Each chapter serves a different purpose. The chapters are For The Healing, For The Erasing, For the Loving, For the Oppressed, and For the Broken. This book teaches you to love yourself and others. It's better experienced than described, so sit down with some coffee and allow yourself to feel-- and heal.

    

    She is exhausted from spending eternity doing her job and now she seeks someone to unburden her conscience to. Wolf Willeford, a troubled young writer, is well acquainted with death, but until now hadn’t met Death in person – a black, working-class woman who shape-shifts and does her work unseen.Enthralled by her stories, Wolf becomes Mrs Death’s scribe, and begins to write her memoirs. Using their desk as a vessel and conduit, Wolf travels across time and place with Mrs Death to witness deaths of past and present and discuss what the future holds for humanity. As the two reflect on the losses they have experienced – or, in the case of Mrs Death, facilitated – their friendship grows into a surprising affirmation of hope, resilience and love. All the while, despite her world-weariness, Death must continue to hold humans’ fates in her hands, appearing in our lives when we least expect her . . .

    For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness.Gabriel de León is a silversaint: a member of a holy brotherhood dedicated to defending realm and church from the creatures of the night. But even the Silver Order could not stem the tide once daylight failed us, and now, only Gabriel remains.Imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope: The Holy Grail.Fromauthor Jay Kristoff comes Empire of the Vampire, the first illustrated volume of an astonishing new dark fantasy saga.

    But Poe is also the author of some of the most haunting poetry ever written--poems of love, death and loneliness that have lost none of their power to enthrall in this unique Signet Classic edition.

    With 12 terrifically spine chilling short stories, this anthology contains contributions from some of the best young horror writing talent out there, and was curated by the editors of the PlayWithDeath.com, the premier destination for online horror entertainment. If you're searching for stories that will frighten you to your very core, look no further. List of Short Story Authors Tom Wortman M. B. Vujačić Manen Lyset Jenny Ashford Kyle Yadlosky G. T. Montgomery Ari Drew Patrick Winters Trevor James Zaple John Teel Dexter Findley Kyle Rader

    The man who has a tale of his own to tell.A story within a story within a story, MY NAME IS MISTER GRIEF continues the Luke Smitherd tradition of making the reader wonder 'what would I do?' while transporting them to the place where everyone has a secret and the impossible is possible.

    In the Cornish seaside town of Treeve, Cat’s husband, Brian Oxley, is on the brink of losing everything. Eight pubs, five restaurants, and six pasty shops worth of everything…When a potential, financial bailout comes in the form of lottery winner Ewan Davies, it is the answer to all of Brian’s prayers. The creepy, ex-furniture restorer makes Brian an offer he can’t refuse. His offer is twenty million.And the price of Brian’s salvation? His wife.Never in her wildest imaginings, could Cat imagine what lies in store for her at the millionaire’s mansion. She will never look at a piece of furniture in the same way again…This is an extreme horror novella. It contains some scenes that readers may find upsetting.

    

    . . But among the many writers who have come of age in our fin de siècle, none have succeeded more completely as poet, critic, and translator than Robert Pinsky." --James Longenbach, The NationThe poems in Robert Pinsky's At the Foundling Hospital consider personality and culture as improvised from loss: a creative effort so pervasive it is invisible. An extreme example is the abandoned newborn. At the Foundling Hospital of eighteenth-century London, in a benign and oddly bureaucratic process, each new infant was identified by a duly recorded token. A minimal, charged particle of meaning, the token might be a coin or brooch or thimble--or sometimes a poem, such as the one quoted in full in Pinsky's poem "The Foundling Tokens." A foundling may inherit less of a past than an orphan, but with a wider set of meanings. The foundling soul needs to be adopted, and it needs to be adaptive.In one poem, French and German appear as originally Creole tongues, invented by the rough needs of conquered peoples and their Roman masters. In another, creators from scorned or excluded groups--among them Irving Berlin, Quintus Horatius Flaccus, and W.E.B. Du Bois--speak, as does the Greek tragic chorus, in the first-person singular.In these poems, a sometimes desperate, perpetual reimagining of identity, on the scale of one life or of human history, is deeply related to music: The quest is lyrical, whether the subject is as specific as "the emanation of a dead star still alive" or as personal as the "pinhole iris of your mortal eye."

