S. Titanic, has captured people's attention ever since that tragic April night in 1912, when 1500 people lost their lives. And no one has better dramatized this memorable event than Beryl Bainbridge in Every Man for Himself.

    Reflecting his lifelong interest in Arthurian themes, his primary sources were Malory's Morte d'Arthur and the Welsh Mabinogion. For him, the Idylls embodied the universal and unending war between sense and soul, and Arthur the highest ideals of manhood and kingship; an attitude totally compatible with the moral outlook of his age. Poetically, Tennyson was heir to the Romantics, and Keats's influence in particular can be seen clearly in much of his work. Yet Tennyson's style is undoubtedly his own and he achieved a delicacy of phrase and subtlety of metrical effect that are unmatched. This edition, based on the text authorized by Tennyson himself, contains full critical apparatus.

    Byatt returns to the territory she explored in Possession: the landscape of Victorian England, where science and spiritualism are both popular manias, and domestic decorum coexists with brutality and perversion. Angels and Insects is "delicate and confidently ironic.... Byatt perfectly blends laughter and sympathy [with] extraordinary sensuality" (San Francisco Examiner).

    Able to walk between two worlds, he becomes not just Lord Greystoke but Tarzan of the Apes. In this beautiful hardcover edition, you will find the first three thrilling installments in Edgar Rice Burroughs' landmark adventure. Tarzan of the Apes: A mutiny on board their ship leaves Lord and Lady Greystoke stranded on a desolate African beach with their newborn son. Soon after, the aristocratic couple perishes, leaving the boy an orphan--until the she-ape Kala rescues the infant, names him "Tarzan" ("white skin"), and raises him as one of her own. As he grows, Tarzan schools himself in the ways of both man and beast and rises to become king of the jungle. But when he falls in love with Jane Porter, a beautiful American explorer, he is forced to choose between the two very different worlds. The Return of Tarzan: The adventure continues across two continents as Tarzan travels back to England, where he becomes embroiled in royal intrigue and espionage. Later, returning to his African jungle home, he is proclaimed leader of the Waziri tribe--and told about a fabulous lost city full of treasure ruled by a beautiful priestess. The priestess falls in love with Tarzan, but he cares only for his fiancée, the American beauty Jane Porter--and when she's kidnapped by a dangerous tribe of apelike men, Tarzan must use all his powers as king of the jungle to rescue her. Beasts of Tarzan: In this third thrilling installment in Edgar Rice Burroughs’s perennially popular series, Tarzan is exiled on a wild island filled with dangers. There, he must enlist the help of a noble panther and a tribe of apes in order to return to the mainland and rescue his wife and infant son from the clutches of his nemesis, the villainous Nikolas Rokoff.

    Ellen Wood played upon the anxieties of the Victorian middle classes who feared a breakdown of the social order as divorce became more readily available and promiscuity threatened the sanctity of the family. In her novel the simple act of hiring a governess raises the spectres of murder, disguise, and adultery. Her sensation novel was devoured by readers from the Prince of Wales to Joseph Conrad and continued to fascinate This edition returns for the first time to the racy, slang-ridden narrative of the first edition, rather than the subsequent stylistically 'improved' versions hitherto reproduced by modern editors.

    Robin Hood is the best-loved outlaw of all time.In this edition, Henry Gilbert tells of the adventures of the Merry Men of Sherwood Forest - Robin himself, Little John, Friar Tuck, Will Scarlet, and Alan-a-Dale, as well as Maid Marian, good King Richard, and Robin's deadly enemies Guy of Gisborne and the evil Sheriff of Nottingham.

    Most of the stories it includes had already appeared in the Civil and Military Gazette they were written before he reached the age of 22; and they show a remarkably precocious literary talent. His vignettes of life in Brittish India a hundred years ago give vivid insight into Anglo-India at work and play, into a barrack-room life, and into the character of Indians themselves.