Born to working class parents and the eldest of six children, he harbored a childhood desire to become a priest. When he was eleven years old, Byrne found himself crossing the Irish Sea to join a seminary in England. Four years later, Byrne had been expelled and he quickly returned to his native city. There he took odd jobs as a messenger boy and a factory laborer to get by. In his spare time, he visited the cinema where he could be alone and yet part of a crowd. It was here that he could begin to imagine a life beyond the grey world of 60s Ireland.He reveled in the theatre and poetry of Dublin's streets, populated by characters as eccentric and remarkable as any in fiction, those who spin a yarn with acuity and wit. It was a friend who suggested Byrne join an amateur drama group, a decision that would change his life forever and launch him on an extraordinary forty-year career in film and theatre. Moving between sensual recollection of childhood in a now almost vanished Ireland and reflections on stardom in Hollywood and Broadway, Byrne also courageously recounts his battle with addiction and the ambivalence of fame.Walking with Ghosts is by turns hilarious and heartbreaking as well as a lyrical homage to the people and landscapes that ultimately shape our destinies.

    Complete with family stories over cocktails and a praying mantis named Claude.“I drive and say to myself, if I am dying, if this is how I die, then this is how I die.” When N. West Moss finds herself bleeding uncontrollably in the middle of a writing class, she manages to drive herself to the nearest hospital. Doctors are baffled, but eventually a diagnosis—uterine hemangioma—is rendered and a hysterectomy is scheduled. In prose both lyrical and unsparing, Moss takes us along through illness, relapse, and recovery. And as her thoughts turn to her previous struggles with infertility, she reflects on kin and kinship and on what it means to leave a legacy.Moss’s wise, droll voice and limitless curiosity lift this narrative beyond any narrow focus. Among her interests: yellow fever, good cocktails, the history of New Orleans, and, always, the natural world, including the praying mantis in her sunroom whom she names Claude. And we learn about the inspiring women in Moss’s family—her mother, her grandmother, and her great-grandmother—as she sorts out her feelings that this line will end with her. But Moss discovers that there are ways besides having children to make a mark, and that grief is not a stopping place but a companion that travels along with us through everything, even happiness.A remarkably honest memoir about heartache and healing, Flesh & Blood opens up a conversation with the millions of women who live with infertility and loss.

    Who has time for 350 pages of (boring) theory? Learn to be awesome for the price of a coffee and the time it takes to drink it. Available for PC, Mac, smartphone, tablet, Kindle or in print!The number one reason people hate their jobs is because their boss sucks. And you don't want to suck as a manager -- you want to be awesome. But how? In this upbeat, concise, and practical guide, you'll gain supervisory skills that wow in any workplace. You'll learn:- How can I motivate my team when the work gets tough? - What's a Zorro Circle? - How do I deal with that grumpy coworker? Author Tamara Murray shares dos and don'ts she picked up through years of trial and error, reading a lot of Fast Company...and having the occasional breakdown in a colleague's office. Eventually, she had people telling her she was the best manager they'd ever had. Packed with real-world tips you can put to use immediately, these seven lessons will stick with you your entire career.What readers are saying:"Like a friend giving me advice over a cup of coffee.""Unlike other management books that can be dry and boring, this is a lively and fast-paced read.""Simple, straightforward pointers on how to deal with many challenges that I have already encountered as a newbie manager."

    Day by day, wards were being cleared to make way for Covid-positive patients. Things were getting worse by the day. For the first time in my nursing career, I felt scared.As a palliative care nurse, it is Kelly Critcher's job to look death in the eye - to save a patient while the fight can still be won, and confront death with grace and kindness when it can't.In early 2020, everything changed for nurses on the NHS frontline. Working on Covid wards and the High Dependency Unit, Kelly spent the height of the coronavirus crisis at Northwick Park hospital - perhaps the UK hospital most deeply ravaged by the illness.She, and many others like her, battled tirelessly in a critical care unit pushed to breaking point, delivering the bad news and fighting the good fight, day-in, day-out, throughout the gravest test our health service has faced since its inception.Kelly's story weaves together her raw, emotional diaries from the COVID frontline with a broader reflection on the truths about a life spent caught between battling for her patients' lives and helping them face down death with courage and compassion. Bringing together the enormity of the last twelve months - and the scars it will leave - this is a book for our times.

