She, herself, is tiny—like a kid peering up over the steering wheel. She has a remarkable face and wears the thickest corrective lenses anyone has ever seen. Her posture is suggestive of some spinal problem. Her breasts are perfect; perhaps implants. She is strangely erotic yet somehow grotesque, vulnerable yet threatening. Her hitchhikers are a mixed bunch of men—trailer trash and travelling postgrads, thugs and philosophers. But Isserley is only interested in whether they have families and whether they have muscles. Then, it's only a question of how long she can endure her pain—physical and spiritual—and their conversation. Michel Faber's work has been described as a combination of Roald Dahl and Franz Kafka, as Somerset Maugham shacking up with Ian McEwan. At once humane and horrifying, Under the Skin takes us on a heart-thumping ride through dangerous territory—our own moral instincts and the boundaries of compassion.

    Eight-year-old Rocky worships his older brother, Paul. Sixteen and full of rebel cool, Paul spends his days cruising in his Chevy Nova blasting Neil Young, cigarette dangling from his lips, arm slung around his beautiful, troubled girlfriend. Paul is happy to have his younger brother as his sidekick. Then one day, in an act of vengeance against their father, Paul picks up Rocky from school and nearly abandons him in the woods. Afterward, Paul disappears. Seven years later, Rocky is a teenager himself. He hasn’t forgotten being abandoned by his boyhood hero, but he’s getting over it, with the help of the wealthy neighbors’ daughter, ten years his senior, who has taken him as her lover. Unbeknownst to both of them, their affair will set in motion a course of events that rains catastrophe on both their families. After a mysterious double murder brings terror and suspicion to their small town, Rocky and his family must reckon with the past and find out how much forgiveness their hearts can hold.

    Their tranquility is shattered by the crash of a bullet-riddled enemy plane, the arrival of grandmother’s friend Mr. Girandole—a man who knows the true story of Cinderella’­s slipper—and the discovery of a riddle in the sacred grove of ruins behind grandmother’s house. In a sumptuous idyllic setting and overshadowed by the threat of war, four unlikely allies learn the values of courage and sacrifice.

    C. Andrews, Flowers in the Attic and Petals on the Wind.

    I live in a castle, right across the street from the John Howard Housing Projects. Every day right after school I run to my bedroom window and open it wide--even in the middle of winter when the wind blows wet snow up my nose. I watch for my knight in shining armor. He's ten years old, like me, and rides a bike--a two-wheeler with rusty spokes and torn-up seat. So begins Sharon Flake's highly-anticipated new novel--a moving story of an unlikely friendship.Queen is a royal pain in the neck! Her Highness treats everyone like her loyal subjects: her classmates, her teacher, even her parents! That's why all the kids hate her and it's hard for her to make friends. To make matters worse, Queen known she is bright. Her teacher thinks she's a spoiled know-it-all, and that keeps her in hot water as well. When a new kid comes to Queen's school riding a broken bike and wearing run-over shoes, he immediately becomes the butt of everyone's jokes. Her parents insist she be nice to Leroy, since history has never been kind to queens who forget how to be humble. But Leroy isn't just smelly, Queen thinks that he tells fibs-whoppers in fact-and when he says he's an African prince from Senegal, sparks fly between him and Queen. There's only room for one blue-blooded family on 33rd Street, and Queen is determined to prove Leroy is an impostor. What Queen ultimately discovers about Leroy makes her wonder what "happily ever after" really means. If a broken-bike boy is truly Queen's knight in shining armor, can he save her from herself, by teaching her how to be a good friend?

    One is editing his hot new urban style magazine Bling Bling. The other is more personal. As Zola and Raymond Tyler, Jr, Bling Bling's CEO, pursue their ambitions and search for love, secrets from the past and events out of today's headlines (plus the shenanigans of John Basil Henderson and Yancey B.) keep the action moving.

    Selene DiSilva walks her dog along the banks of the Hudson. She is alone-just the way she likes it. She doesn't believe in friends, and she doesn't speak to her family. Most of them are simply too dangerous.Murders.In the predawn calm, Selene finds the body of a young woman washed ashore, gruesomely mutilated and wreathed in laurel. Her ancient rage returns. And so does the memory of a promise she made long ago. To protect the innocent-and to punish those who stand in her way.Gods.With the NYPD out of its depth, Selene vows to hunt the killer on her own. But when classics professor Theo Schultz decodes the ancient myth behind the crime, the solitary Huntress finds herself working with a man who's her opposite in every way. Together, they face a long-forgotten cult that lies behind a string of murders, and they'll need help from the one source Selene distrusts most of all: the city's other Immortals.Much like Lev Grossman's The Magicians spoke to a generation of adults who grew up with Harry Potter, THE IMMORTALS will enchant anyone who loved American Gods or Percy Jackson.

