She had the inspired courage that saved many hundreds of Jews and Poles in World War II, the compassion that made her a self-trained doctor to tens of thousands of refugees, the incredible grit that took her close to death in several theatres of war, and the dedication to truth and justice that shone forth in her own books and a lifetime of astonishing heroism.Born in a cyclone in 1887 on a Queensland sugar plantation she grew up in grinding poverty in Gippsland and emerged from years of unpaid drudgery by writing a children's book and freelance journalism. In 1918 she married Sydney Loch, author of a banned book on Gallipoli. After a dangerous time in Dublin during the Troubles, they escaped from possible IRA vengeance to work with the Quakers in Poland. There they rescued countless dispossessed people from disease and starvation and risked death themselves.In 1922 Joice and Sydney went to Greece to aid the 1,500,000 refugees fleeing Turkish persecution. Greece was to become their home. They lived in an ancient tower by the sea in the shadows of Athos, the Holy Mountain, and worked selflessly for decades to save victims of war, famine and disease.During World War II, Joice Loch was an agent for the Allies in Eastern Europe and pulled off a spectacular escape to snatch over a thousand Jews and Poles from death just before the Nazis invaded Bucharest, escorting them via Constantinople to Palestine. By the time she died in 1982 she had written ten books, saved many thousands of lives and was one of the world's most decorated women. At her funeral the Greek Orthodox Bishop of Oxford named her 'one of the most significant women of the twentieth century.'This classic Australian biography is a tribute to one of Australia's most heroic women, who always spoke with great fondness of Queensland as her birthplace. In 2006, a Loch Memorial Museum was opened in the tower by the sea in Ouranoupolis, a tribute to the Lochs and their humanitarian work.

    . . I grabbed my suitcase, containing Pot. Chlor., Sulph Ac, gelignite, detonators, electrical and ignition, and the rest of my Sinn Fein conjurer's outfit, and carried it to the window . . ." The men were, of course, the police, and seventeen-year-old Behan. He spent three years as a prisoner in England, primarily in Borstal (reform school), and was then expelled to his homeland, a changed but hardly defeated rebel. Once banned in the Irish Republic, Borstal Boy is both a riveting self-portrait and a clear look into the problems, passions, and heartbreak of Ireland.

    After a chapter of background on the period from 1921 to 1963, it covers the ensuing period-the descent into violence, the hunger strikes, the Anglo-Irish accord, the bombers in England-to the present shaky peace process. Behind the deluge of information and opinion about the conflict, there is a straightforward and gripping story. Mr. McKittrick and Mr. McVea tell that story clearly, concisely, and, above all, fairly, avoiding intricate detail in favor of narrative pace and accessible prose. They describe and explain a lethal but fascinating time in Northern Ireland's history, which brought not only death, injury, and destruction but enormous political and social change. They close on an optimistic note, convinced that while peace-if it comes-will always be imperfect, a corner has now been decisively turned. The book includes a detailed chronology, statistical tables, and a glossary of terms.

    Among the victims of this tragedy were Thomas Keneally's own forebearers, and they were his inspiration to tell the story of the Irish who struggled and ultimately triumphed in Australia and North America. Relying on rare primary sources--including personal letters, court transcripts, ship manifests, and military documents--Keneally offers new and important insights into the impact of the Irish in exile. The result is a vivid saga of heroes and villains, from Great Famine protesters to American Civil War generals to great orators and politicians.

    This is a vividly-written, compelling narrative placing events in Ireland in the wider context of a world in turmoil after the ending of a global war: one that saw the collapse of empires and the rise of fascist Italy and communist Russia. Walsh shows how developments in Europe and America had a profound effect on Ireland, influencing the attitudes and expectations of combatants and civilians. Walsh also brings to life what Irish people who were not fully involved in the fighting were doing - the plays they went to, the exciting films they watched in the new cinemas, the books they read and the work they did. The freedom from Britain that most of them wanted was, when it came, a bitter disappointment to a generation aware of the promise of modernity.

    Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax, and a coda that casts shifting perspectives on all that has preceded.

    They arrive in New York City with only a small purse of silver and the promise that Maeve’s brother will find them there. But he’s nowhere to be found and a scam artist cons the girls out of their savings, leaving the two destitute in the tenements of Lower Manhattan.As the women claw their way up from seamstresses earning pennies a day to proprietresses starting their own shop, their success is endangered by the city’s corruption and a disgraceful secret that Victoria has been keeping from Maeve. Jealous rivals, religious prejudice, and the shocking revelation of Victoria’s shameful past threaten to reduce the women to rags. But will their strength, courage, and spirit be enough to help them survive and thrive once again?