    It provides hints, tips and practical advice on aspects such as placements, reading research, living as a student and the nursing profession as a whole.

    Abigail Martin has everything: beauty, money, a loving husband, and a fabulous house in the village of Sixpenny Cross. But Abigail is denied the one thing she craves... A baby. When a gypsy offers to change her life, will Abigail accept? Can she deal with the shattering consequences that threaten to send her world spinning out of control?

    He treats a meerkat with a broken tail from Great Ouseburn, a lame horse next to Almscliffe Crag, a Wagyu in Topcliffe and a Clydesdale horse in York. These and many more adventures are contained within...

    . ." He lands hard on the ice and falls into a coma. This begins the erratic loss -- Miles first in a coma and then trapped in a fluctuating state of minimal consciousness -- that unravels over the next five years. Spinney, her husband, and three other children put their lives on hold to tend to Miles at various hospitals and finally in a care home. They hold out hope that he will be returned to them. With blunt precision, Spinney chronicles her family's intimate experience. This is a story about ambiguous loss: the disappearance of someone who is still there. Three quarters of the way through, however, Spinney's story takes a turn. The family and, to the degree that he can communicate, Miles himself come to view ending his life as the only possible release from the prison of his body and mind. Spinney, cutting her last thread of hope, wishes for her son to die. And yet, even as she allows this difficult revelation to settle, she learns that this is not her decision to make. Because Miles is diagnosed as a being in a -minimally conscious state- rather than a -persistent vegetative state, - there is no legal way to bring about his death, a bewildering paradox that Spinney navigates with compassion and wisdom. Encompassing the lyrical revelations of a memoir like Jean-Dominique Bauby's THE DIVING BELL AND THE BUTTERFLY and the crucial medical and moral insights of a book such as Atul Gawande's BEING MORTAL, Lu Spinney's BEYOND THE HIGH BLUE AIR is at once a portrait of the fearlessness of familial love and the profound dilemma posed by modern medicine.

    Down but not out, he perseveres and is given a second chance to establish a career in surgery. But, as McBride stands on the threshold of a new life, the malignant underside of his fellow man intervenes. Under the threat of violence, David is forced to perform illegal organ harvests in a makeshift operating room hidden in a dilapidated meatpacking warehouse in lower Manhattan. Unable to resolve the excruciating moral dilemma faced each time he invades the body of an unwilling victim, David McBride fights to free himself from the situation and in the process, loses everything. When he finally loses the last shred of his humanity, he seeks revenge with surgical precision ... and instrumentation.

    Then, at 18, a fall from a window left her athletic body completely shattered. None of us know what we would do in the face of such devastation. What Rebecca did was rise to every challenge she faced. She was losing her vision and hearing and her body was broken, but she refused to lose her drive, her zest for life and – maybe most importantly – her sense of humor. Now, at 35, with only a sliver of sight and significantly deteriorated hearing, she is a psychotherapist with two masters’ degrees from Columbia University, and an athlete who teaches spin classes and regularly competes in extreme endurance races. She greets every day as if it were a gift, with boundless energy, innate curiosity, and a strength of spirit that have led her to places we can't imagine.  In Not Fade Away, Rebecca tells her extraordinary story, by turns harrowing, funny and inspiring. She meditates on what she’s lost—from the sound of a whisper to seeing a sky full of stars, and what she’s found in return—an exquisite sense of intimacy with those she is closest to, a love of silence, a profound gratitude for everything she still has, and a joy in simple pleasures that most of us forget to notice.Not Fade Away is both a memoir of the senses and a unique look at the obstacles we all face—physical, psychological, and philosophical—exploring the extraordinary powers of memory, love, and perseverance. It is a gripping story, an offering of hope and motivation, and an exquisite reminder to live each day to its fullest.

