Elegantly structured, these stories span the globe and beyond, from small-town America and sunny Caribbean islands to the Arctic Ocean and the very gates of Heaven itself. And though some of the stories are steeped in mythology, they remain grounded in universal experiences: loss of identity, leaving home, parenthood, joy, and longing.Crisscrossing the pages of Awayland are travelers and expats, shadows and ghosts. A girl watches as her homesick mother slowly dissolves into literal mist. The mayor of a small Midwestern town offers a strange prize, for stranger reasons, to the parents of any baby born on Lenin's birthday. A chef bound for Mars begins an even more treacherous journey much closer to home. And a lonely heart searches for love online--never mind that he's a Cyclops. With her signature tenderness, Ramona Ausubel applies a mapmaker's eye to landscapes both real and imagined, all the while providing a keen guide to the wild, uncharted terrain of the human heart.

    While her work has earned her comparisons to Karen Russell and Kelly Link, she has a voice that is all her own. In this electric and provocative debut, Machado bends genre to shape startling narratives that map the realities of women's lives and the violence visited upon their bodies.A wife refuses her husband's entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store's prom dresses. One woman's surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella Especially Heinous, Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naively assumed had shown it all, generating a phantasmagoric police procedural full of doppelgangers, ghosts, and girls with bells for eyes.Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.The husband stitch --Inventory --Mothers --Especially heinous --Real women have bodies --Eight bites --The resident --Difficult at parties

    In this ebullient collection, virgins escape from being sacrificed, witches refuse to be burned, whores aren't ashamed, and every woman gets a chance to be a radioactive cockroach warrior who snaps back at catcallers. Gwen E. Kirby experiments with found structures--a Yelp review, a WikiHow article--which her fierce, irreverent narrators push against, showing how creativity within an enclosed space undermines and deconstructs the constraints themselves. When these women tell the stories of their triumphs as well as their pain, they emerge as funny, angry, loud, horny, lonely, strong protagonists who refuse be secondary characters a moment longer. From "The Best and Only Whore of Cym Hyfryd, 1886" to the "Midwestern Girl [who] is Tired of Appearing in Your Short Stories," Kirby is playing and laughing with the women who have come before her and they are telling her, we have always been this way. You just had to know where to look.

    Brite, author of Exquisite Corpse and Love in Vein, among others, features anew story, Monday's Special. Poppy contributed story notes as well as the Preface.

    Cross-genre blowtorches with bad guys and worse guys. Love stories both dark and bittersweet. A brand new novella and extensive story notes. You’ll find this and more in the fifth collection from three-time Bram Stoker award-winner Norman Partridge, an author Locus calls “one of the most dependable, exciting, and entertaining practitioners of dark suspense and dark fantasy… emphasis on the dark.”In Lesser Demons, Partridge explores the kind of fiction that made him both a horror fan and a writer. Using the shotgun prose of a crime novel, the title story draws a deadly bead on H. P. Lovecraft’s Cthulhu Mythos. “The Iron Dead” introduces Chaney, a monster-hunting pulp hero with a mechanical hand built in hell. “Carrion” cuts a mean swath through Robert E. Howard territory, while “The Big Man” explores dark shadows of American life never imagined in the atom-age horror movies of the fifties.Part celebration, part reinvention, Lesser Demons only serves to underscore RevolutionSF’s verdict: “Norman Partridge is the finest writer of short horror fiction going.” Table of Contents Second Chance The Big Man Lesser Demons Carrion The Fourth Stair up from the Second Landing And What Did You See in the World? Road Dogs The House Inside Durston The Iron Dead A Few Words AfterDust jacket by Vincent Chong

    There are seven in all, with subjects ranging from social revolt to insanity, disease and unrequited love. They are considered some of the finest works of German literary Expressionism and have been compared to the stories of Edgar Allan Poe and the prose pieces of Baudelaire.

    A darkly surreal, drug-coated romance, We are Wormwood tells an inhuman love story, and the transformation that results from affection among monsters.

