Rails must be freshly laid ahead of the city & carefully removed in its wake. Rivers & mountains present nearly insurmountable challenges to the ingenuity of the city's engineers. But if the city does not move, it will fall farther & farther behind the optimum & into the crushing gravitational field that has transformed life on Earth. The only alternative to progress is death. The secret directorate that governs the city makes sure that its inhabitants know nothing of this. Raised in common in creches, nurtured on synthetic food, prevented above all from venturing outside the closed circuit of the city, they're carefully sheltered from the dire necessities that have come to define human existence. Yet the city is in crisis. People are growing restive. The population is dwindling. The rulers know that, for all their efforts, slowly but surely the city is slipping ever farther behind the optimum. Helward Mann is a member of the city's elite. Better than anyone, he knows how tenuous is the city's continued existence. But the world he's about to discover is infinitely stranger than the strange world he believes he knows so well.

    The first Wool story was released as a standalone short in July of 2011. Due to reviewer demand, the rest of the story was released over the next six months. This is the story of mankind clawing for survival, of mankind on the edge. The world outside has grown unkind, the view of it limited, talk of it forbidden. But there are always those who hope, who dream. These are the dangerous people, the residents who infect others with their optimism. Their punishment is simple. They are given the very thing they profess to want: They are allowed outside.Alternate cover for B0071XO8RA

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"

    For he's the inventor of 'ice-nine', a lethal chemical capable of freezing the entire planet. The search for its whereabouts leads to Hoenikker's three ecentric children, to a crazed dictator in the Caribbean, to madness. Felix Hoenikker's Death Wish comes true when his last, fatal gift to humankind brings about the end, that for all of us, is nigh...

    Deckard's assignment--find them and then..."retire" them. Trouble was, the androids all looked exactly like humans, and they didn't want to be found!

    As Riddley steps outside the confines of his small world, he finds himself caught up in intrigue and a frantic quest for power, desperately trying to make sense of things.

    Theirs is a world of children; before reaching the age of twenty, they all die of a strange disease they call Posies--a plague that has killed for generations. There is no medicine, no treatment; only the mysterious rumor of a cure.When her brother begins showing signs of the disease, Ice Cream Star sets off on a bold journey to find this cure. Led by a stranger, a captured prisoner named Pasha who becomes her devoted protector and friend, Ice Cream Star plunges into the unknown, risking her freedom and ultimately her life. Traveling hundreds of miles across treacherous, unfamiliar territory, she will experience love, heartbreak, cruelty, terror, and betrayal, fighting to protect the only world she has ever known.A postapocalyptic literary epic as imaginative as The Passage and as linguistically ambitious as Cloud Atlas, The Country of Ice Cream Star is a breathtaking work from a writer of rare and unconventional talent.

    It is. For behind the town's idyllic facade lies a terrible secret—a secret so shattering that no one who encounters it will ever be the same.At once a masterpiece of psychological suspense and a savage commentary on a media-driven society that values the pursuit of youth and beauty at all costs, The Stepford Wives is a novel so frightening in its final implications that the title itself has earned a place in the American lexicon.

    Women are breeders, kept as cattle, while men in this post-Hitlerian world are embittered automatons, fearful of all feelings, having abolished all history, education, creativity, books, and art. The plot centers on a “misfit” who asks, “How could this have happened?”

    The country has been invaded and is being governed by a secret organization. There is destruction everywhere; great walls of ice overrun the world. Together with the narrator, the reader is swept into a hallucinatory quest for this strange and fragile creature with albino hair. Acclaimed upon its 1967 publication as the best science fiction book of the year, this extraordinary and innovative novel has subsequently been recognized as a major work of literature in its own right.

    The catastrophe is confined to Bellona, and most of the inhabitants have fled. But others are drawn to the devastated city, among them the Kid, a white/American Indian man who can't remember his own name. The Kid is emblematic of those who live in the new Bellona, who are the young, the poor, the mad, the violent, the outcast--the marginalized.

    Mr. Warner brilliantly invents, on one side, a thoroughly degenerate Village representing fallen man, and on the other side a great Aerodrome dedicated to ruthless efficiency. The ideological struggle between the idealistic Air Vice-Marshal and the hero-narrator from the Village is portrayed with poetry, narrative speed, and great simplicity of language. It is a great symbolic novel of our time. "The value of The Aerodrome as literature becomes increasingly apparent at each rereading ... an intensely original work."--Anthony Burgess. "A moral dialogue thrown into narrative form. It is humanity versus power, sprawling fife versus death-dealing regimentation.... A parable worth reading."--New York Times. "The beauty of his prose, unsurpassed by any living English writer, has nothing to do with `fine writing' but springs from a sound moral core and from an intelligence with the keenest edge."--C. Day Lewis.

    Set in the twenty-second century, the novel tells of a world where women are once again property, denied civil rights and banned from public life. Earth's wealth depends on interplanetary commerce with alien races, and linguists--a small, clannish group of families--have become the ruling elite by controlling all interplanetary communication. Their women are used to breed perfect translators for all the galaxies' languages.Nazareth Chornyak, the most talented linguist of the family, is exhausted by her constant work translating for trade organizations, supervising the children's language education, running the compound, and caring for the elderly men. She longs to retire to the Barren House, where women past childbearing age knit, chat, and wait to die. What Nazareth comes to discover is that a slow revolution is going on in the Barren Houses: there, word by word, women are creating a language of their own to free them from men's control.

    Newton is an extraterrestrial who goes to Earth on a desperate mission of mercy. But instead of aid, Newton discovers loneliness and despair that ultimately ends in tragedy.

    His only companions are the disembodied voice of Miranda Taligent, the only woman he has ever loved, and the cryogenically frozen body of her father Prospero, the genius and industrial magnate who drove her insane.The tale of Harold’s life is also one of an alternate reality, a lucid waking dream in which the well-heeled have mechanical men for servants, where the realms of fairy tales can be built from scratch, where replicas of deserted islands exist within skyscrapers.. As Harold’s childhood infatuation with Miranda changes over twenty years to love and then to obsession, the visionary inventions of her father also change Harold’s entire world, transforming it from a place of music and miracles to one of machines and noise. And as Harold heads toward a last desperate confrontation with Prospero to save Miranda’s life, he finds himself an unwitting participant in the creation of the greatest invention of them all: the perpetual motion machine.Beautifully written, stunningly imagined, and wickedly funny, The Dream of Perpetual Motion is a heartfelt meditation on the place of love in a world dominated by technology.