    Home is a new house with a loving husband in 1970s California that suddenly transformed in to the frightening world of the antebellum South. Dana, a young black writer, can't explain how she is transported across time and space to a plantation in Maryland. But she does quickly understand why: to deal with the troubles of Rufus, a conflicted white slaveholder--and her progenitor. Her survival, her very existence, depends on it. This searing graphic-novel adaptation of Octavia E. Butler's science fiction classic is a powerfully moving, unflinching look at the violent disturbing effects of slavery on the people it chained together, both black and white--and made kindred in the deepest sense of the word.

     In 1923, fifteen-year-old Hattie Shepherd flees Georgia and settles in Philadelphia, hoping for a chance at a better life. Instead, she marries a man who will bring her nothing but disappointment and watches helplessly as her firstborn twins succumb to an illness a few pennies could have prevented.  Hattie gives birth to nine more children whom she raises with grit and mettle and not an ounce of the tenderness they crave.  She vows to prepare them for the calamitous difficulty they are sure to face in their later lives, to meet a world that will not love them, a world that will not be kind. Captured here in twelve luminous narrative threads, their lives tell the story of a mother’s monumental courage and the journey of a nation. Beautiful and devastating, Ayana Mathis’s The Twelve Tribes of Hattie is wondrous from first to last—glorious, harrowing, unexpectedly uplifting, and blazing with life. An emotionally transfixing page-turner, a searing portrait of striving in the face of insurmountable adversity, an indelible encounter with the resilience of the human spirit and the driving force of the American dream, Mathis’s first novel heralds the arrival of a major new voice in contemporary fiction.

    The son of a black father he’s never known, and a white mother he sometimes wishes he didn’t, twenty-two year-old Bobby Saraceno has passed for white his entire life. Raised by his bigoted maternal grandfather, Bobby has hidden the truth about his identity from everyone, even his best friend and fellow comic-book geek, Aaron, who has just returned home from prison a newly radicalized white supremacist. Bobby’s disparate worlds crash when, during the night of their reunion, Bobby witnesses Aaron mercilessly assault a young black man with a brick. Fearing for his safety and his freedom, Bobby must keep the secret of his mixed race from Aaron and conceal his unwitting involvement in the crime from the police. But Bobby’s delicate house of cards crumbles when his father enters his life after more than twenty years, forcing his past to collide with his present.

    For Evan, who grew up in a small town in Canada, Yale is a whole new world, and Julia--blond, beautiful and rich--is part of his vision for a successful future. After they graduate in 2008, they move together to New York city, where Evan takes a job at a hedge fund--another step forward in the life he imagines for himself.Julia, who has only known a life of privilege, graduates with an art history degree and no plan for her own future. She lands a low paying assistant job at a nonprofit, unsure about what she really wants, and wondering when everyone else figured that out for themselves. With the market crashing and banks failing around him, Evan becomes involved in an increasingly high-stakes deal at work, and begins to realize that the price of privilege may come with dangerous strings attached. Meanwhile, Julia reconnects with someone from her past--someone who offers her a vision of a different kind of life.Told in alternating perspectives, The Futures is a vivid story about love--falling in and out of it--betrayal, and the burning desire to be valued.

    When the students' answers raise disturbing questions of their own, Ms. Witt knows there's more going on the school than the faculty wants to see. She soon learns about The Ten--the students at the top of the school's social hierarchy--as well as their connection to something called The Darkroom.Ms. Witt can't remain a passive observer. She finds the few girls who've started to question the school's "boys will be boys" attitude and incites a resistance that quickly becomes a movement. But just as it gains momentum, she also attracts the attention of an unknown enemy who knows a little too much about her--including what brought her to Stonebridge in the first place.Meanwhile, Gemma, a defiant senior, has been plotting her attack for years, waiting for the right moment. Shy loner Norman hates his role in the Darkroom, but can't find the courage to fight back until he makes an unlikely alliance. And then there's Finn Ford, an English teacher with a shady reputation who keeps one eye on his literary ambitions and one on Ms. Witt.As the school's secrets begin to trickle out, a boys-versus-girls skirmish turns into an all-out war, with deeply personal--and potentially fatal--consequences for everyone involved.