For more than a century, Algeria had been legally and administratively part of France; after the bloody war that concluded in 1962, it was other--its eight million Algerian residents deprived of French citizenship while hundreds of thousands of French pieds noirs were forced to return to a country that was never home. This rupture violated the universalism that had been the essence of French republican theory since the late eighteenth century. Shepard contends that because the amputation of Algeria from the French body politic was accomplished illegally and without explanation, its repercussions are responsible for many of the racial and religious tensions that confront France today. In portraying decolonization as an essential step in the inexorable tide of history, the French state absolved itself of responsibility for the revolutionary change it was effecting. It thereby turned its back not only on the French of Algeria--Muslims in particular--but also on its own republican principles and the 1958 Constitution. From that point onward, debates over assimilation, identity, and citizenship--once focused on the Algerian province/colony--have troubled France itself. In addition to grappling with questions of race, citizenship, national identity, state institutions, and political debate, Shepard also addresses debates in Jewish history, gender history, and queer theory.

    His courage was remarkable, as was the way he defied his handicap. The film Reach for the Sky brought Bader’s life into cinemas, and Robert Jackson's classic biography was the first to document his life. After a lonely childhood Bader’s early reputation as a sportsman and a daredevil made him popular with his contemporaries. But he was also an irritation to his superiors, a pattern which continued throughout his life, and hid an academic ability which won him a scholarship to St Edward’s School and a cadetship at the elite RAF College in Cranwell. After his accident, Bader was determined to rejoin the RAF. As a pilot, he was an tactical innovator, a man who confronted the methods of other pilots. When he was a Prisoner of War, Bader’s antagonism toward his guards, and his political pronouncements in later life, sometimes provoked his colleagues, but never lost him their lasting respect and admiration. After retiring from the RAF he combined a full-time job with Shell with all the demands of being a celebrity; his inspiration to the disabled gained him many accolades and finally a knighthood.Both aggressive and charming, Bader’s outward personality was famous. Robert Jackson describes the evolution of that forceful character, and the motivation behind his remarkable achievements. ‘Its style and structure make it readily accessible and, like your favourite armchair, it is easy to relax into at the end of a busy day.’ Frank BurnsRobert Jackson has been a full-time author since 1969, specializing in aviation and military history. A retired member of the Royal Air Force Volunteer Reserve, he has flown a wide variety of aircraft, ranging from jets to gliders. A prolific author, he has written both fiction and non-fictionEndeavour Press is the UK's leading independent digital publisher. For more information on our titles please sign up to our newsletter at www.endeavourpress.com. Each week you will receive updates on free and discounted ebooks. Follow us on Twitter: @EndeavourPress and on Facebook via http://on.fb.me/1HweQV7. We are always interested in hearing from our readers. Endeavour Press believes that the future is now.

    Her latest book, the fifth in the series, is a collection of short stories based on her newspaper articles, magazine columns and other writings about France. France in Four Seasons is a series of short (and sweet) anecdotes, designed to give a delightful and evocative insight into French life as the seasons unfold.

    Apart from this, many a times each state of each nation has role models from the past but not forgotten history. Maharashtra has its own idols. The greatest and most loved of them all is shivaji maharaj.

    Villagers lied, covered up, procrastinated and concealed, but most importantly they welcomed. This is the story of an isolated community in the upper reaches of the Loire Valley that conspired to save the lives of 3,500 Jews under the noses of the Germans and the soldiers of Vichy France. It is the story of a pacifist Protestant pastor who broke laws and defied orders to protect the lives of total strangers. It is the story of an eighteen-year-old Jewish boy from Nice who forged 5,000 sets of false identity papers to save other Jews and French Resistance fighters from the Nazi concentration camps. And it is the story of a community of good men and women who offered sanctuary, kindness, solidarity and hospitality to people in desperate need, knowing full well the consequences to themselves. Powerful and richly told, A Good Place to Hide speaks to the goodness and courage of ordinary people in extraordinary circumstances.