    What golden girl wouldn't dig that? Valerie Palka is a savvy businesswoman who is obsessed with keeping her elderly mom, Helen, safe from all the lethal disasters that can befall widows living alone. Helen thinks the workaholic Valerie should focus on having as much luck in the bedroom as she does in the boardroom. But when Helen takes a spill and is rushed to the ER, a handsome male nurse, Keith Nuber, strikes her fancy, and she tells her daughter, "If you could get a handsome devil like that to take care of me, I'd be willing to consider it." So Valerie creates a care agency, Home Health Hunks, staffed by attractive younger men. Valerie's idea is filled with potential . . . and potholes. As she navigates the tricky road to satisfying her mom as well as her own ambition, she finds herself falling for one of her employees-Keith-and is forced to examine her beliefs about the true meaning of success.

    Deteriorating both physically and mentally while still painfully aware of what's going on around him, Bobby continues to work on the murder mystery he was writing before his life took a sudden and unexpected turn. As Bobby strives to tie up loose ends in his final story, if just for himself and his characters, the reader is given a glimpse of the life he's left behind in the form of day-in-the-life vignettes of his family. A vibrant, original story steeped in symbolism and family ties, this haunting debut explores the subtle ways lives are connected, broken, and renewed by love.

    With literary finesse, compassion, and a powerful gift of storytelling, Marie Williams writes poignantly of her husband Dominic’s struggles with early onset dementia and amyotrophic lateral sclerosis (ALS) at the age of 40, and how their family found hope amidst the wreckage of a mysterious neurological condition.  As the condition develops and progresses, the normally devoted family man and loving partner seems to disappear beneath an expressionless facade, erratic behavior, and a relentless desire to wander that often leaves him lost. The road to diagnosis is long and confusing, and what starts off as perplexing for the family then becomes frightening. The man they love is changing, and no one seems to know why. He no longer turns up to his sons’ high school events. He falls and bumps into things. He becomes verbally disinhibited, emotionally disengaged, and, at times, belligerent. He doesn’t seem to be able to read the social cues of other people. He gets lost in familiar places, as well as on obsessive work trips overseas. He recklessly spends the family money, leaving them in near financial ruin. Despite this, Williams and her children strive to find new ways to keep him safe and to connect with the husband and father they love so dearly.   While the family learns to cope with Dominic’s illness—which they call the Green Goblin—Williams is determined that her children reclaim the dad of their memories. She finds creative ways to make visible the stories of the man beyond the illness, and helps them remember him as the engaged, healthy, and loving man she fell in love with. She humanizes the experience through storytelling and assembling a quilt made up of transferred photographs, painted artwork, family footprints, and personal inscriptions from family and friends. This, along with tea rituals, music, and stories of fatherhood, love and value, support them as fierce advocates for Dominic’s dignity and give the family new ways to be together as they journey through his decline. Spanning between moments of intense joy and incredible sadness, this book is a passionate testament to one family’s unconditional love for one another. It is, “a tale of a strange place—the real world— in which green goblins and hope find a way to live together.”   Above all, it is a love story.

     Together they are stronger. But this time their newly found love for each other will be tested to the max. Theo, Abby, and the twins are forced to run from the threats that are getting ever so close. Unfortunately for them, the soldiers tasked with finding them are just too damn good at their jobs and it isn't long before Theo's past catches up with them all. Will Abby regret her decision to leave everything she's ever known behind for a man she hardly knows and all the dangers that comes along with it? As well as picking up the heavy mantle of motherhood in the midst of all the chaos? Can Abby and Theo survive their brutal separation, wrenched apart by the mysterious organization intent on doing harm? Will they come out stronger and better for it in the long run, or will their love fizzle out at the first sign of trouble? Author's note: Contains a HEA and no cliffhanger. This is the concluding story to Part One.

    Told in eloquent, honest prose, Art’s Cello is a story about coming to terms with the past and letting go of the failures we allow to define us — and, in the process, honoring the lives of those we’ve lost. Jim McKean is an international award-winning violinmaker, author, and corresponding editor of Strings Magazine. He is a graduate of the first violinmaking school in America and the former president of the American Federation of Violin and Bow Makers. His novel, Quattrocento, was published in 2002. Cover design by Evan Twohy.