    And that evil is waking up. "An expertly layered work of impressive scope, The Jilted will leave you pondering the real-life differences between good and evil.” ~Kristen Mae, bestselling author of Red Water BLOODIED HANDS. WHISPERED WORDS. BURIED TRUTHS. It’s been two weeks since Chloe Anderson’s fiancé, Victor, disappeared with his daughter, and each night since, Chloe has awakened from the same horrible dream. She’s convinced the nightmares are trying to tell her something, especially when she finds Victor’s camera at an old antique shop downtown—a place where the shadows of the past roam the cobbled streets. Chloe takes a job at the shop, hoping Victor will return for his prized possession. But when she’s sent to do an antiques appraisal on the outskirts of New Orleans, she feels the energy of the sprawling plantation like an icy hand on her back, drawing her away from the shop—and sucking her in. Perhaps it’s the plantation’s mysterious owner triggering her long-dormant intuition. But intuition doesn’t explain the terrifying visions that now plague her waking hours, or the mutilated girl who stalks her from the shadows, vanishing when Chloe tries to speak to her. And the voices… Come to me. Watch out for the dark, child. Is this what Victor meant when he told her he’d felt possessed? Is she losing her mind the way he did? Now Chloe must look deep within herself, summoning a power she’s tamped down since childhood, because the thing that took Victor is an old, vicious darkness, far more ancient than the horrors that seep from every branch on the white-washed plantation—more appalling than the hideous acts of violence that lurk in each long-abandoned cemetery. And if she cannot defeat the evil, if she succumbs to the madness, the creature stalking the town will take Victor, take Chloe . . . and make sure no one leaves Cicatrice alive. For fans of Stephen King, Nick Cutter, and Thomas Heuvelt, this breathtaking supernatural thriller is a masterfully crafted novel about what horrors might exist on the other side—whether we believe they are there or not.

    But what if a monster isn’t enough? Shadows gather, winter deepens, and Assevan falls farther into the dark. Pitted against monsters and men, Konrad faces deeper challenges. Darker foes. Some can rival even the Malykant’s power. Pushed beyond his endurance, challenged beyond his sanity, at long last Death’s Avenger might need a little help... Konrad Savast returns for another chilling set of adventures in the second volume of the Malykant Mysteries.

    

    There was more truth than fiction to those words. There were things that lurked in the shadows which defied the laws of nature: perversions that fed on the dead, terrorised the living, or escaped the chill touch of the grave.Clara is a member of the Tower, a religious order of hunters who work outside the confines of the Church. As keepers of the arcane, her order takes an active role to counter these threats. The life of a hunter can be short, and many disappear before their training is complete. So, what does it take to succeed against all odds?Explore Clara’s origin, a child born before the dawn of the twentieth century. Witness her rigorous training, how she faces adversity, and fights in the Great War to become the derringer wielding flapper she is.Throughout her tale, keep in mind that no matter the threat, a gal has to look out for herself after all.

    Even the world we live in. And as with every shadow, there is a place where it must touch. A seam, where the shadow meets its source.Olivia Prior has grown up in Merilance School for girls, and all she has of her past is her mother’s journal—which seems to unravel into madness. Then, a letter invites Olivia to come home—to Gallant. Yet when Olivia arrives, no one is expecting her. But Olivia is not about to leave the first place that feels like home, it doesn’t matter if her cousin Matthew is hostile or if she sees half-formed ghouls haunting the hallways.Olivia knows that Gallant is hiding secrets, and she is determined to uncover them. When she crosses a ruined wall at just the right moment, Olivia finds herself in a place that is Gallant—but not. The manor is crumbling, the ghouls are solid, and a mysterious figure rules over all. Now Olivia sees what has unraveled generations of her family, and where her father may have come from.Olivia has always wanted to belong somewhere, but will she take her place as a Prior, protecting our world against the Master of the House? Or will she take her place beside him?