    Catlin and his fellow marines were among the first American soldiers sent across to France in World War One and within months they were thrown into the thick of the action.As the Germans made a last ditch attempt to break through allied lines and capture Paris it was the marines who stood in their way.In the bloody days of June 1918 Catlin and his small band of marines fought ferociously against the Germans, utilising all the training that they had been through and showing the true metal of the marines.It is a period that has gone down as one of the greatest achievements of the United States Marines Corps.This fascinating history of the marines and their involvement in World War One was written during Catlin’s recovery period after he had been shot by a sniper during the sixth day of the Battle of Belleau Wood.“The story of the marines in France is told with authority and interest.”— Booklist“It is one of the books about the American war effort which is well worth keeping as well as reading.” — Outlook“A well-written and complete account.” — Library BulletinAlbertus W. Catlin (1868-1933) was a career soldier who had received the Medal of Honor for leading the 3rd Marine Regiment at Vera Cruz, Mexico and for displaying “distinguished conduct in battle”. He published ”With the Help of God and a Few Marines in 1919.

    Her father is begging her to return to Philadelphia to find a husband before it is too late, her sister Lydia is falling mysteriously ill, and worse, Mary is beginning to doubt herself. Then one evening a friend introduces her to Edgar Degas and her life changes forever. Years later she will learn that he had begged for the introduction, but in that moment their meeting seems a miracle. So begins the defining period of her life and the most tempestuous of relationships.In I Always Loved You, Robin Oliveira brilliantly re-creates the irresistible world of Belle Époque Paris, writing with grace and uncommon insight into the passion and foibles of the human heart.

    The dream comes true, but not in the way they had imagined.Yes, the countryside is spacious and peaceful. On summer nights the stars skim the rooftops, the owls hoot and the nightingales sing. Sunflowers smile from their fields. The wine is cheap and the baguettes are crusty. Very crusty indeed. The French neighbours are generous and gentle.But then come the drug addicts, builders who cannot build, demanding compatriots, undercover cops and unwelcome guests. Susie begins to lose hope of attracting the fabled French philanderer and, far from appreciating their new home, all the animals do everything they can to make life as difficult as possible. With her house literally crumbling around her, the number of odd characters she manages to attract are matched by all sorts of creatures appearing from in and out of the woodwork. Terry almost dies, and Susie's resilience and good humour are tested to the limit.Sometimes it feels more like taking part in a musical comedy than starting a new life in France.As the date for Britain leaving the European Union draws close, and British living in European countries still have no idea what the future holds for them after Brexit, Susie looks back on the beginning of her life in the country she loves and has called home for 23 years. Another warm, funny, engaging read from Susie Kelly. This is a first digital, edition of Two Steps Backwards, first published by Bantam/Transworld as a UK paperback. This first worldwide edition is revised and updated and, for the first time, includes photographs.