    Yeats for over fifty years, Roy Foster sheds new light on one of the most complex and fascinating lives of the late nineteenth and early twentieth century. Working from a great archive of personal and contemporary material, he dramatically alters traditional perceptions to illuminate the poet's family history, relationships, politics and art. From a childhood inheritance of déclassé Irish Protestantism with strong nationalist sympathies, and an exceptional and talented family background, the narrative charts Yeats's development into an original and outstanding poet. It ends in his fiftieth year with the controversies and disillusionment affecting his personal and public life at the time of the First World War. A bohemian life of uncertain finances, love-affairs, avant-garde friends and experiments with drugs and occultism prefaces his attempt to unite politics with high culture and his creation of an Irish national theatre. Constantly shifting between Dublin, Coole Park and London, with forays to America and Paris, ruthlessly constructing a public life as well as a creative reputation, Yeats's genius attracted admirers and enemies with equal passion. His story intersects with those of an engrossing cast of characters including Lady Gregory, J. M. Synge, George Moore, `AE', Ezra Pound and above all Maud Gonne - an influence eternally re-created `like the phoenix', affecting almost everything he did. The search for supernatural wisdom forms a constant thread, traced through Yeats's occult notebooks and closely related to the insecurities of his personal life. The Apprentice Mage charts the growth of a poet's mind and of an astonishing personality, both of which were instrumental in the formation of a new and radicalized Irish nationalist identity.

    That's some feat, but Geraldine Quigley has managed to make it seem easy' Roddy DoyleA tender, devastating coming-of-age debut novel about friendship, innocence and warThe end of the school year is approaching, and siblings Paddy and Liz McLaughlin, Christy Meehan, Kevin Thompson and their friends will soon have to decide what they're going to do with the rest of their lives. But it's hard to focus when there's the allure of their favourite hangout place, the dingy 'Cave', where they go to drink and flirt and smoke. Most days, Christy, Paddy and Kevin lie around listening to Dexys and Joy Division. Through a fog of marijuana, beer and budding romance, the future is distant and unreal.But this is Derry in 1981, and they can't ignore the turmoil of the outside world. A friend is killed, and Christy and Paddy, stunned out of their stupor, take matters into their own hands. Some choices are irreversible, and choosing to fight will take hold of their lives in ways they never imagined.With humour and compassion, Geraldine Quigley reveals the sometimes slippery reasons behind the decisions we make, and the unexpected and intractable ways they shape our lives.

    852 A.D. For decades the Vikings have swept out of the Norse countries and fallen on England, Ireland, whatever lands they could reach aboard their longships. Few could resist the power of their violent onslaught. They came at first to plunder, and then to settle, an encroachment fiercely resisted where ever they went. Such was the case in the southern lands of Ireland. En route to the Viking longphort there, known as Dubh-Linn, Thorgrim Night Wolf and Ornolf the Restless stumble across an Irish ship that carries aboard it a single item - a crown. The Vikings eagerly snatch the prize, unaware of its significance to the people of Ireland and the power granted to the king who wears it. Soon the Norsemen are plunged into the violence and intrigue of Medieval Ireland, where local kings fight with each other and with the invaders from the north for rule of the island nation. With enemies at every hand, and loyalties as fickle as the weather, Thorgrim must lead his men, the white invaders, the Fin Gall, in the fight of their lives, with both Irish and Dane eager to see them dead.

     He has played in World Cups and FA Cup finals; shared a dressing room with football greats like Roy Keane, Alan Shearer and Robbie Keane and worked under celebrated managers like Kenny Dalglish, Bobby Robson and Martin O’Neill. But Shay has had to show courage and strength of mind to get where he wanted in life. At four years old, he cruelly lost his mother to cancer at the age of just 41. Mum Agnes’s dying wish was that Dad Seamus would keep the family together. Seamus kept his word and the Given clan watched with pride as Shay forged a record-breaking career in the sport he loved. From Donegal to Saipan, Glasgow to Wembley and Tyneside to Paris, it’s been some journey. Shay has seen it all. Glorious highs and desperate lows. Dressing room wind-ups and team-bonding punch-ups. Brutal injuries and crippling self-doubt. Along the way, he has made so many friends. When one of his closest pals, Gary Speed, died suddenly in 2011, he was devastated. He played on, doing the only thing he knew to get him through the pain – pulling on a shirt and a pair of gloves. Shay loves football – for him, nothing can beat the buzz of a Saturday afternoon or the thrill of a big match night under lights. But he has never lost touch with the fans who make the game what it is. Entertaining, opinionated and inspirational, his long-awaited autobiography ANY GIVEN SATURDAY features a stellar cast of famous football names from the past 25 years. It tugs at the heart strings, bubbles with banter and lets slip secrets behind the big stories. This is a rare journey behind the scenes as told by one of our own.

