As a young child he suffered a horrific leg and back injury that left him an invalid. Educated, inquisitive, perceptive, and exceptionally witty, the 12-year-old began keeping a journal in 1860--just before secession and Civil War tore the country and his world apart. He continued to write even as his health deteriorated until both the war and his life ended in 1865. His unique view of a waning age is published here for the first time in A Son of Georgia: The Civil War Journals of LeRoy Wiley Gresham, 1860-1865. The precocious youngster who read Shakespeare and Dickens, loved math, and played chess took in the world from his bed and inside a small wagon pulled around town by a slave his own age. Thirsting for news, LeRoy immersed himself in newspapers, letters, books, and adult conversation, following the course of the war closely as he recorded its impact on his family, his community, and the new Southern Confederacy. LeRoy's older brother Thomas served with Lee's army in Virginia, as did many uncles and neighbors. The wealthy slaveholding family had a deep stake in its outcome. Little escaped LeRoy's pen. His journals brim with both practical and philosophical observations on everything from the course of the war, politics, and family matters, to Macon's social activities, food, weather, and his beloved pets. The young scribe often voiced concern about "Houston," the family's plantation outside town. He recorded his interactions and relationships with "servants" and "valets" Howard, Eaveline, "Mammy Dinah" and others as he pondered the fate of human bondage and his family's fortunes. LeRoy's declining health is a consistent thread coursing through his fascinating journals. "I feel more discouraged [and] less hopeful about getting well than I ever did before," he wrote on March 17, 1863. "I am weaker and more helpless than I ever was." Morphine and other "remedies" eased his suffering. Bedsores developed; nagging coughs often consumed him. Alternating between bouts of euphoria and despondency, he would often write, "Saw off my leg." Edited and annotated with meticulous care by Janet Croon, A Son of Georgia: The Civil War Journals of LeRoy Wiley Gresham, 1860-1865 captures the spirit and the character of a young privileged white teenager witnessing the demise of his world even as his own body is slowly failing him. Just as Anne Frank has come down to us as the adolescent voice of World War II, LeRoy Gresham will now be remembered as a young voice of the Civil War South.

    By chronicling such bravery, John Quiñones captures America's can-do spirit and shows that through the slightest good deed, each one of us harbors a hero within.Texas native and veteran ABC journalist John Quiñones has traveled the world and the country reporting on hundreds of stories during his illustrious career. Long ago he realized that the stories he was most attracted to had one thing in common—a shared focus on the goodness inherent in ordinary Americans.According to John, truly heroic individuals are people who make difficult choices, even in the face of danger, without giving in to fear. They don't expect fame or money for their efforts—they're just doing the right thing. They are compassionate and courageous, and our world would be a far worse place without them. They rarely get the recognition they deserve.Heroes Among Us means to change that.Along with reporting the many stories of heroes he's met, John also shares his own touching personal narrative of his rise from humble roots as the son of a laborer and a house cleaner to his life as a network anchor. His is one of the most American of stories.Heroes Among Us, in its stories of selflessness, strength and bravery, offers inspiration, ultimately challenging each of us to learn from the great deeds of our neighbors and, in turn, to follow in that same heroic spirit.This is a book to cherish, one whose wisdom will be felt for years to come.

     Like the Roman God Janus, he had two faces: considered cold, aloof, petty, obstinate and vindictive, he was also witty, intelligent, affectionate, impervious to fear and loyal to a fault. Raised in Mississippi, at his brother’s behest he entered West Point and began the first of two Army careers; in the 1850s he would be named Secretary of War by Franklin Pierce. A staunch defender of slavery, Davis was an unusual owner: he encouraged them to learn new skills, administer their own justice and provided them with a comfortable living. Yet Davis did not fully comprehend human nature. To him his logic was irrefutable, and he was never able to see how his remarks, while not necessarily ill-meant, might cause offence. However, his life was plagued by sickness and grief. In addition to his own health issues his first wife died tragically young, as did four of his six children with his second. A complex portrait of a complex man, William C. Davis’ endeavour methodically explores the life of the leader of the Lost Cause and how the man was made. Praise for Jefferson Davis: The Man and His Hour “The fullest and best biography yet written, a work that will remain a standard authoritative account of the life of the Confederate President.” — David Herbert Donald, New York Times Book Review “A dispassionate, well-researched, and skillful biography of a complex and controversial figure.” — Kirkus Reviews William C. Davis is an American historian and former Professor of History who specialises in the Civil War and Southern States. A prolific writer, he has written or edited more than forty works on the subject and is four-time winner of the Jefferson Davis Award.

    Her father has gone to bring home a son missing because of the war. Loyal servants give her support and comfort and are at her side when she learns of her father’s death. She promises to fulfill her father’s dream but someone doesn’t want her to, the one person she should be able to trust. He sets out to defeat her until another man, a Northern stranger, comes to her aid.