    S. S. R. Also by Andre Gide THE COUNTERFEITERS THE IMMORALIST TRAVELS IN THE CONGO These are Borzoi Books published by ALFRED A. KNOPF I DEDICATE THESE PAGES TO THE MEMORY OF EUGENE DABIT, BESIDE WHOM, WITH WHOM, THEY WERE LIVED AND THOUGHT THE HOMERIC HYMN TO DEMETER relates how the great goddess, in the course of her wanderings in search of her daughter, came to the court of Keleos. No one recognized the goddess under the borrowed form of a humble wet-nurse and Queen Metaneira entrusted to her care her latest-born child, the infant Demophoon, afterwards known as Triptolemus, the founder of agriculture. Every evening, behind closed doors, while the household was asleep, Demeter took little Demo phoon out of his comfortable cradle and with appar ent cruelty., though moved in reality by a great love 1 and desirous of bringing him eventually to the state of godhoodj laid the naked child on a glowing bed of embers. I imagine the mighty Demeter bending ma ternally over the radiant nursling as over the future race of mankind. He endures the fiery charcoal he gathers strength from the ordeal. Something super human is fostered in Mm, something robust, some thing beyond all hope glorious. Ah, had Demeter only been able to carry through her bold attempt, to bring her daring venture to a successful issue But Metaneira becoming anxious, says the legend, burst suddenly into the room where the experiment was be ing carried on and guided by her mistaken fears, thrust aside the goddess at her work of forging the superman j pushed away the embers , and, in order to save the child, lost the god. CONTENTS FOREWORD XI RETURN FROM THE U. S. S. R. 3 APPENDICES r. Speech Delivered on the Occasion of Maxim Gorkis Funeral 65 n. Speech to the Students of Moscow 70 in. Speech to the Men of Letters of Leningrad 74 iv. The Struggle against Religion 78 v. Ostrovski 83 vi. A Kolkhoz 86 vu. Bolshevo 89 vni. The Besprizornis 91 FOREWORD THREE YEARS AGO I declared my admiration, my love, for the U. S. S. R. An unprecedented experi ment was being attempted there which filled our hearts with hope and from which we expected an immense advance, an impetus capable of carrying forward in its stride the whole human race. It is indeed worth while living, I thought, in order to be present at this rebirth, and worth while giving ones life in order to help it on. In our hearts and in our minds we resolutely linked the future of culture itself with the glorious destiny of the U. S. S. R. We have frequently said so. We should have liked to repeat it once again, Already, without as yet having seen things for ourselves, we could not but feel disturbed by cer tain recent decisions which seemed to denote a change of orientation. At that moment October 1935 I wrote as fol lows It is largely moreover the stupidity and unfair xi Xll FOREWORD ness of the attacks on the U. S. S. R. that make us defend it with some obstinacy. Those same yelpers will begin to approve the Soviet Union just as we shall cease to do so for what they will approve are those very compromises and concessions which will make some others say There You see but which will lead away from the goal it had at first set itself. Let us hope that in order to keep our eyes fixed on that goal we may not be obliged to avert them from the Soviet Union Nouvelle Revue Frangaise, March 1936 Resolving, however, to maintain at all costs my confidence until I had more to go upon, and pre ferring to doubt my own judgment, I declared once more, four days after my arrival in Moscow, in my speech in the Red Square on the occasion of Gorkis funeral The fate of culture is bound up in our minds with the destiny of the Soviet Union. We will defend it. 1 have always maintained that the wish to re main true to oneself too often carries with it a risk of insincerity and I consider that if ever sincerity is important, it is surely when the beliefs of great masses of people are involved together with ones own...

    For those who want the best, Flemish lace is the only choice, an exquisite perfection of thread and air. For those who want something they don’t have, Flemish lace can buy almost anything–or anyone.For Lisette, lace begins her downfall, and the only way to atone for her sins is to outwit the noble who now demands the impossible. To fail means certain destruction. But for Katharina, lace is her salvation. It is who she is; it is what she does. If she cannot make this stunning tempest of threads, a dreaded fate awaits.The most lucrative contraband in Europe, with its intricate patterns and ephemeral hope, threatens to cost them everything. Lace may be the deliverance for which they all pray... or it may bring the ruin and imprisonment they all fear.

    When Imogen Wren's husband dies, she must realise their dream of moving to France on her own. She finds a beautiful abandoned chateau and starts to rebuild her life among its ruins. But she soon notices that the locals won't come near. A dark web of secrets surrounds the house, and it all seems to centre on the war...1944. Since the moment German troops stepped foot in her village, the sole aim of Simone Varon's life has been to avoid them. Until one soldier begins leaving medicine bottles for her sick brother, and she gets to know the man behind the uniform. Then the Resistance comes calling, and she must choose between love and duty – with devastating consequences that will echo through the decades.As Imogen restores the chateau, she's determined to uncover the truth – and set to rest the ghosts of the past.A beautiful and devastating dual timeline novel that spans from occupied France in World War Two, to the war-ravaged chateau in 2019. Perfect for fans of Gill Paul, Lucinda Riley and Lorna Cook.