    By 2008, it was bust. The Irish government's hopeless attempts to save Anglo have led the state to ruin - culminating in a punitive IMF bailout in late 2010 and threatening the future of the euro. Now, for the first time, the full story of the bank the Sunday Times described as 'a building society on crack' is being told - by the journalist who has led the way in coverage of Anglo and its many secrets. Drawing on his unmatched sources in and around Anglo, Simon Carswell of the Irish Times shows how the business model that brought Anglo twenty years of spectacular growth was also at the heart of its - and Ireland's - downfall. He paints a vivid and disturbing picture of life inside Anglo - the credit committee meetings, the lightning-quick negotiations with property developers, the culture of lavish entertainment - and of the men who presided over its dizzying rise and fall: Sean FitzPatrick, David Drumm, Willie McAteer and many others. This is not only the first full account of the Anglo disaster; it will also be the definitive one.

    But in her mother, a would-be artist burdened by the endless arrival of new babies, young Kate saw the consequences of a dream deferred. Determined to pursue her own no matter the cost, at 18 she left her small Midwestern town for New York, where, studying with the legendary Stella Adler, she learned the lesson that would define her as an actress: "Use it," Adler told her. Whatever disappointment, pain, or anger life throws in your path, channel it into the work.It was a lesson she would need. At twenty-two, just as her career was taking off, she became pregnant and gave birth to a daughter. Having already signed the adoption papers, she was allowed only a fleeting glimpse of her child. As her star continued to rise, her life became increasingly demanding and fulfilling, a whirlwind of passionate love affairs, life-saving friendships, and bone-crunching work. Through it all, Mulgrew remained haunted by the loss of her daughter, until, two decades later, she found the courage to face the past and step into the most challenging role of her life, both on and off screen.We know Kate Mulgrew for the strong women she's played--Captain Janeway on Star Trek; the tough-as-nails "Red" on Orange is the New Black. Now, we meet the most inspiring and memorable character of all: herself. By turns irreverent and soulful, laugh-out-loud funny and heart-piercingly sad, BORN WITH TEETH is the breathtaking memoir of a woman who dares to live life to the fullest, on her own terms.

    Finding work in a grand house on the edge of Cork City, she is irrepressibly drawn to the charismatic gardener Michael Egan, sparking a love affair and a devastating chain of events that continues to unfold over three generations. Spanning more than a century, Life Sentences is the unforgettable journey of a family hungry for redemption, and determined against all odds to be free.This sweeping story of one family's fight for survival goes on making the heart lurch long after the final page, and confirms Billy O'Callaghan as one of the finest living Irish writers.

    This meticulously researched true-crime tale reads like a quintessential Victorian thriller and is perfect for fans of The Suspicions of Mr Whicher.One morning in November 1856 George Little, the chief cashier of the Broadstone railway terminus in Dublin, was found dead, lying in a pool of blood beneath his desk. His head had been almost severed; a knife lay nearby, but strangely the office door was locked, apparently from the inside. This was a deed of almost unheard-of brutality for the peaceful Irish capital: while violent crime was commonplace in Victorian London, the courts of Dublin had not convicted a single murderer in more than thirty years.From the first day of the police investigation it was apparent that this was no ordinary case. Detectives struggled to understand how the killer could have entered and then escaped from a locked room, and why thousands of pounds in gold and silver had been left untouched at the scene of the crime. Three of Scotland Yard’s most celebrated sleuths were summoned to assist the enquiry, but all returned to London baffled. It was left to Superintendent Augustus Guy, the head of Ireland's first detective force, to unravel the mystery.Five suspects were arrested and released, with every step of the salacious case followed by the press, clamouring for answers. Under intense public scrutiny, Superintendent Guy found himself blocked at almost every turn. But then a local woman came forward, claiming to know the murderer….