    Like Richard Russo, Bruce Machart has a profound knowledge of the male psyche and a gift for conveying the absurdity and brutality of daily life with humor and compassion. Whether they find themselves walking the fertile farmland of south Texas, steering trucks through the suffocating sprawl of Houston, or turning logs into paper in the mills just west of the Sabine River, the men of these stories seek to prove themselves in a world that doesn’t always welcome them. Here are men whose furrows are never quite straight and whose hearts are near to bursting with all the desires they have been told they aren’t supposed to heed. “Bruce Machart is one of our most ambitious and fearless young writers. With Men in the Making, he has composed a remarkable paean to the complex fragility of the American male. I read these stories in a state of tender amazement.”—Steve Almond, author of Rock and Roll Will Save Your Life

    Whether it is taking a troublesome cow to be mated with a prime bull; dealing with a rat-infested hayrick; learning the ways and means of maggot farming; or describing the fine art of poaching pheasants using nothing but raisins and sleeping pills, Roald Dahl brings his stories of everyday country folk and their strange passions wonderfully to life. Lacing each tale with dollops of humor and adding a sprinkling of the sinister, Dahl ensures that this short story collection celebrates the sweet mysteries of life."All the stories sparkle with vibrant characters, humorous dialogue, and sly rustic lore and cunning." -- Sunday Express"A sophisticated account of village life. The rural characters are molded by Dahl's dark, inquisitive imagination. Compelling and very funny." -- Time Out

    Gruesome apparitions, oppressive atmosphere, and throughout it all, a profound appreciation for the haunting beauty of Europe through the eyes of an American architect.This collection of six tales of the supernatural is an American fantasy cornerstone. "... foremost for horror fans is a small collection BLACK SPIRITS & WHITE ... hailed as one of the most extraordinary volumes of terror tales published. It includes his best-known story of a frightening journey through 'The Dead Valley,' which Lovecraft [in Supernatural Horror in Literature] singled out for praise." - Ashley, Who's Who in Horror and Fantasy Fiction, p. 58. "Excellent local color; transitional between the Victorian personal ghost story and the Edwardian interest in supernatural evil." - Bleiler, The Guide to Supernatural Fiction 442. "No. 252 Rue M. le Prince" is one of the very best haunted house stories. Barron (ed), Horror Literature 2-16.- No. 252 Rue M. Le Prince, - In Kropfsberg Keep, - The White Villa, - Sister Maddelena, - Notre Dame des Eaux, - The Dead Valley, - Postscript.

    Now, in Stay Awake, Chaon returns to that form for the first time since his masterly Among the Missing, a finalist for the National Book Award.In these haunting, suspenseful stories, lost, fragile, searching characters wander between ordinary life and a psychological shadowland. They have experienced intense love or loss, grief or loneliness, displacement or disconnection—and find themselves in unexpected, dire, and sometimes unfathomable situations.A father’s life is upended by his son’s night terrors—and disturbing memories of the first wife and child he abandoned; a foster child receives a call from the past and begins to remember his birth mother, whose actions were unthinkable; a divorced woman experiences her own dark version of “empty-nest syndrome”; a young widower is unnerved by the sudden, inexplicable appearances of messages and notes—on dollar bills, inside a magazine, stapled to the side of a tree; and a college dropout begins to suspect that there’s something off, something sinister, in his late parents’ house.Dan Chaon’s stories feature scattered families, unfulfilled dreamers, anxious souls. They exist in a twilight realm—in a place by the window late at night when the streets are empty and the world appears to be quiet. But you are up, unable to sleep. So you stay awake.

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    Destroyed oil rigs, mysteriously reborn, clamber from the sea and onto the land, driven by an obscure but violent purpose. An anatomy student cuts open a cadaver to discover impossibly intricate designs carved into a corpse's bones—designs clearly present from birth, bearing mute testimony to . . . what?Of such concepts and unforgettable images are made the twenty-eight stories in this collection—many published here for the first time. By turns speculative, satirical, and heart-wrenching, fresh in form and language, and featuring a cast of damaged yet hopeful seekers who come face-to-face with the deep weirdness of the world—and at times the deeper weirdness of themselves—Three Moments of an Explosion is a fitting showcase for one of our most original voices.

    Brought together in this volume, these stories represent an unprecedented accomplishment in American literature. In their iconoclasm and needle-sharp irony, their formal and thematic ingenuity and element of surprise, they differ markedly from the fiction admired in Bierce's time. Readers familiar with the classic An Occurrence at Owl Creek Bridge will want to turn to Bierce's other Civil War stories. Also included here are his horror stories, among them The Death of Halpin Frayser and The Damned Thing, and such tall tales as Oil of Dog and A Cargo of Cat.

    At the center of the collection is a series of stories narrated by a young American woman in the wake of a divorce; wry and shy but never less than open to the world, she recalls the places and people she has been close to, the dreams she has pursued and those she has left unfulfilled. Interspersed with these intimate first-person stories are stand-alone pieces where the tight focus on the narrator's life gives way to closely observed accounts of the lives of others. A book about belonging, and how much of yourself to give up in the pursuit of that, Cities I've Never Lived In offers stories that reveal, with great sadness and great humor, the ways we are most of all citizens of the places where we cannot be.Cities I've Never Lived In is the second book in Graywolf's collaboration with the literary magazine A Public Space.