    Most wrestling promoters portrayed their top talent as exactly that kind of free-spirited, take-no-guff personality. They didn’t mean it, though — which explains why so few would admit to respecting Brody even as they featured him time and again. So why did they give him work? Simple. “Bruiser” Brody delivered the goods in the ring and at the box office. In the 1970s and early 80s, Brody was one of the few performers, along with Hulk Hogan and Ric Flair, to be recognized as a national star. With his fiery personality, Brody also conquered the international market. Nearly two decades after his murder in Puerto Rico, Brody: The Triumph and Tragedy of Wrestling’s Rebel delivers a complete portrait of Brody’s remarkable life. Co-authors Barbara Goodish, Brody’s widow, and Larry Matysik, a close friend, offer a first-time opportunity to truly understand one of the sport’s most complex and controversial human beings. Goodish’s account of her husband’s horrific murder and its aftermath is both heartbreaking and compelling, while Matysik’s insider knowledge of the business puts Brody’s place in wrestling history into perspective. With a foreword by WWE announcer Jim Ross, Brody offers readers the unvarnished truth about one of the greatest wrestling legends of all time.

    His cause went down in disastrous defeat and left the South impoverished for generations. If that cause had succeeded, it would have torn the United States in two and preserved the institution of slavery. Many Americans in Davis’s own time and in later generations considered him an incompetent leader, if not a traitor. Not so, argues James M. McPherson. In Embattled Rebel, McPherson shows us that Davis might have been on the wrong side of history, but it is too easy to diminish him because of his cause’s failure. In order to understand the Civil War and its outcome, it is essential to give Davis his due as a military leader and as the president of an aspiring Confederate nation. Davis did not make it easy on himself. His subordinates and enemies alike considered him difficult, egotistical, and cold. He was gravely ill throughout much of the war, often working from home and even from his sickbed. Nonetheless, McPherson argues, Davis shaped and articulated the principal policy of the Confederacy with clarity and force: the quest for independent nationhood. Although he had not been a fire-breathing secessionist, once he committed himself to a Confederate nation he never deviated from this goal. In a sense, Davis was the last Confederate left standing in 1865. As president of the Confederacy, Davis devoted most of his waking hours to military strategy and operations, along with Commander Robert E. Lee, and delegated the economic and diplomatic functions of strategy to his subordinates. Davis was present on several battlefields with Lee and even took part in some tactical planning; indeed, their close relationship stands as one of the great military-civilian partnerships in history. Most critical appraisals of Davis emphasize his choices in and management of generals rather than his strategies, but no other chief executive in American history exercised such tenacious hands-on influence in the shaping of military strategy. And while he was imprisoned for two years after the Confederacy’s surrender awaiting a trial for treason that never came, and lived for another twenty-four years, he never once recanted the cause for which he had fought and lost. McPherson gives us Jefferson Davis as the commander in chief he really was, showing persuasively that while Davis did not win the war for the South, he was scarcely responsible for losing it.

    Set against the mean streets of L.A.'s South Bay 'hoods, the book is populated by a cast of vivid characters, including Tupac Shakur, Snoop's one true friend and musical soulmate, cut down at the beginning of a brilliant career, and Suge Knight, whose Death Row Records brought street-level credibility--and gangland tactics--into the corporate suites of the entertainment industry.From the Crip gang members who recruited Snoop virtually off the playground to the pimps and players, whores and hustlers who formed his extended family on the streets and behind prison walls, Tha Doggfather offers a scathing, unexpurgated look at life on the edge in a modern urban jungle. Snoop's rise to the pinnacle of rap stardom is chronicled, along with his nearly career-ending arrest and trial for a murder he didn't commit.Raised to the pinnacle, brought to the brink, Snoop Dogg eventually found sanity and salvation in his relationship with Shantay Taylor, his high school sweetheart. Married in 1997, the couple started a new life with their two young sons, even as Snoop's career reached new heights in his creative collaboration with Master P and No Limit Records.

     ‘In his amoral, happy-go-lucky search for the next drink or expenses-paid trip, Wall fearlessly exposes much of the mediocrity and sheer hollowness that lies just beneath the surface glamour of life on the pop media-celebrity circuit… Dark, twisted and frequently hilarious.’ THE TIMES ‘This is the tale of a writer’s travels in nihilism… Up one minute, down the next, Wall teeters on self-destruct.’ MOJO ‘A repulsively compelling account of life on the road and other rock’n'roll stories, the heroin scenes make Irvine Welsh look like the Teletubbies.’ THE GUARDIAN ‘Mick Wall will never work in the music industry again. Not if the men in the corridors of power learn about his utter contempt for [them].’ UNCUT Like all the greatest rock books ever written, this is not a book about rock music; it is a book about rock life. A hard-hitting, iconoclastic tour de force, written with affection, rudeness and wincing honesty, PARANOID proves that music can be an arena for moral choices - that it can quite literally change your life. Mick Wall was a teenage rock fan who, leaving school with no qualifications, somehow found himself working with Black Sabbath. They would help seal his fate forever. As he writes, 'It was never about what happened on stage, it was about what happened afterwards, when the crowd had gone and the bands could really start to play.' Written in prose that pulsates with rock's own rhythms, and featuring a remarkable cast of characters - including Sabbath and their notorious singer Ozzy Osbourne, Led Zeppelin's Jimmy Page, Kate Bush David Bowie, Guns & Roses, Stevie Nicks and many, many others - PARANOID is not just the story of one man, or even one band, but a remarkably frank inside look at the rock industry in all its tawdry, self-deluding glory. ‘Far too slowly the truth dawned’, writes Wall. ‘For much of my life, I had been a desperate, hand to mouth junkie in a corrupt, multi-billion dollar industry that didn't give a fuck’. This brand new eBook edition is the first time PARANOID has been published online. It comes with a brand new introduction from the author, outlining for the first time what the book was really all about, and with the manuscript in its original unexpurgated form.