    Tiffany, comes a richly imagined story of a woman’s awakening in the south of Vichy France—to the power of art, to the beauty of provincial life, and to love in the midst of war. In 1937, young Lisette Roux and her husband, André, move from Paris to a village in Provence to care for André’s grandfather Pascal. Lisette regrets having to give up her dream of becoming a gallery apprentice and longs for the comforts and sophistication of Paris. But as she soon discovers, the hilltop town is rich with unexpected pleasures. Pascal once worked in the nearby ochre mines and later became a pigment salesman and frame maker; while selling his pigments in Paris, he befriended Pissarro and Cézanne, some of whose paintings he received in trade for his frames. Pascal begins to tutor Lisette in both art and life, allowing her to see his small collection of paintings and the Provençal landscape itself in a new light. Inspired by Pascal’s advice to “Do the important things first,” Lisette begins a list of vows to herself (#4. Learn what makes a painting great). When war breaks out, André goes off to the front, but not before hiding Pascal’s paintings to keep them from the Nazis’ reach. With German forces spreading across Europe, the sudden fall of Paris, and the rise of Vichy France, Lisette sets out to locate the paintings (#11. Find the paintings in my lifetime). Her search takes her through the stunning French countryside, where she befriends Marc and Bella Chagall, who are in hiding before their flight to America, and acquaints her with the land, her neighbors, and even herself in ways she never dreamed possible. Through joy and tragedy, occupation and liberation, small acts of kindness and great acts of courage, Lisette learns to forgive the past, to live robustly, and to love again.

    Carolly Erickson takes the reader deep into the psyche of France's doomed queen: her love affair with handsome Swedish diplomat Count Axel Fersen, who risked his life to save her; her fears on the terrifying night the Parisian mob broke into her palace bedroom intent on murdering her and her family; her harrowing attempted flight from France in disguise; her recapture and the grim months of harsh captivity; her agony when her beloved husband was guillotined and her young son was torn from her arms, never to be seen again.Erickson brilliantly captures the queen's voice, her hopes, her dreads, and her suffering. We follow, mesmerized, as she reveals every detail of her remarkable, eventful life—from her teenage years when she began keeping a diary to her final days when she awaited her own bloody appointment with the guillotine.

    Lauren Collins discovered this firsthand when, in her early thirties, she moved to London and fell for a Frenchman named Olivier—a surprising turn of events for someone who didn’t have a passport until she was in college. But what does it mean to love someone in a second language? Collins wonders, as her relationship with Olivier continues to grow entirely in English. Are there things she doesn’t understand about Olivier, having never spoken to him in his native tongue? Does “I love you” even mean the same thing as “Je t’aime”? When the couple, newly married, relocates to Francophone Geneva, Collins—fearful of one day becoming "a Borat of a mother" who doesn’t understand her own kids—decides to answer her questions for herself by learning French. When in French is a laugh-out-loud funny and surprising memoir about the lengths we go to for love, as well as an exploration across culture and history into how we learn languages—and what they say about who we are. Collins grapples with the complexities of the French language, enduring excruciating role-playing games with her classmates at a Swiss language school and accidentally telling her mother-in-law that she’s given birth to a coffee machine. In learning French, Collins must wrestle with the very nature of French identity and society—which, it turns out, is a far cry from life back home in North Carolina. Plumbing the mysterious depths of humanity’s many forms of language, Collins describes with great style and wicked humor the frustrations, embarrassments, surprises, and, finally, joys of learning—and living in—French.

    While concepts like Sanskritization and Westernization have helped the understanding of complex, often seemingly contradictory trends in society, Prof. Srinivas' essay on the study of one's own society continue to engage scholars, opening the way to an understanding of sociological writing itself as a text. This revised edition of the 1966 original includes these classic essays, as also an appendix where Prof. Srinivas deals with the problem of changing values in Indian society today.