As Rob uses his skills as a historian to uncover the secret he finds his courage and determination tested and discovers that the difference between right and wrong is not as clearcut as he had thought.

    The house remains in the ownership of one family for three and a half centuries, each generation faithfully recording details of their household in The House Book. Eventually, the family line dies out. 1985 Oakwood Grange has new owners. Janie Whittaker feels an unaccountable attachment to the old place from the very first visit and, inspired by The House Book, decides it’s time she traced the estranged branch of her own family. But it’s Janie’s discovery of Alice’s diary in amongst some old papers which provides a more interesting link between past and present and soon she’s absorbed in Alice’s world. Meanwhile, Janie can’t help noticing one or two strange little occurrences in the house - even their foundling cat seems a bit odd - but none of this really fazes her. It’s true the witches’ marks over the fireplace are a bit unsettling, but then belief in witches was commonplace in the seventeenth century and now, surely, everyone knows... ...there’s no such thing as witchcraft? A perfect book club read for fans of Kate Morton, Rachel Hore and Katherine Webb

    After coming within air-kissing distance of a felony charge, Angela is determined to make something of her life. When a sympathetic neighbor offers her work, Angela jumps at the opportunity. She figures it won’t be hard to track down a missing fiancé last seen with two Lady Gaga lookalikes. After all, one of her superpowers is finding badly behaved men. But the trail of the runaway groom has more twists than a bride’s updo. And when Angela uncovers secrets that people will kill to keep hidden, she has to decide the price she’s willing to pay for success. Angela will need to call upon all her charm and cunning—and the deities of her ancient Samoan ancestors—to make sure this professional growth opportunity doesn’t kill her first. Praise: "...An entertaining, unconventional mystery that is difficult to put down. Dara Carr’s Angela Cray Gets Real is a mystery with a decidedly unconventional detective: Angela Cray is broke, living with her mother, desperately in need of a job, and entirely lacking in detective experience. Her story of venturing into this new line of work is stylish, absorbing, and laugh-out-loud funny."—Foreword Clarion Reviews Finalist for a Freddie Award for Writing Excellence from the Mystery Writers of America/Florida chapter.