    He was an architect of British comedy, paving the way for Monty Python, and then became a major Hollywood star, forever remembered as Igor in Mel Brooks’ Young Frankenstein. A writer, director, performer and true pioneer of his art, he died aged only 48. His name was Marty Feldman, and here, at last, is the first ever biography. Acclaimed author Robert Ross has interviewed Marty’s friends and family, including his sister Pamela, Tim Brooke-Taylor, Michael Palin and Terry Jones, and also draws from extensive, previously unpublished and often hilarious interviews with Marty himself, taped in preparation for the autobiography he never wrote. No one before or since has had a career quite like Marty’s. Beginning in the dying days of variety theatre, he went from the behind the scenes scriptwriting triumphs of Round the Horne and The Frost Report to onscreen stardom in At Last the 1948 Show and his own hit series Marty. That led to transatlantic success, his work with Mel Brooks, and a five-picture deal to write and direct his own movies.From his youth as a tramp on the streets of London, to the height of his fame in America – where he encountered everyone from Orson Welles to Kermit the Frog, before his Hollywood dream became a nightmare – this is the fascinating story of a key figure in the history of comedy, fully told for the first time.

    A man whose reputation within the wrestling industry was excellent but whose career was going nowhere. Channeling his frustration into the gimmick for which he would become best known, Al began talking to (and through) a mannequin head. With Extreme Championship Wrestling, Al reinvented himself as an unhinged neurotic and became one of the hottest acts in the most cutting-edge promotion in America when wrestling's popularity was at its peak. This led to a journey back to the industry's main stage, World Wrestling Entertainment, during the wildly popular Attitude Era, and in the central role as a trainer and father figure on the MTV reality show, Tough Enough.Now, after 35 years in the industry, Al Snow tells the stories of the unbelievable yet true events that formed his career, from his in-ring recollections to out-of-ring escapades, including drunken midnight journeys with a vanfull of little people, overuse of Tasers at autograph signings, and continual attempts on his life by assorted members of the animal kingdom. Self Help is Al Snow at his best, delivering what everybody wants and needs.

    The album sold a million copies worldwide, introduced the Flaming Lips to a mass audience, and made them one of the best-known cult bands in rock history.Staring at Sound is the tale of the Flaming Lips's fascinating career (which, in reality, began in 1983) and the many colorful personalities in their orbit, especially Wayne Coyne, their charismatic and visionary founder. Based on hundreds of hours of interviews with the band, it follows the Flaming Lips through the thriving indie-rock underground of the 1980s and the alternative-rock movement of the early '90s, during which they found fans in such rock legends as Paul McCartney, the Rolling Stones, Robert Plant, and Devo, and respected peers in such acts as the White Stripes, Radiohead, and Beck. It concludes with exclusive coverage of the creation of the group's latest album, At War with the Mystics.

    His career was a successful one albeit never in the full glare of the media. That all changed when, in 1998, the Festina doping scandal broke and Bassons shot to fame as one of the handful of clean riders in the peloton - and as the only professional who dared to speak openly about the topic.Having been seen as a possible champion, his instinctive and stubborn refusal to dope saw him outstripped in physique, stamina and speed by men he'd once equalled or exceeded. His willingness to denounce the doping culture set him against the entire ethos of professional cycling: owners, management and his peers - the likes of Lance Armstrong, Richard Virenque, Christophe Moreau. A year later, Bassons' career was over. Having clashed publicly with other riders - notably with Armstrong during the 1999 Tour de France - and written in French newspapers of his disbelief and disgust, Bassons found himself exhausted and exiled - chewed up and spat out by the sport he loved.First published in French in 2000 and now updated following recent revelations from Armstrong, Tyler Hamilton and other high-profile figures, A Clean Break is unmissable reading for all cycling fans. It offers a unique and heartbreaking take on the subject.

    Book appears to have hardly been read and is in As new condition throughout.

    Prince was a legend of artistry and individuality, a man who lived for his music and positioned himself outside the confines of the recording industry. News of his untimely passing shocked and shattered his millions of fans. Filled with rare and carefully curated photos of Prince from all stages of his career, this visually stunning unofficial music biography tells Prince s story through conversations that journalist (and Prince fanatic) Mobeen Azhar had with the people who knew him best friends, musicians, artists, and members of his inner circle many speaking out about the great artist for the first time. These firsthand accounts paint a more personal picture of Prince than any seen before, and, along with the images, pay homage to the originality, musical genius, glamour, and sex appeal that Prince embodied."

    A re-examination of the bizarre and frightening story of the Kray Twins from a man uniquely placed to reveal the full story.