--naturalists, beekeepers, homesteaders, hunters, and locals at the country store. In lyrical, down-home prose, she draws together the swamp's need for restoration and the human desire for wholeness and wildness in our own lives and landscapes.

    The book documents the adverse environmental effects caused by the indiscriminate use of pesticides. Carson accused the chemical industry of spreading disinformation, and public officials of accepting the industry's marketing claims unquestioningly.The book appeared in September 1962 and the outcry that followed its publication forced the banning of DDT and spurred revolutionary changes in the laws affecting our air, land, and water. Carson’s book was instrumental in launching the environmental movement.

    In 1928, Justine Kerfoot arrived, a Northwestern University graduate headed for medical school until her family lost both their Illinois homes in the stock market crash. Thrust into year-round life at her mother's fledgling summer resort, Justine was confronted with learning survival in the frigid north woods, a challenge she met with extraordinary verve and recounts with great candor and humor in this remarkable book. Kerfoot has paddled all the lakes and streams in this border country, and she knows them well. Her lyrical descriptions of wildlife and seasonal environments express the deep reverence for nature that has become her way of life. In a new afterword, she reflects on the impact of restricted wilderness status on the region - called the Boundary Waters Canoe Area Wilderness since 1978 - and on her own convictions about people living in the wild.

    Magpies, he soon discovers, are as clever and mischievous as monkeys. They are also notorious thieves, and this one quickly steals his heart. By the time the creature develops shiny black feathers that inspire the name Benzene, Charlie and the bird have forged an unbreakable bond. While caring for Benzene, Charlie learns his biological father, an eccentric British poet named Heathcote Williams who vanished when Charlie was six months old, is ill. As he grapples with Heathcote’s abandonment, Charlie comes across one of his poems, in which Heathcote describes how an impish young jackdaw fell from its nest and captured his affection. Over time, Benzene helps Charlie unravel his fears about repeating the past—and embrace the role of father himself. A bird falls, a father dies, a child is born. Featherhood is the unforgettable story of a love affair between a man and a bird. It is also a beautiful and affecting memoir about childhood and parenthood, captivity and freedom, grief and love.

    Their numbers are in freefall, dropping by nearly 70 percent in the last sixty years, a billion fewer now than in 1950. Extinction stalks the ocean, and there is a danger that the hundred-million-year-old cries of a seabird colony, rolling around in the bays and headlands of high latitudes, will this century become but a memory.

    So Stephen Rutt found when he moved to Dumfries in the autumn of 2018, coinciding with the migration of thousands of pink-footed geese who spend their winter in the Firth.Thus begins an extraordinary odyssey. From his new surroundings in the north to the wide open spaces of his childhood home in the south, Stephen traces the lives and habits of the most common species of goose in the UK and explores the place they have in our culture, our history and, occasionally, on our festive table.Wintering takes you on a vivid tour of the in-between landscapes the geese inhabit, celebrating the short days, varied weathers and long nights of the season during which we share our home with these large, startling, garrulous and cooperative birds.

    But no matter where she was transplanted--no matter how awkward the fit or forbidding the landscape--she was able to turn to our world's fierce and funny creatures for guidance."What the peacock can do," she tells us, "is remind you of a home you will run away from and run back to all your life." The axolotl teaches us to smile, even in the face of unkindness; the touch-me-not plant shows us how to shake off unwanted advances; the narwhal demonstrates how to survive in hostile environments. Even in the strange and the unlovely, Nezhukumatathil finds beauty and kinship. For it is this way with wonder: it requires that we are curious enough to look past the distractions in order to fully appreciate the world's gifts.Warm, lyrical, and gorgeously illustrated by Fumi Nakamura, World of Wonders is a book of sustenance and joy.